Roy Christopher – författare

The ever-evolving ways that we interact with each other, our world, and ourselves through technology is a topic as worn as the devices we clutch and carry every day. How did we get here? Drawing from the disciplines of media ecology and media archaeology, as well as bringing fresh perspectives from subcultures of music and skateboarding, The Medium Picture illuminates aspects of technological mediation that have been overlooked along the way. Roy Christopher’s high-tempo, lucid prose shows us how immersion in unmoored technologies of connectivity places us in a world of pure media and redefines who we are, how we are, and what we will be.

The ever-evolving ways that we interact with each other, our world, and ourselves through technology is a topic as worn as the devices we clutch and carry every day. How did we get here? Drawing from the disciplines of media ecology and media archaeology, as well as bringing fresh perspectives from subcultures of music and skateboarding, The Medium Picture illuminates aspects of technological mediation that have been overlooked along the way. Roy Christopher’s high-tempo, lucid prose shows us how immersion in unmoored technologies of connectivity places us in a world of pure media and redefines who we are, how we are, and what we will be.

In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium.Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.

Using extreme music and film as points of departure, Post-Self digs deep into the darkest thoughts of the most dissatisfied minds, minds that want to leave their bodies behind.Everyone is looking for a way out. Throughout history, the physical body has often been seen as a prison, as something to be escaped by any means necessary: technology, mechanization, drugs and sensory deprivation, rapture, or even death.Taking in horror movies, heavy metal, philosophy, science fiction, and cybernetics, Post-Self is an exploration of the ways that human beings have sought to make this escape, to transcend the limits of the human body, to find a way out.As the physical world continues to collapse around us, and we are faced with a particularly 21st-century kind of dread and dehumanization,Post-Self asks what this escape from our bodies might look like, and what it might mean for the future of civilisation.