Russell Jones – författare

First published in 1987. This fascinating study provides an understanding of the failings of the post-war era of active macroeconomic policy-making, and only by a better comprehension of past failings can we hope to provide the successful policies for the present and future. The book takes as its primary bench mark an analysis of Keynes’s conception of the wages problem at or near full employment in The General Theory of Employment, Interest and Money. It then depicts the developments in official thinking and policy with regard to this problem as the confidence in Keynesian principles waxed and waned over the period.

First published in 1987. This fascinating study provides an understanding of the failings of the post-war era of active macroeconomic policy-making, and only by a better comprehension of past failings can we hope to provide the successful policies for the present and future. The book takes as its primary bench mark an analysis of Keynes’s conception of the wages problem at or near full employment in The General Theory of Employment, Interest and Money. It then depicts the developments in official thinking and policy with regard to this problem as the confidence in Keynesian principles waxed and waned over the period.

Are you striving to establish a more creative and imaginative classroom? Are you interested in: the generosity of creativity; creative conjecture; being an advocate for creativity; welcoming the unexpected, the unpredictable and the unconventional; taking risks; learning which leads to new or original thinking which is of value? If so, this completely updated new edition of a classic text will show you how to achieve these ideals.The book is written in a clear and practical way by leading researchers and practitioners, offering help and advice on the planning and implementation of effective creative teaching and learning, and providing examples of best practice through a rigorous theoretical rationale.A hallmark of the book is its exploration of creativity through curriculum subjects. It builds on this in its first and last chapters by addressing key cross-curricular themes that thread their way throughout the book. Throughout there is an emphasis on critical and reflective practice.New to this edition are: three entirely new chapters on drama, music and geography; an update of the introduction to account for advances in creativity research, policy and practice; a new final chapter identifying cross-curricular themes; greater attention to international dimensions and examples.In this second edition the authors are drawn from six universities which between them produce some of the best education research internationally, and some of the best teacher education. The authors also come from leading national and international organisations such as the National Gallery in London and the Geographical Association. Creaivity for the Primary Curriculum is a core text for both training and practicing Primary teachers who wish to maintain high standards when approaching their teaching.

Are you striving to establish a more creative and imaginative classroom? Are you interested in: the generosity of creativity; creative conjecture; being an advocate for creativity; welcoming the unexpected, the unpredictable and the unconventional; taking risks; learning which leads to new or original thinking which is of value? If so, this completely updated new edition of a classic text will show you how to achieve these ideals.The book is written in a clear and practical way by leading researchers and practitioners, offering help and advice on the planning and implementation of effective creative teaching and learning, and providing examples of best practice through a rigorous theoretical rationale.A hallmark of the book is its exploration of creativity through curriculum subjects. It builds on this in its first and last chapters by addressing key cross-curricular themes that thread their way throughout the book. Throughout there is an emphasis on critical and reflective practice.New to this edition are: three entirely new chapters on drama, music and geography; an update of the introduction to account for advances in creativity research, policy and practice; a new final chapter identifying cross-curricular themes; greater attention to international dimensions and examples.In this second edition the authors are drawn from six universities which between them produce some of the best education research internationally, and some of the best teacher education. The authors also come from leading national and international organisations such as the National Gallery in London and the Geographical Association. Creaivity for the Primary Curriculum is a core text for both training and practicing Primary teachers who wish to maintain high standards when approaching their teaching.

'Brilliant ... Jones reveals how his techniques can be used to enhance your life' Daily Mail AS HEARD ON THE CHRIS EVANS SHOW Which scents can lower stress?What music can make you more productive?And why does coffee taste better from a red cup?Our senses have a powerful effect on how we think, feel and behave; yet we don't use them to anywhere near their full potential.Using his extensive knowledge of sensory science, multisensory expert Russell Jones shows you how to make small changes to your day and experience life like you never have before.So, whether you want to feel energised in the morning, get the most from your exercise, be efficient at work, really enjoy your food or have the most restful night's sleep possible, read this book and discover the real power of your senses.Previously published as Sense.

