Rozsika Parker – författare
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6 produkter
6 produkter
Häftad, Engelska, 2019
285 kr
Skickas inom 5-8 vardagar
Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements.The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.
Häftad, Engelska, 2020
359 kr
Skickas inom 10-15 vardagar
Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today.In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
E-bok
Engelska, 2020390 kr
Läs direkt efter köp
Why is everything that compromises greatness in art coded as ''feminine''? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock''s critique of Art History''s sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists'' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today.In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
E-bok
PDF, Engelska, 2020389 kr
Läs direkt efter köp
Why is everything that compromises greatness in art coded as ''feminine''? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock''s critique of Art History''s sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists'' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today.In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
Häftad, Engelska, 2005
268 kr
Skickas inom 10-15 vardagar
New, revised edition of this bold and exciting book. More and more women confess uneasily to finding motherhood as much a source of pain as pleasure. Rozsika Parker presents a new understanding of maternal ambivalence, suggesting that the coexistence of love and hate can stimulate and sharpen a mother's awareness of what is going on between her and her child. Drawing on interviews, clinical material from her practice as a psychoanalytic psychotherapist and a range of literary sources, Torn in Two is original and accessible. With new readings of the work of Klein, Winnicott, Bowlby and others, this book offers invaluable - and often reassuring - insight into the conflicts confronting women at every stage of motherhood.
E-bok
PDF, Spanska, 2022136 kr
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¿Cómo es posible que, a finales del siglo xx, se hubiese borrado de la historia del arte a las mujeres como artistas en tan gran medida como para que la idea de «el artista» fuese exclusivamente masculina? ¿Por qué este borrado fue más radical en el siglo xx que nunca antes? ¿Por qué todo aquello que compromete la grandeza del arte se etiqueta como «femenino»? ¿La crítica feminista de la historiografía artística ha tenido ya algún efecto real, o aún no se ha producido cambio alguno?Este libro, realmente pionero, ofrece un desafío radical a una Historia del arte en la que no abundan las mujeres. La crítica que lasautoras hacen del sexismo en la disciplina conduce a nuevas lecturas ampliadas, inclusivas, del arte del pasado. A lo largo de sus páginas, ponen de manifiesto cómo las cambiantes realidades histórico-sociales de las relaciones de género, así como la transposición que de las condiciones de género hacen las mujeres artistas en sus obras proporcionan claves para comprender bajo una nueva luzpor qué y cómo podemos estudiar el arte del pasado. Y van más allá, para mostrar cómo este conocimiento nos permite entender el arte de artistas contemporáneas que son mujeres, contribuyendo así a cambiar el trabajo creativo y la percepción que de sí mismos tienen hoy día los artistas.