Rosalind Krauss – författare

Groundbreaking in both its content and its presentation, Art Since 1900 has been hailed as a landmark study in the history of art. Conceived by some of the most influential art historians of our time, this extraordinary book has now been revised, expanded and brought right up to date to include the latest developments in the study and practice of art.With a clear year-by-year structure, the authors present 130 articles, each focusing on a crucial event – such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition – to tell the myriad stories of art from 1900 to the present. All the key turning-points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent antimodernist reactions that proposed alternative visions. This expanded edition includes a new introduction on the impact of globalization, as well as essays on the development of Synthetic Cubism, early avant-garde film, Brazilian modernism, postmodern architecture, Moscow conceptualism, queer art, South African photography, and the rise of the new museum of art. Acclaimed as the definitive work on the subject, Art Since 1900 is essential reading for anyone seeking to understand the complexities of art in the modern age.

Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice.Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.

Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice.Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.

Surprising juxtapositions between high elegance and downtown funkiness -- a choreography of bright colors and shapes, contrasting textures and patterns, theatrical lighting and quirky found objects -- make up the world of Alan Buchsbaum. An imaginative architect and designer, he was deemed one of the originators of the supergraphics look of the 1960s, the high-tech aesthetic of the 1970s, and the loft look of the 1980s. This lavishly illustrated monograph collects -- for the first time ever -- over forty of his incredible projects. Working in New York during the late 1960s and early 1970s, he became famous for his ad-hoc style. The postwar era's bold materials (vinyl, formica, plastic) were united with his flair for embellishing modern forms while mimicking popular culture's nuances -- a big curve here, a little wiggle there. A favorite among design professionals and magazine editors, his death in 1987 robbed the industry of a major talent. Featured are his notorious loft spaces for his star clients, who collaborated with Buchsbaum on these dramatic transformations. His world of fantasy and luxury was also a place of function and comfort, as seen in his commercial spaces, retail stores, and hotels -- the 1986-87 Nevele Hotel renovation is a tour de force of retro-chic design. Also documented is a cornucopia of his furnishings, including rugs, tables, chairs, and slipcovers. Contributors, all friends, clients, and/or collaborators, recall his ingenuity and flamboyant personality.

"Meppayil’s is an artisanal practice executed in a contemporary South Asian context, in dialogue with Western modernism from the 1950s and ’60s" –FriezeIndian artist Prabhavathi Meppayil (born 1965) makes wall-mounted panels and sculptural installations containing subtle gestures that heighten the inherent qualities of her materials and tools. The artist's integration of craft-based labor and process-based art positions her work in unique dialogue with a complex history of material and artistic production, invoking artisanal legacies, affinities with Indian culture, and Minimalist and Postminimalist concepts. This book explores the past six years of Meppayil's output and echoes the subtle qualities of her work through its considered typography and design. Semitransparent and colored pages are inserted between sections to define the different exhibitions but also as another layer of materiality and counterpoise to the works. The layout of the inside pages balances the works and texts within a modernist grid, using the proportions of the page to create harmony and breathing room around the works.

Through more than 200 works, the representation and pictorial meaning of the window in the Western Art Since the Renaissance, the window has been both a metaphor and an essential conceptual tool in Western painting. A Window on the World seeks to thoroughly analyze the gradual changes which have occurred in the representation and pictorial meaning of the window, in particular in the course of the twentieth century. It explores the radical change in perspective whereby artists developed and offered us a “global vision”, a formal perception freed from the need to imitate the objective world. The catalogue is structured into four main sections: Historical introduction, Seeing through, Grids, From the Window to the Screen. These sections include specific analysis consecrated to artists who have chosen the window as the privileged means of their artistic research or to recurrent themes such as the fascinating relationship between window and still life.