Ruth Ozeki – författare

In the wake of the 2011 tsunami, Ruth discovers a Hello Kitty lunchbox washed up on the shore of her beach home in British Columbia. Within it lies a diary that expresses the hopes, heartbreak and dreams of a young girl desperate for someone to understand her. Each turn of the page pulls Ruth deeper into the mystery of Nao's life, and forever changes her in a way neither could foresee.Weaving across continents and decades, A Tale for the Time Being is an extraordinary novel about our shared humanity and the search for home.

WINNER OF THE WOMEN'S PRIZE FOR FICTION 2022When a book and a reader are meant for each other, both of them know it . . .After the tragic death of his father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house and sound variously pleasant, angry or sad. Then his mother develops a hoarding problem, and the voices grow more clamorous. So Benny seeks refuge in the silence of a large public library. There he meets a mesmerising street artist with a smug pet ferret; a homeless philosopher-poet; and his very own Book, who narrates Benny's life and teaches him to listen to the things that truly matter.Blending unforgettable characters with jazz, climate change and our attachment to material possessions, this is classic Ruth Ozeki - bold, humane and heartbreaking.

A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and EmptinessFinalist for the Booker Prize and the National Book Critics Circle Award“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

Exploring childhood ambition, youthful desire, midlife reinvention and the unsparing clarity of old age, Ozeki brings us eleven richly imagined stories of characters standing at life's thresholds.A college student falls for her professor and learns to transmute longing into language. A disquieted husband watches as the ghost of his wife's ambition roams the woods outside their home. A long-deceased Beat poet hijacks the mind of a young publishing assistant and rails against the state of modern literature. A curious grandmother creates a fake online dating profile to spy on her granddaughter's romantic life - and sets in motion a deception she can't control.Spanning eras and geographies, The Typing Lady is an electrifying meditation on the stories we tell ourselves, the stories we abandon and the stories we become. Threaded with the tactile ephemera of writing - typewriters, letters, manuscripts and disappearing ink - the book reveals how we record ourselves in language, and how language, over time, records us in return.

In a single eye-opening year two women, worlds apart, experience parallel awakenings. In New York, Jane Takagi-Little lands a job producing a Japanese television show sponsored by an American meat-exporting business, exposing some unsavoury truths - about the meat industry and herself. In Tokyo, housewife Akiko Ueno diligently prepares the recipes from Jane's programme. Struggling to please her husband, she increasingly doubts her commitment to the life she has fallen into.As Jane and Akiko both battle to assert their individuality on opposite sides of the globe, they are drawn together in a startling story of strength, courage and love.

What did your face look like before your parents were born? Who are you? What is your true self? These are the questions in Ruth Ozeki's mind as she challenges herself to spend three hours gazing into her own reflection, recording every thought and detail.What follows are a lifetime's worth of meditations on race, ageing, family, death, the body, self-doubt and, finally, acceptance. In this profound encounter with memory and the mirror, Ozeki weaves together personal history, professional experience, Zen philosophy, Japanese culture and more to paint a rich, intimate and utterly unique portrait of a life as told through a face.

Winner of the Women’s Prize for Fiction“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library “Inventive, vivid, and propelled by a sense of wonder.” —TIME “If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud Atlas A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth OzekiOne year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.   At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.   And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.   With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

A cross-cultural tale of two women brought together by the intersections of television and industrial agriculture, fertility and motherhood, life and love—the breakout hit by the celebrated author of A Tale for the Time BeingRuth Ozeki’s mesmerizing debut novel has captivated readers and reviewers worldwide. When documentarian Jane Takagi-Little finally lands a job producing a Japanese television show that just happens to be sponsored by an American meat-exporting business, she uncovers some unsavory truths about love, fertility, and a dangerous hormone called DES. Soon she will also cross paths with Akiko Ueno, a beleaguered Japanese housewife struggling to escape her overbearing husband. Hailed by USA Today as “rare and provocative” and awarded the Kirayama Prize for Literature of the Pacific Rim, My Year of Meats is a modern-day take on Upton Sinclair’s The Jungle for fans of Michael Pollan, Margaret Atwood, and Barbara Kingsolver.

