Ruth Brandon – författare

First published in 1973, Wrongful Imprisonment aims to combine the human interest of individual cases of wrongful imprisonment with a general analysis of how and why they occur. It deals in detail with the English system, but also provides comparisons with Scotland, France, and the United States. The authors spent three years collecting material from newspaper reports, trial transcripts, books, lawyers, the Home Office and – most important – interviews with the persons concerned. As a result, they have been able to analyse objectively the existing system of justice; they have isolated and identified the areas in which the system is at fault, and the successive hazards which may confront the innocent man suspected of a criminal offence; they have also revealed the many obstacles which have to be overcome by the wrongfully imprisoned man seeking to establish his innocence and regain his liberty. This topical and convincingly argued book should appeal not only to students of law and sociology, or to lawyers, policemen, criminals, and others involved in the system of criminal justice, but also to the man in the Wormwood Scrubs omnibus.

First published in 1973, Wrongful Imprisonment aims to combine the human interest of individual cases of wrongful imprisonment with a general analysis of how and why they occur. It deals in detail with the English system, but also provides comparisons with Scotland, France, and the United States. The authors spent three years collecting material from newspaper reports, trial transcripts, books, lawyers, the Home Office and – most important – interviews with the persons concerned. As a result, they have been able to analyse objectively the existing system of justice; they have isolated and identified the areas in which the system is at fault, and the successive hazards which may confront the innocent man suspected of a criminal offence; they have also revealed the many obstacles which have to be overcome by the wrongfully imprisoned man seeking to establish his innocence and regain his liberty. This topical and convincingly argued book should appeal not only to students of law and sociology, or to lawyers, policemen, criminals, and others involved in the system of criminal justice, but also to the man in the Wormwood Scrubs omnibus.

A rich and fascinating account of the lives of Victorian governesses, exploring nineteenth-century attitudes to women, family and class.If a nineteenth century lady had neither a husband to support her nor money of her own, almost her only recourse was to live in someone else''s household and educate their children - in particular, their daughters. Marooned within the confines of other people''s lives, neither servants nor family members, governesses occupied an uncomfortable social limbo. And being poor and insignificant, their papers were mostly lost. But a few journals and letters have come down to us, giving a vivid record of what it was to be a lone professional woman at a time when such a creature officially did not exist.

Dr Reggie Lee, newly arrived at the National Gallery, is putting together a small exhibition around three Caravaggios depicting ''St Cecilia and the Angel.'' One is at the Getty, one at the Louvre, and she hopes it won''t be too hard to track down the third. But a series of inexplicable obstacles keep getting in her way - and then, unexpectedly, a fourth Caravaggio turns up. One of them must be a fake. But which?When people start to die, it seems clear that someone doesn''t want Reggie''s show to go ahead. Why, she can''t imagine. But her career is at stake, and she''d damned if she''ll let herself be intimidated and bullied by these unseen forces. So Reggie investigates and her research takes her from Surrealist suicides to shady Italian art dealers, from seventeenth-century painting techniques to modern French politics in a viciously-fought Presidential election year. By the end it seems as though nobody in the opaque and ill-defined world of art can really stay incorruptible - perhaps not even Reggie herself.