Rozsika Parker – författare
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6 produkter
Torn In Two
Maternal Ambivalence
Häftad, 2005
275 kr
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New, revised edition of this bold and exciting book. More and more women confess uneasily to finding motherhood as much a source of pain as pleasure. Rozsika Parker presents a new understanding of maternal ambivalence, suggesting that the coexistence of love and hate can stimulate and sharpen a …
Old Mistresses
Women, Art and Ideology
Av Rozsika Parker, Griselda Pollock
Häftad, 2020
348 kr
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Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and …
Subversive Stitch
Embroidery and the Making of the Feminine
Häftad, 2019
295 kr
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Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and …
Old Mistresses
Women, Art and Ideology
Av Rozsika Parker, Griselda Pollock
E-bok, 2020
390 kr
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Why is everything that compromises greatness in art coded as ''feminine''? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and …
Old Mistresses
Women, Art and Ideology
Av Rozsika Parker, Griselda Pollock
E-bok, 2020
393 kr
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Why is everything that compromises greatness in art coded as ''feminine''? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and …
Maestras antiguas
Mujeres, arte e ideología
Av Rozsika Parker, Griselda Pollock
E-bok, 2022
136 kr
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¿Cómo es posible que, a finales del siglo xx, se hubiese borrado de la historia del arte a las mujeres como artistas en tan gran medida como para que la idea de «el artista» fuese exclusivamente masculina? ¿Por qué este borrado fue más radical en el siglo xx que nunca antes? ¿Por qué todo aquello …