Roy A. Harrisville – författare

This is a print on demand book and is therefore non- returnable. Since the advent of formal biblical criticism, many have come to see the crucifixion as merely one event in the process of religious development. Yet for the New Testament writers it was so much more, representing a radical break that forever affected their perception of God and the world. In this insightful work of careful critical scholarship, Roy Harrisville examines the thought worlds of the New Testament writers, showing how the cross fractured their previously held ideas, causing a profound reorientation centered on the story of the cross. Focusing chronologically on Paul, the Synoptic writers, John, and the authors of Hebrews and 1 Peter, Harrisville demonstrates changes in the writers' understanding of sacrifice, law, Hellenism, apocalyptic, and other areas — changes that created the new values of the radically different Christian community.

This is a print on demand book and is therefore non- returnable. Historical- Critical Method in Biblical Scholarship has been a Pandora's box for the intellectual life of the church. No achievement of modern scholarship has been more effective in understanding the Bible, yet it has also seriously challenged a church trying to preserve the integrity of its cherished theological traditions. In this critically acclaimed book Roy Harrisville and Walter Sundberg trace the development and drama of historical- critical method by surveying the major figures who created and employed it - from Baruch Spinoza in the seventeenth century to present-day interpreters. This expanded second edition of The Bible in Modern Culture includes three new chapters detailing the work of Adolf Schlatter, Paul Ricoeur, and Brevard Childs.

For many, the historical-critical method has released a host of threats to Christian faith and confession. In Pandora's Box Opened, however, Roy Harrisville argues that despite the evils brought upon biblical interpretation by the historical-critical method, there is still hope for it as a discipline.Harrisville begins by describing the emergence and use of the historical-critical method. He then attends to the malaise that has come over the method, which he says still persists. Finally, Harrisville commends the historical-critical method, though shorn of its arrogance. He claims that the method and all its users comprise a "Pandora's Box" that, when opened, releases "a myriad other pains," but hope still remains.

This book introduces the reader to the various perspectives involved in the interpretation of the New Testament from the lexicographical to the feminist approach. Each chapter contains examples of the perspective involved--its presuppositions and method, followed by a caveat. This book promises to be a welcome companion and invaluable source for students of New Testament theology.

This book, written for college and seminary age students, is the distillation of reflection on the life and career of Jesus of Nazareth for over three decades. Such reflection needs no legitimizing since preoccupation with Jesus of Nazareth continues in one form or another till the present day. The arrangement of the pieces and fragments which make up the "e;mosaic"e; in part pursue the usual chronological order as appears in most editions of the Bible. But the interpretation of events within each sequence are this author's own. In discussion with early or contemporary scholars, the text may reflect agreement or disagreement, but assumes the right to and responsibility for a specific point of view. As indicated, the book is a "e;mosaic,"e; comprised of pieces and fragments. It in no way intends to match the often massive attempts at describing Jesus of Nazareth that have been published over the centuries. Like a mosaic, it will show wear and tear, but it will be sufficient to indicate to the reader precisely whose face appears amid all those fragments and pieces, and enough to awaken reflection on his life and career.