Rune Graulund – författare

Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film.The book:presents a history of the literary grotesque from Classical writing to the presentexamines theoretical debates around the term in their historical and cultural contextsintroduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberganalyses key terms such as disharmony, deformed and distorted bodies, misfits and freaksexplores the grotesque in relation to queer theory, post-colonialism and the carnivalesque.Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.

Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film.The book:presents a history of the literary grotesque from Classical writing to the presentexamines theoretical debates around the term in their historical and cultural contextsintroduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberganalyses key terms such as disharmony, deformed and distorted bodies, misfits and freaksexplores the grotesque in relation to queer theory, post-colonialism and the carnivalesque.Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.

The new edition of the bestselling Grotesque offers an accessible introduction to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film.The book presents a history of the literary grotesque from Classical writing to the present, examining theoretical debates around the term in their historical and cultural contexts, and introduces readers to key writers, artists and film makers of the grotesque, including Homer, Rabelais, Shakespeare, Carson McCullers, David Cronenberg, Ottessa Moshfegh and Bong Joon Ho. It analyses key terms such as discord and transgression, deformed and distorted bodies, misfits and freaks, and explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Updated and expanded throughout, the second edition reveals how grotesque is always on the move, pushing against the boundaries of shifting standards of what is and is not normal. It includes insightful new chapters on the absurd and ecocriticism. It also features fresh insight into fat studies, sophistication and the grotesque, decolonial grotesque, planetary grotesque, the New Weird and Ecogothic.This invaluable guide offers an original and distinctive overview of this vital genre. It is essential reading for students of literature, art history and film studies.

The new edition of the bestselling Grotesque offers an accessible introduction to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film.The book presents a history of the literary grotesque from Classical writing to the present, examining theoretical debates around the term in their historical and cultural contexts, and introduces readers to key writers, artists and film makers of the grotesque, including Homer, Rabelais, Shakespeare, Carson McCullers, David Cronenberg, Ottessa Moshfegh and Bong Joon Ho. It analyses key terms such as discord and transgression, deformed and distorted bodies, misfits and freaks, and explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Updated and expanded throughout, the second edition reveals how grotesque is always on the move, pushing against the boundaries of shifting standards of what is and is not normal. It includes insightful new chapters on the absurd and ecocriticism. It also features fresh insight into fat studies, sophistication and the grotesque, decolonial grotesque, planetary grotesque, the New Weird and Ecogothic.This invaluable guide offers an original and distinctive overview of this vital genre. It is essential reading for students of literature, art history and film studies.

An urgent volume of essays engages the Gothic to advance important perspectives on our geological era  What can the Gothic teach us about our current geological era? More than just spooky, moonlit castles and morbid graveyards, the Gothic represents a vibrant, emergent perspective on the Anthropocene. In this volume, more than a dozen scholars move beyond longstanding perspectives on the Anthropocene-such as science fiction and apocalyptic narratives-to show that the Gothic offers a unique (and dark) interpretation of events like climate change, diminished ecosystems, and mass extinction.Embracing pop cultural phenomena like True Detective, Jaws, and Twin Peaks, as well as topics from the New Weird and prehistoric shark fiction to ruin porn and the “monstroscene,” Dark Scenes from Damaged Earth demonstrates the continuing vitality of the Gothic while opening important new paths of inquiry. These essays map a genealogy of the Gothic while providing fresh perspectives on the ongoing climate chaos, the North/South divide, issues of racialization, dark ecology, questions surrounding environmental justice, and much more.Contributors: Fred Botting, Kingston U; Timothy Clark, U of Durham; Rebecca Duncan, Linnaeus U; Michael Fuchs, U of Oldenburg, Germany; Esthie Hugo, U of Warwick; Dawn Keetley, Lehigh U; Laura R. Kremmel, South Dakota School of Mines and Technology; Timothy Morton, Rice U; Barry Murnane, U of Oxford; Jennifer Schell, U of Alaska Fairbanks; Lisa M. Vetere, Monmouth U; Sara Wasson, Lancaster U; Jeffrey Andrew Weinstock, Central Michigan U.

An urgent volume of essays engages the Gothic to advance important perspectives on our geological era  What can the Gothic teach us about our current geological era? More than just spooky, moonlit castles and morbid graveyards, the Gothic represents a vibrant, emergent perspective on the Anthropocene. In this volume, more than a dozen scholars move beyond longstanding perspectives on the Anthropocene-such as science fiction and apocalyptic narratives-to show that the Gothic offers a unique (and dark) interpretation of events like climate change, diminished ecosystems, and mass extinction.Embracing pop cultural phenomena like True Detective, Jaws, and Twin Peaks, as well as topics from the New Weird and prehistoric shark fiction to ruin porn and the “monstroscene,” Dark Scenes from Damaged Earth demonstrates the continuing vitality of the Gothic while opening important new paths of inquiry. These essays map a genealogy of the Gothic while providing fresh perspectives on the ongoing climate chaos, the North/South divide, issues of racialization, dark ecology, questions surrounding environmental justice, and much more.Contributors: Fred Botting, Kingston U; Timothy Clark, U of Durham; Rebecca Duncan, Linnaeus U; Michael Fuchs, U of Oldenburg, Germany; Esthie Hugo, U of Warwick; Dawn Keetley, Lehigh U; Laura R. Kremmel, South Dakota School of Mines and Technology; Timothy Morton, Rice U; Barry Murnane, U of Oxford; Jennifer Schell, U of Alaska Fairbanks; Lisa M. Vetere, Monmouth U; Sara Wasson, Lancaster U; Jeffrey Andrew Weinstock, Central Michigan U.