Roy Pascal – författare
2 316 kr
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772 kr
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516 kr
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886 kr
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Faced with a political movement that was effectively unparalleled many observers found it extremely difficult to work out exactly what kind of regime they were dealing with: whose interests did it serve? First published in 1934, The Nazi Dictatorship argues both that the Nazi regime represented a clear break from pre-War ‘Prussian militarism’ and that it was not a passing fad. It describes a ‘State of Monopoly Capitalism’ in which large scale industrial and financial interests are paramount.
893 kr
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Faced with a political movement that was effectively unparalleled many observers found it extremely difficult to work out exactly what kind of regime they were dealing with: whose interests did it serve? First published in 1934, The Nazi Dictatorship argues both that the Nazi regime represented a clear break from pre-War ‘Prussian militarism’ and that it was not a passing fad. It describes a ‘State of Monopoly Capitalism’ in which large scale industrial and financial interests are paramount.
2 505 kr
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588 kr
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672 kr
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Originally published in 1960. Is there an art of autobiography? What are its origins and how has it come to acquire the form we know today? For what does the autobiographer seek, and why should it be so popular? This study suggests some of the answers to these questions. It takes the view that autobiography is one of the dominant and characteristic forms of literary self-expression and deserves examination for its own sake. This book outlines a definition of the form and traces its historical origins and development, analyses its ‘truth’ and talks about what sort of self-knowledge it investigates.
672 kr
Läs direkt efter köp
Originally published in 1960. Is there an art of autobiography? What are its origins and how has it come to acquire the form we know today? For what does the autobiographer seek, and why should it be so popular? This study suggests some of the answers to these questions. It takes the view that autobiography is one of the dominant and characteristic forms of literary self-expression and deserves examination for its own sake. This book outlines a definition of the form and traces its historical origins and development, analyses its ‘truth’ and talks about what sort of self-knowledge it investigates.