A brilliant, unforgettable novel from bestselling author Ruth Ozeki—shortlisted for the Booker Prize and the National Book Critics Circle Award“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

A warm and witty saga about agribusiness, environmental activism, and community—from the celebrated author of My Year of Meats and A Tale for the Time BeingYumi Fuller hasn’t set foot in her hometown of Liberty Falls, Idaho—heart of the potato-farming industry—since she ran away at age fifteen. Twenty-five years later, the prodigal daughter returns to confront her dying parents, her best friend, and her conflicted past, and finds herself caught up in an altogether new drama. The post-millennial farming community has been invaded by Agribusiness forces at war with a posse of activists, the Seeds of Resistance, who travel the country in a camping car, “The Spudnick,” biofueled by pilfered McDonald’s french-fry oil. Following her widely hailed, award-winning debut novel, My Year of Meats, Ruth Ozeki returns here to deliver a quirky cast of characters and a wickedly humorous appreciation of the foibles of corporate life, globalization, political resistance, youth culture, and aging baby boomers. All Over Creation tells a celebratory tale of the beauty of seeds, roots, and growth—and the capacity for renewal that resides within us all.

“Ruth Ozeki, a Zen Buddhist priest, sets herself the task of staring at her face in a mirror for three full, uninterrupted hours; her ruminations ripple out from personal and familial memories to wise and honest meditations on families and aging, race and the body.” —Minneapolis Star TribuneWhat did your face look like before your parents were born? In The Face: A Time Code, bestselling author and Zen Buddhist priest Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. According to ancient Zen tradition, “your face before your parents were born” is your true face. Who are you? What is your true self? What is your identity before or beyond the dualistic distinctions, like father/mother and good/evil, that define us? With these questions in mind, Ozeki challenges herself to spend three hours gazing into her own reflection, recording her thoughts, and noticing every possible detail. Those solitary hours open up a lifetime's worth of meditations on race, aging, family, death, the body, self doubt, and, finally, acceptance. In this lyrical short memoir, Ozeki calls on her experience of growing up in the wake of World War II as a half-Japanese, half-Caucasian American; of having a public face as an author; of studying the intricate art of the Japanese Noh mask; of being ordained as a Zen Buddhist priest; and of her own and her parents’ aging, to paint a rich and utterly unique portrait of a life as told through a face. Alternately philosophical, funny, personal, political, and poetic, the short memoirs in The Face series offer unique perspectives from some of our favorite writers. Find out more at www.restlessbooks.com/the-face.

What did your face look like before your parents were born? In The Face: A Time Code, bestselling author and Zen Buddhist priest Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. Ozeki challenges herself to spend three hours gazing into her own reflection, recording her thoughts and noticing every possible detail. Those solitary hours open up a lifetime's worth of meditations on race, aging, family, death, the body, self-doubt and, finally, acceptance. Ozeki paints an intimate and rich portrait of life as told through a face.

Twenty-five years after running away from her family's farm in Idaho, Yumi Fuller returns home to care for her ailing parents and to confront her best friend and her conflicted past. She finds a world changed beyond recognition; and with the arrival of a group of young anti-GM activists, she finds herself caught up in a new revolution.All Over Creation is an exploration of the dichotomies of love and responsibility and a celebration of the capacity for renewal that resides within us all.

Ruth Ozeki erkundet, was es heißt, in diesem Augenblick, genau jetzt, ein Mensch zu sein – "bezaubernd, klug und herzzerreißend" (Junot Díaz)."Hallo! Ich heiße Nao, und ich bin ein Zeitwesen. Weißt du, was ein Zeitwesen ist? Wenn du einen Moment hast, erzähl ich es dir." So beginnt das Tagebuch des japanischen Teenagers Nao, das eines Tages am Strand einer kanadischen Pazifikinsel angespült wird. Nao schreibt von Einsamkeit und Mobbing, vom depressiven Vater, von ihrer schillernden Urgroßmutter Jiko und den Geheimnissen des Zen. Die Autorin Ruth, die das Tagebuch gefunden hat, ist bald wie gebannt von Naos Notizen und beginnt zugleich um ihr Leben zu fürchten – hat Nao letztlich Selbstmord begangen? Ist sie im Tsunami gestorben? Die Suche nach Antworten gerät für Ruth zu einer magischen Reise durch die Gegenwart, die am Ende auch den Blick auf ihr eigenes Leben verwandelt.

