Following an introduction to the theory of autobiographical rhetoric, this study centers on the process of fictionalizing the self in Cabrera Infante's La Habana para un infant difunto and Vargas Llosa's La tia Julia y el escribidor. Rosemary Feal examines narrative devices that the self-conscious protagonists employ to translate life into text and shows how they create mock autobiographies. The analysis of the autobiographical mode encompasses related forms of storytelling including the picaresque, the cinema, soap operas, and erotica, and it also touches on other works by these authors.

Examines psychoanalysis, feminism, philosophy, and semiotics to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting, and to larger questions of art theory and literary history.Painting on the Page devises critical strategies that combine psychoanalysis, feminism, semiotics, and philosophy to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting and to larger questions of art and literary history. The authors widen the theoretical lines to Hispanism, where approaches of this kind are rare. The book raises crucial concerns that relocate the art works and texts in question beyond the historical or aesthetic framework in which they have been traditionally placed.

Following an introduction to the theory of autobiographical rhetoric, this study centers on the process of fictionalizing the self in Cabrera Infante's La Habana para un infant difunto and Vargas Llosa's La tia Julia y el escribidor. Rosemary Feal examines narrative devices that the self-conscious protagonists employ to translate life into text and shows how they create mock autobiographies. The analysis of the autobiographical mode encompasses related forms of storytelling including the picaresque, the cinema, soap operas, and erotica, and it also touches on other works by these authors.

Examines psychoanalysis, feminism, philosophy, and semiotics to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting, and to larger questions of art theory and literary history.Painting on the Page devises critical strategies that combine psychoanalysis, feminism, semiotics, and philosophy to examine late 19th- and 20th-Century Spanish and Spanish-American literature in relation to painting and to larger questions of art and literary history. The authors widen the theoretical lines to Hispanism, where approaches of this kind are rare. The book raises crucial concerns that relocate the art works and texts in question beyond the historical or aesthetic framework in which they have been traditionally placed.