Ruth Behar – författare

This contemporary, intergenerational Hanukkah picture book that incorporates both Ashkenazi and Sephardic traditions features text by Newbery Honor and Pura Belpré-winning author Ruth Behar and illustrations by Caldecott Honor-winner Marjorie Priceman.Luz is helping her Abuelita and Abuelito celebrate the festival of lights, but it’s going to take a miracle to get everything ready in time!As Luz and Abuelita walk to the bodega for potatoes to make latkes, they talk about the miracle of Hanukkah—and the miracles that surround us. Each of the eight candles represents an everyday miracle like the kindness of community and the tradition of sharing stories. When snow starts to fall, it feels like the wonder of the holiday surrounds them and infuses their preparations and celebration with a special warmth.In this joyful picture book, award-winners Ruth Behar and Marjorie Priceman have created a modern and accessible Hanukkah classic.

For fifty-five years U.S.-Cuban relations were couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remained in their homeland. This collection of Cuban and Cuban-American writing and art celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time.

In this collection of new reflections on the sexual politics, racial history, and moral predicaments of anthropology, feminist scholars explore a wide range of visions of identity and difference. How are feminists redefining the poetics and politics of ethnography? What are the contradictions of women studying women? And how have gender, race, class, and nationality been scripted into the canon? Through autobiography, fiction, historical analysis, experimental essays, and criticism, the contributors offer exciting responses to these questions. Several pieces reinvestigate the work of key women anthropologists like Elsie Clews Parsons, Margaret Mead, and Ruth Benedict, while others reevaluate the writings of women of color like Zora Neale Hurston, Ella Deloria, and Alice Walker. Some selections explore how sexual politics help to determine what gets written and what is valued in the anthropological canon. Other pieces explore new forms of feminist ethnography that 'write culture' experimentally, thereby challenging prevailing, male-biased anthropological models.

This study of a northern Spanish community shows how the residents of Santa MarAa del Monte have acted together at critical times to ensure the survival of their traditional forms of social organization. The survival of these forms has allowed the villagers, in turn, to weather demographic, political, and economic crises over the centuries. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This study of a northern Spanish community shows how the residents of Santa MarAa del Monte have acted together at critical times to ensure the survival of their traditional forms of social organization. The survival of these forms has allowed the villagers, in turn, to weather demographic, political, and economic crises over the centuries. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Yiddish-speaking Jews thought Cuba was supposed to be a mere layover on the journey to the United States when they arrived in the island country in the 1920s. They even called it “Hotel Cuba.” But then the years passed, and the many Jews who came there from Turkey, Poland, and war-torn Europe stayed in Cuba. The beloved island ceased to be a hotel, and Cuba eventually became “home.” But after Fidel Castro came to power in 1959, the majority of the Jews opposed his communist regime and left in a mass exodus. Though they remade their lives in the United States, they mourned the loss of the Jewish community they had built on the island.As a child of five, Ruth Behar was caught up in the Jewish exodus from Cuba. Growing up in the United States, she wondered about the Jews who stayed behind. Who were they and why had they stayed? What traces were left of the Jewish presence, of the cemeteries, synagogues, and Torahs? Who was taking care of this legacy? What Jewish memories had managed to survive the years of revolutionary atheism?An Island Called Home is the story of Behar’s journey back to the island to find answers to these questions. Unlike the exotic image projected by the American media, Behar uncovers a side of Cuban Jews that is poignant and personal. Her moving vignettes of the individuals she meets are coupled with the sensitive photographs of Havana-based photographer Humberto Mayol, who traveled with her.Together, Behar’s poetic and compassionate prose and Mayol’s shadowy and riveting photographs create an unforgettable portrait of a community that many have seen though few have understood. This book is the first to show both the vitality and the heartbreak that lie behind the project of keeping alive the flame of Jewish memory in Cuba.Reader Guide (http://rutgerspress.rutgers.edu/pages/behar_reader_guide.aspx)