AS HEARD ON THE CHRIS EVANS SHOW A fascinating and revelatory look at how we can unlock the true potential of our five senses and use them to vastly improve every single part of our lives. How can colour prime you for creative thinking? What kind of music helps you run faster? Which scents can help you fall asleep? Our senses have a powerful effect on how we think, feel and behave; yet we don't use them to their full potential. For over a decade, multi-sensory marketing expert Russell Jones has been using the science of the senses to design products, brands and retail environments that tantalise our senses in revolutionary ways. In this incredible new book, Jones takes research from the worlds of neuroscience, experimental and behavioural psychology and beyond, and shows you how to live more multi-sensorially; paying attention to the sounds, scents, colours, objects, shapes and textures that constantly surround you, to profoundly impact and improve every aspect of your life. Whether it's helping you feel energised in the morning, get the most from your work-out, be efficient at the office, avoid getting caught in the traps of savvy retailers or creating the perfect sensory background to enjoy your food with. And, finally, he helps you have the most restful evening and night's sleep you possibly can. Sense is a fascinating and revelatory look at how you can use your senses in a way you never have before.

The sequel nobody wants. After a decade of the Tories, could it get any worse? Spoiler – it does.Towards the end of 2021, Britain had been frogmarched into an escalating series of surreal calamities. Brexit was a disaster, the NHS was in crisis, the government was bathed head-to-toe in impropriety, senior Tories were still acting as though the public purse was their personal feed-trough, and the air crackled with anger about PartyGate. All of which led to an inglorious start to 2022: the year the UK saw two monarchs, three prime ministers and four chancellors.From Boris Johnson, who trashed our international reputation and handed billions to his mates so they could ineptly fight a pandemic while he stayed at home, shagging and acting as a super-spreader; to Liz Truss, a drive-by prime minister who managed to kill off the queen and crash the economy in a single week. And now we’re led by Rishi Sunak, who doesn’t know how to use a credit card, drives a pretend car, and grinningly promises even more poverty.Four Chancellors and a Funeral delivers more of Russell Jones’s signature scathing wit, combining a detailed historical record of 2021 and 2022, with acerbic commentary, all of it leavened by jokes at the seemingly endless maelstrom of failures, nincompoops and hypocrisies.‘A magnificent tome, full of acerbic wit and groaning with disaster. This book is the only Brexit benefit I can think of. Send it to anyone thinking of voting Tory’ Jemma Forte, broadcaster and writer‘With scathing wit and insight, Russell Jones delivers the hilarious and terrifying no-holds-barred roast we’ve all been waiting for’ Peter Stefanovic, journalist and broadcaster‘As ever, Russell’s writing is just the job if you’re in need of a laugh AND your blood pressure is dangerously low . . .’ Mitch Benn, comedian and writer

Two lonely strangers. One chance encounter. Six winning numbers.Dot is a lonely pensioner. Max is a young offender. But a chance meeting in their local park changes everything for this unlikely duo. They soon find they share a wicked sense of humour and a penchant for petty crime.When Dot wins the lottery, Max helps her make a bucket list of all the things she’s always wanted to do but never had the chance.The pair gradually realise that it’s not just expensive gadgets, fast cars and fun fairs that make them happy. And that the secret to living a rich life isn’t money . . .Readers of The Unlikely Pilgrimage of Harold Fry and The Keeper of Lost Things will love this book.'Rarely does one read a novel that so nourishes the soul and completely restores one's faith in the inherent goodness of mankind. Jones is an exceptional writer' – Tendai Huchu, author of The Hairdresser of Harare 'A poignant, entertaining and uplifting read as loneliness, larceny and a lottery win lead to the unlikeliest of friendships' – Olga Wojtas 'There is pathos and poverty, brutality, and a longing for connection that sings throughout this book. I could not put it down' – Jane Yolen

Economists and bankers have long been much maligned individuals; but never more so than in the wake of the Global Financial Crisis. Working as an economist for various financial institutions, for more than 25 years Russell Jones had a foot in both camps, plying his trade in a number of global financial centres and points in between, and experiencing at first hand the extraordinary ebb and flow of an industry that came to exert a disproportionate influence on the lives of almost everyone on the planet. In the process, he met some remarkable people, witnessed dramatic shifts in the balance of global economic and political power, explored in detail the labyrinthine complexities involved in managing modern day macroeconomies, and observed all the arrogance, hubris and day-to-day absurdities of an industry that was in effect allowed to run out of control. It was quite a ride. And not one without its moments of pathos and humour.

