Rune Frederiksen – författare

In this fully illustrated study, Rune Frederiksen assembles all sources for Archaic city walls in the ancient Greek world, and argues that widespread fortification of settlements and towns, usually considered to date from the Classical period, in fact took place much earlier. Frederiksen discusses the types of fortified settlement and the topography of urban fortification, and also the preservation of structures from early settlements. He also presents an architectural history of Greek fortification walls before the Classical period, and makes the intriguing observation that early monumental architecture developed just as much in fortifications as it did in early temples. This underlines the importance of the secular sphere for the development of early communities across the Greek world.

With a collection of 57 articles in English, French and German, presenting the most recent research on ancient fortifications, this book is the most substantial publication ever to have issued on the topic for many years. While fortifications of the ancient cultures of the middle east and ancient Greek and Roman worlds were noticed by travelers and scholars from the very beginning of research on antiquity from the late 18th century onwards, the architectural, economic, logistical, political, urban and other social aspects of fortifications have been somewhat overlooked and underestimated by scholarship in the 20th century. The book presents the research of a new generation of scholars who have been analyzing those aspects of fortifications, many of them with years of experience in fieldwork on city walls. Much new evidence and a fresh look at this important category of built structure is now made available, and the publication will be of interest not only to the field of ancient architecture, but also to other sub-disciplines of archaeology and ancient history. The papers were presented at a conference in Athens in December 2012, and they all present material and discuss topics under seven headings that represent the most central themes in the study of fortification in antiquity: the origins of fortification, physical surroundings and building technique, function and semantics, historical context, the fortification of regions and regionally confined phenomena, the fortifications of Athens and new field research.The book is Volume 2 in the new series Fokus Fortifikation Studies, created by the German based international research network Fokus Fortifikation. The topics included have been identified by the network over many previous conferences and workshops as being the most important and as needing research and discussion beyond the network members. Volume 1 in the series, Ancient Fortifications: a compendium of theory and practice (Oxbow Books) will also appear in 2015 and together the two volumes bring the field of fortification studies up-to-date and will be an essential resource for many years to come.EPUB3: Reflowable

This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.

This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.

In this volume the leading experts on ancient Greek theatre architecture present new excavation results and new analyses of individual monuments. Many well-known theatres such as the one of Dionysos in Athens and others at for instance Messene, Sikyon, Chaironeia in Greece and Aphrodisias in Turkey have been re-examined since their original publication with stunning results. New research also includes less well-known or newly discovered ancient Greek theatres in Albania, Turkey, Cyprus and Sicily. Further studies on the history of research, regional theatrical developments, terminology and function, as well as a perspective on Roman theatres built in Greek traditions make this volume a comprehensive book of new research for specialist scholars as well as for students and the interested public. Fundamental publications on the topic have not been presented for many years, and this book aims to form a new foundation for the study of theatre architecture.

Celebrating 25 years of archeological research at the Danish Institute at Athens.