Telling to Live embodies the vision that compelled Latina feminists to engage their differences and find common ground. Its contributors reflect varied class, religious, ethnic, racial, linguistic, sexual, and national backgrounds. Yet in one way or another they are all professional producers of testimonios-or life stories-whether as poets, oral historians, literary scholars, ethnographers, or psychologists. Through coalitional politics, these women have forged feminist political stances about generating knowledge through experience. Reclaiming testimonio as a tool for understanding the complexities of Latina identity, they compare how each made the journey to become credentialed creative thinkers and writers. Telling to Live unleashes the clarifying power of sharing these stories.The complex and rich tapestry of narratives that comprises this book introduces us to an intergenerational group of Latina women who negotiate their place in U.S. society at the cusp of the twenty-first century. These are the stories of women who struggled to reach the echelons of higher education, often against great odds, and constructed relationships of sustenance and creativity along the way. The stories, poetry, memoirs, and reflections of this diverse group of Puerto Rican, Chicana, Native American, Mexican, Cuban, Dominican, Sephardic, mixed-heritage, and Central American women provide new perspectives on feminist theorizing, perspectives located in the borderlands of Latino cultures.This often heart wrenching, sometimes playful, yet always insightful collection will interest those who wish to understand the challenges U.S. society poses for women of complex cultural heritages who strive to carve out their own spaces in the ivory tower.Contributors. Luz del Alba Acevedo, Norma AlarcÓn, Celia Alvarez, Ruth Behar, Rina Benmayor, Norma E. CantÚ, Daisy Cocco De Filippis, Gloria HolguÍn CuÁdraz, Liza Fiol-Matta, Yvette Flores-Ortiz, InÉs HernÁndez-Avila, Aurora Levins Morales, Clara Lomas, Iris Ofelia LÓpez, Mirtha N. Quintanales, Eliana Rivero, Caridad Souza, Patricia Zavella

Traveling Heavy is a deeply moving, unconventional memoir by the master storyteller and cultural anthropologist Ruth Behar. Through evocative stories, she portrays her life as an immigrant child and later, as an adult woman who loves to travel but is terrified of boarding a plane. With an open heart, she writes about her Yiddish-Sephardic-Cuban-American family, as well as the strangers who show her kindness as she makes her way through the world. Compassionate, curious, and unafraid to reveal her failings, Behar embraces the unexpected insights and adventures of travel, whether those be learning that she longed to become a mother after being accused of giving the evil eye to a baby in rural Mexico, or going on a zany pilgrimage to the Behar World Summit in the Spanish town of BÉjar.Behar calls herself an anthropologist who specializes in homesickness. Repeatedly returning to her homeland of Cuba, unwilling to utter her last goodbye, she is obsessed by the question of why we leave home to find home. For those of us who travel heavy with our own baggage, Behar is an indispensable guide, full of grace and hope, in the perpetual search for connection that defines our humanity.

Traveling Heavy is a deeply moving, unconventional memoir by the master storyteller and cultural anthropologist Ruth Behar. Through evocative stories, she portrays her life as an immigrant child and later, as an adult woman who loves to travel but is terrified of boarding a plane. With an open heart, she writes about her Yiddish-Sephardic-Cuban-American family, as well as the strangers who show her kindness as she makes her way through the world. Compassionate, curious, and unafraid to reveal her failings, Behar embraces the unexpected insights and adventures of travel, whether those be learning that she longed to become a mother after being accused of giving the evil eye to a baby in rural Mexico, or going on a zany pilgrimage to the Behar World Summit in the Spanish town of BÉjar.Behar calls herself an anthropologist who specializes in homesickness. Repeatedly returning to her homeland of Cuba, unwilling to utter her last goodbye, she is obsessed by the question of why we leave home to find home. For those of us who travel heavy with our own baggage, Behar is an indispensable guide, full of grace and hope, in the perpetual search for connection that defines our humanity.

Moving between the speech and silence of a woman struggling to speak freely, Ruth Behar embarks on a poetic voyage into her own vulnerability and the sacrifices of her exiled ancestors as she tries to understand love, loss, regret, and the things we keep and carry with us. Behar’s vivid renderings of wilted gardens, crashing waves, and firefly-lit nights recall the imagery of her inspiration, Dulce María Loynaz, who is often known as the Cuban Emily Dickinson. Presented in a beautiful bilingual English-Spanish edition—Behar serves as her own translator—Everything I Kept/Todo lo que guardé will haunt readers with the cries and whispers which illuminate the human spirit and the spectrum of emotions that make for a life and lives well-remembered.

Paulina has had the birthday of her dreams with the gift of a visit to an animal sanctuary, and to make it even better, her whole family gathers for a celebratory dinner at Cocina de Nana. But when Nana starts passing around her famed Cuban picadillo, Paulina turns it down. It’s made from animalitos, like the ones Paulina was visiting earlier in the day. She’d made a promise to those animals and is determined to keep it: she’s become a vegetarian. With a bit of trepidation and ultimately mucho, mucho amor, Paulina discovers what it means to practice your own beliefs while still honoring your family’s history and traditions.Picadillo for Paulina is an accessible, delightful picture book celebration of young eaters’ connections to family, food, and culture.

Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba's most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation's changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre.In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space.Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Soleida Ríos | Kristin Schwain | Elzbieta Sklodowska