Where Rockets Burn Through: Contemporary Science Fiction Poems from the UKWhere Rockets Burn Through is a ground-breaking anthology of sci-fi poetry, featuring poems from over thirty writers currently living and working in the United Kingdom, including Joe Dunthorne, W.N. Herbert, Ross Sutherland, Ron Butlin, Ken MacLeod, Jane Yolen, Aiko Harman, Jon Stone, Kirsten Irving, Lorraine Mariner, Chrissy Williams, plus work by the late Edwin Morgan, a pioneer of sci-fi poetics.From alternate worlds and dystopian futures to alien landings and photon guns, this collection of interstellar poems will delight and excite Trekkie and poetry fan alike.Russell Jones is an Edinburgh-based writer, editor and researcher. His chapbook of science fiction poems, The Last Refuge, was published in 2009 by Forest Press. He is guest editor for the Interdisciplinary Science Review and is currently completing his PhD in Creative Writing and tutoring in Scottish Literature at Edinburgh University.

The performance of the British economy over the past fifty-odd years does not make for comforting reading. Indeed, the story is a depressing catalogue of misapprehensions, missteps, wasted opportunities, crises and humiliations, with all-too-familiar problems arising time and again and yet never being satisfactorily addressed.All nations and their economic policymakers are to a certain extent prisoners of their history, but this seems to apply more to the UK than to other countries. Nostalgia for the great days of the past has become tyrannical - and is in some sense embodied in the form of the Chancellor of the Exchequer's famous 'budget box', made for William Gladstone in the 1850s and only passed over to a museum in 2010. Nostalgia has led to wishful thinking, and this has been the underlying sentiment driving poorly thought through - sometimes even panicky - initiatives that were blindly borrowed from elsewhere, that flew in the face of experience, or that were drawn from theoretical and political extremes.The Tyranny of Nostalgia describes and interprets the economic and political history of the past half a century, examining the challenges confronted by successive governments and their Chancellors, the policies employed for good or ill, and - running through it all - the desperate search for a panacea that could arrest the nation's relative decline and return the country to its supposed former glories.

The modern economic history of Japan is an extraordinary tale. The country rose over the course of just a hundred and twenty odd years from outright backwardness to the elite tier of the most advanced economies. This was a unique achievement, and one realised despite the nation succumbing to a damaging interlude of ugly totalitarianism and subsequently suffering the most demoralising of military defeats.If Japan's progress before World War II was impressive, the decades following its subjugation and occupation by the US saw it record hitherto unheard of rates of economic growth. By the 1980s, such was Japan's record of unrelenting achievement, not only did it spawn a rising tide of political resentment among its competitors, but it also encouraged them to adopt important aspects of the country's economic model.The belief at this time, both at home and abroad, was that Japan's success was set to continue. Such predictions, however, proved wide of the mark. The powerful forces that had driven its post-war boom had already been waning for some time, and its model of economic development was becoming increasingly ill-suited to the requirements of high-income country status.Its rapid rate of expansion became more and more dependent on the unsustainable combination of asset price inflation and the rapid accumulation of private, in particular corporate, debt. This was bound to end in tears, and it did, although the extent of Japan's subsequent fall from grace came as a surprise to most.By the early 2020s, Japan was again a far away country about which relatively little was known and a dwindling proportion cared less. Only a minority were aware, apart from in vague terms, of Japan's initial meteoric rise from impoverished backwater, the nature and extent of its wartime calamity, its remarkable mid-twentieth century economic miracle, and the manner in which it came to be held up as the exemplar for other nations. Instead, Japanification had emerged as a derogatory byword for stagnation.But this was to undersell a still vitally important mature and sophisticated economy and to ignore the enduring lessons that Japan's experience could offer. These extended beyond the process of successful and enduring economic development, to the management of asset price cycles and the currency markets, the complexities of combating deflation, the painful trade offs implicit in successful structural reform, and perhaps most pertinently of all, how best to deal with the inexorable forces of demographic change.