In these stories, which make an important contribution to the literary heritage of South Africa, we have a kind of marriage between P G du Plessis and Herman Charles Bosman. The style is eloquent, the picaresque characters unique and typical at the same time. The writer manages, within the limited space of a short story, to print a picture of his characters'' physical attributes as well as their personality traits. There are a number of stories that tell why certain people are the way they are. The content and the style of writing give the stories a delightful South African flavour in the evocative use of appropriate figurative language and symbolism. There is a good balance between narration and dialogue. Settings, where necessary, are vividly described, especially the arid landscape, the farms and the vegetation. The stories are all the more interesting and topical for their pithy comment on the ills of modern society and the allusions to problems in the New South Africa. They make compelling reading, for the outcome of each is invariably unexpected.

The author has written a quartette of stories, the other three titles of the quartette being Pivot of Violence: Tales of the New South Africa, Flakes of Dark and Light: Tales From Southern Africa and Elsewhere; and Just a Bit Touched: Tales of Perspective. All make a very vivid and lasting impression.

The title for this volume was suggested by a remark of the narrator in the opening paragraph of the first story, ''The Arcadian'': "They''re just a bit touched, bonkers-like."

While the characters might appear ''a bit touched,'' each tale is touched by its own perspective, since each reflects the point of view of its unique narrator. So often the England of the Thirties or Forties is seen through the eyes of a child so that, Dickens-like, the foibles and characteristics of the adult world appear larger than life. These early stories are interesting, too, for the historical perspective they give us of an Andy Capp industrial society long since gone. There are other stories written from the perspective of the Fifties: the two stories dealing with motor cars (''The Efelant'' and ''Egging-on'') add a more amusing perspective of a time when petrol was dear and neighbours more than a bit touched by curiosity! The stories written in Africa with its latent social change ''Victims,'' for instance add a more violent perspective, though hilarity is introduced by the expatriot (in ''It Was A Very Sad Case'') who seems more than a bit touched by his paranoia.

The author has written a quartette of stories, the other three titles of the quartette being News from Parched Mountain: Tales from the Karoo in the new South Africa, Flakes of Dark and Light: Tales From Southern Africa and Elsewhere; and Pivot of Violence: Tales from the new South Africa. All make a very vivid and lasting impression.

In these stories, which make an important contribution to the literary heritage of South Africa, we have a kind of marriage between P G du Plessis and Herman Charles Bosman. The style is eloquent, the picaresque characters unique and typical at the same time. The writer manages, within the limited space of a short story, to print a picture of his characters'' physical attributes as well as their personality traits. There are a number of stories that tell why certain people are the way they are. The content and the style of writing give the stories a delightful South African flavour in the evocative use of appropriate figurative language and symbolism. There is a good balance between narration and dialogue. Settings, where necessary, are vividly described, especially the arid landscape, the farms and the vegetation. The stories are all the more interesting and topical for their pithy comment on the ills of modern society and the allusions to problems in the New South Africa. They make compelling reading, for the outcome of each is invariably unexpected.

The author has written a quartette of stories, the other three titles of the quartette being Pivot of Violence: Tales of the New South Africa, Flakes of Dark and Light: Tales From Southern Africa and Elsewhere; and Just a Bit Touched: Tales of Perspective. All make a very vivid and lasting impression.

The title for this volume was suggested by a remark of the narrator in the opening paragraph of the first story, ''The Arcadian'': "They''re just a bit touched, bonkers-like."

While the characters might appear ''a bit touched,'' each tale is touched by its own perspective, since each reflects the point of view of its unique narrator. So often the England of the Thirties or Forties is seen through the eyes of a child so that, Dickens-like, the foibles and characteristics of the adult world appear larger than life. These early stories are interesting, too, for the historical perspective they give us of an Andy Capp industrial society long since gone. There are other stories written from the perspective of the Fifties: the two stories dealing with motor cars (''The Efelant'' and ''Egging-on'') add a more amusing perspective of a time when petrol was dear and neighbours more than a bit touched by curiosity! The stories written in Africa with its latent social change ''Victims,'' for instance add a more violent perspective, though hilarity is introduced by the expatriot (in ''It Was A Very Sad Case'') who seems more than a bit touched by his paranoia.

The author has written a quartette of stories, the other three titles of the quartette being News from Parched Mountain: Tales from the Karoo in the new South Africa, Flakes of Dark and Light: Tales From Southern Africa and Elsewhere; and Pivot of Violence: Tales from the new South Africa. All make a very vivid and lasting impression.