Ruchi Nagpal – författare

Premchand on Literature and Life is a collection of Premchand''s (1880-1936) fifty non-fiction prose pieces translated into English. The selected pieces in the collection compirse his editorials and articles which appeared in literary magazines and periodicals like Hans and Zamana, and cover a period from the early 1920s till 1936. In them, Premchand emerges as a literary critic and social commentator, holding forth on literature, his literary world, and the socio-cultural milieu of his ties.

His keen observations and insightful critique are a call for evolving appropriate processes and agencies to encourage literary creativity and evaluation. In the selected prose pieces, Premchand’s views are like a prism through which a nation''s literary quotient can be assessed.

This book is co-published with Aakar Books. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

Premchand on Literature and Life is a collection of Premchand''s (1880-1936) fifty non-fiction prose pieces translated into English. The selected pieces in the collection compirse his editorials and articles which appeared in literary magazines and periodicals like Hans and Zamana, and cover a period from the early 1920s till 1936. In them, Premchand emerges as a literary critic and social commentator, holding forth on literature, his literary world, and the socio-cultural milieu of his ties.

His keen observations and insightful critique are a call for evolving appropriate processes and agencies to encourage literary creativity and evaluation. In the selected prose pieces, Premchand’s views are like a prism through which a nation''s literary quotient can be assessed.

This book is co-published with Aakar Books. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

This volume provides a multi-nuanced analysis of the impact of the Covid-19 pandemic on various aspects of human existence, encompassing societal, economic, and inter-relational dimensions. It highlights a broad range of artistic and literary experiences that unfolded as a consequence of the pandemic or speak to that time.

The book revisits pandemic-induced shifts, phenomenologically, including the digitization of art and representations of creativity, “performance” anxiety, socio-political climate determined by “racial algorithms,” gaming surges, employment insecurities, mental health issues from a pedagogical materiality, and the nature of apocalypse through literary reimaginations. It also delves into the global food crisis, reframing of family structures, and local subjectivities as lived experiences.

A unique contribution, the book will be useful for students and researchers of cultural studies, digital humanities, mass media, sociology, mental health, psychology, medical anthropology, public health, literature, history of pandemics and epidemics, and South Asian studies.

This volume provides a multi-nuanced analysis of the impact of the Covid-19 pandemic on various aspects of human existence, encompassing societal, economic, and inter-relational dimensions. It highlights a broad range of artistic and literary experiences that unfolded as a consequence of the pandemic or speak to that time.

The book revisits pandemic-induced shifts, phenomenologically, including the digitization of art and representations of creativity, “performance” anxiety, socio-political climate determined by “racial algorithms,” gaming surges, employment insecurities, mental health issues from a pedagogical materiality, and the nature of apocalypse through literary reimaginations. It also delves into the global food crisis, reframing of family structures, and local subjectivities as lived experiences.

A unique contribution, the book will be useful for students and researchers of cultural studies, digital humanities, mass media, sociology, mental health, psychology, medical anthropology, public health, literature, history of pandemics and epidemics, and South Asian studies.

Theorizing Flash Fiction: Postmodern Perspectives aims to theorize the genre of flash fiction. A close theoretical analysis of the genre brings forth the supposition that for any genre to thrive and dominate, the literary fabric of times must become conducive to the form it harbingers.

Flash fiction, as a genre, thrives on multiplicity and plurality, and detests categorization. It, in a way, mirrors the age in which it comes to the fore. Postmodernism, with its celebration of the loss of fixed centers and power structures, can very evidently be seen reflected in the form. As it walks the tight rope of postmodernism, where Wittgenstein''s ''anything goes'' becomes the norm, it carves a niche for itself which is both conventional and revolutionary. This book reads the genre of flash fiction, engaging with the characteristic and theoretical underpinnings of postmodernism establishing it as a quintessential postmodern form that embodies the conjectural ideas of the age in its wake. It theorizes the form by engaging with ideas like authorship attribution, reader reception theory and reading process, postmodern narratology, and the poetics of sublime, reading the genre in synchronicity with the age.

By developing a theory for the form, this book aims to attest how flash fiction as a genre becomes a practical enunciation of the theoretical postulations of postmodernism.

Theorizing Flash Fiction: Postmodern Perspectives aims to theorize the genre of flash fiction. A close theoretical analysis of the genre brings forth the supposition that for any genre to thrive and dominate, the literary fabric of times must become conducive to the form it harbingers.

Flash fiction, as a genre, thrives on multiplicity and plurality, and detests categorization. It, in a way, mirrors the age in which it comes to the fore. Postmodernism, with its celebration of the loss of fixed centers and power structures, can very evidently be seen reflected in the form. As it walks the tight rope of postmodernism, where Wittgenstein''s ''anything goes'' becomes the norm, it carves a niche for itself which is both conventional and revolutionary. This book reads the genre of flash fiction, engaging with the characteristic and theoretical underpinnings of postmodernism establishing it as a quintessential postmodern form that embodies the conjectural ideas of the age in its wake. It theorizes the form by engaging with ideas like authorship attribution, reader reception theory and reading process, postmodern narratology, and the poetics of sublime, reading the genre in synchronicity with the age.

By developing a theory for the form, this book aims to attest how flash fiction as a genre becomes a practical enunciation of the theoretical postulations of postmodernism.