»Ein Triumph!« MATT HAIG, Autor von "Die Mitternachtsbibliothek"Hast du je darüber nachgedacht, dass auch Bücher Gefühle haben? Ein Jahr nach dem Unfalltod seines Vaters beginnt der dreizehn Jahre alte Benny Oh Stimmen zu hören. Es sind die Stimmen der Gegenstände in seinem Zuhause – seine Sneakers, eine zerbrochene Weihnachtskugel, ein Blatt welker Salat.Gleichzeitig beginnt seine Mutter Annabelle, Dinge zu horten, bis es kaum mehr einen freien Platz auf dem Fußboden oder in den Regalen ihres Hauses gibt. Mutter und Sohn drohen in ihrer Trauer den Halt zu verlieren – bis sie auf ein Buch stoßen, das sie womöglich zu retten imstande ist ...Mit liebenswerten Figuren, einer fesselnden Geschichte und der Auseinandersetzung mit den Themen Trauer, Erwachsenwerden und unser Verhältnis zu materiellen Dingen legt die Booker-Preis-nominierte Ruth Ozeki einen klugen, verspielten, mitreißenden, herzerwärmenden und absolut einzigartigen Roman vor. Ausgezeichnet mit dem Women''s Prize for Fiction"Tiefgründig und unterhaltsam zugleich." ― USA Today"Ozeki ist eine Autorin mit viel Fantasie und einem subversiven Sinn für Humor. " Los Angeles Times

Am Ufer der einsamen Insel, auf der die Schriftstellerin Ruth lebt, wird das Tagebuch der sechzehnjährigen Japanerin Nao angespült. Ruth beginnt zu lesen: von Naos Familie, die von Amerika zurück nach Japan musste, von Naos Schwierigkeiten, in der Schule Anschluss zu finden, von der Depression, die alle in der Familie erfasst, und von Naos Urgroßmutter Jiko, einer weisen Nonne, bei der Nao die Grundlagen des Zen-Buddhismus erlernt. Ruth taucht tiefer und tiefer in die Geschichte der Schülerin ein und beginnt sich zu fragen, wer Nao ist, was mit ihr geschah – und warum ihr Tagebuch ausgerechnet bei Ruth landete.Ruth Ozekis Roman spannt den Bogen vom Zweiten Weltkrieg bis zum Tsunami in Japan in 2011, von der Schwere zur Leichtigkeit, vom amerikanischen Traum zum japanischen Zen-Buddhismus und erzählt dabei wie gewohnt von skurrilen Charakteren und mit einem Hauch magischem Realismus.

Una celebración del poder de los libros y la lectura que aborda las grandes cuestiones de la vidaGanadora del Women''s Prize for Fiction 2022Un año después de la muerte de su querido padre, músico de jazz, el adolescente Benny Oh empieza a oír voces. Las voces provienen de los objetos que hay en su casa: una zapatilla deportiva, un adorno navideño roto, un trozo de lechuga marchita. Aunque Benny no entiende lo que dicen las cosas, sí percibe las emociones que transmiten; unas son agradables, como un ronroneo o un rumor suaves, otras en cambio son maliciosas, airadas y están llenas de dolor. Cuando su madre empieza a acumular cosas en casa de manera compulsiva, las voces se convierten en un clamor.Al principio Benny trata de no hacerles caso, pero pronto las voces lo persiguen fuera de su casa, hasta la calle y al colegio, empujándolo en última instancia a refugiarse en el silencio de una gran biblioteca pública, donde los objetos tienen modales y hablan en susurros. Allí Benny se enamora de una fascinante artista callejera con un hurón por animal de compañía que usa la biblioteca como escenario para sus actuaciones. También conoce a un poeta filósofo sin hogar que lo anima a hacerse preguntas importantes y a encontrar su voz entre todas las demás.Pero además se encuentra con su propio Libro, un objeto parlante que narra la vida de Benny y le enseña a escuchar las cosas que de verdad importan.El libro de la forma y el vacío reúne personajes inolvidables, una trama absorbente y un tratamiento vibrante de temas que van desde el jazz y el cambio climático a nuestro apego a las posesiones materiales. Es Ruth Ozeki en plena forma: audaz, humana, conmovedora.