Rose Walker – författare

For generations maps of the pilgrimage roads and of the reconquista have bedevilled the study of Spanish art and architecture. They have also infiltrated the popular imagination and come to dominate the ways we think about Spain and Portugal. Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths sets out to diminish the power of these images and to enrich the wider English-language literature on early medieval art. Starting with the Romans and working through the vertical layers to the early Romanesque period Rose Walker draws together scholarly work hitherto confined within disciplinary boundaries, specialist regional studies, and findings familiar only to Spanish-speaking audiences. The author builds on these studies and her own research to present narratives that question art historical and archaeological orthodoxies. New perspectives emerge from the routes along which wealth and artistic expertise crossed the peninsula, showing the endurance of the north-south axis and the strength of networks and pragmatic alliances that often operated without regard for religious difference.

For generations maps of the pilgrimage roads and of the reconquista have bedevilled the study of Spanish art and architecture. They have also infiltrated the popular imagination and come to dominate the ways we think about Spain and Portugal. Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths sets out to diminish the power of these images and to enrich the wider English-language literature on early medieval art. Starting with the Romans and working through the vertical layers to the early Romanesque period Rose Walker draws together scholarly work hitherto confined within disciplinary boundaries, specialist regional studies, and findings familiar only to Spanish-speaking audiences. The author builds on these studies and her own research to present narratives that question art historical and archaeological orthodoxies. New perspectives emerge from the routes along which wealth and artistic expertise crossed the peninsula, showing the endurance of the north-south axis and the strength of networks and pragmatic alliances that often operated without regard for religious difference.

For generations maps of the pilgrimage roads and of the reconquista have bedevilled the study of Spanish art and architecture. They have also infiltrated the popular imagination and come to dominate the ways we think about Spain and Portugal. Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths sets out to diminish the power of these images and to enrich the wider English-language literature on early medieval art. Starting with the Romans and working through the vertical layers to the early Romanesque period Rose Walker draws together scholarly work hitherto confined within disciplinary boundaries, specialist regional studies, and findings familiar only to Spanish-speaking audiences. The author builds on these studies and her own research to present narratives that question art historical and archaeological orthodoxies. New perspectives emerge from the routes along which wealth and artistic expertise crossed the peninsula, showing the endurance of the north-south axis and the strength of networks and pragmatic alliances that often operated without regard for religious difference.

"This innovative, wide-ranging and erudite book illuminates the sophistication of artistic exchange at this time and place." Costanza Beltrami, Stockholm University. Sculptors and painters produced exceptional, and sometimes eccentric works of art in the middle decades of the twelfth century in Iberia. The high-level artistic expertise needed to produce such works could be gifted, loaned, and even stolen in the same way as other precious items. It could be moved, like a commodity, across networks forged by reforming churchmen and rulers that traversed the Pyrenees and the Peninsula. Much of this sculpture and wall-painting shows an ability to play with the different repertoires that emerged from these established routes of exchange. The pilgrimage roads of the Codex Calixtinus have had a strong imaginative pull and even been invoked to explain such artistic production. By contrast, this book argues that the more playful and satirical aspects of that manuscript - the pseudonyms, exaggerated claims, and pointed selections - resonate not only with a wider culture of forged charters and re-invented institutional histories but also with the imaginative, eclectic, and sometimes ludic art of these decades. This art encompasses sculpted church façades, painted interiors, illuminated missals and cartularies, as well as carved Atlas figures that encapsulate the complex status of the artists who made them.

In this colourfully illustrated book, Rose Walker surveys Spanish and Portuguese art and architecture from the time of the Roman conquest to the early twelfth century.