Ruth Teer-Tomaselli – författare

The histories of South Africa and Ireland have been tumultuous and traumatic. Both countries have experienced political repression, sectarian violence and oppression that still impact the spiritual well-being of people today. Their parallel histories are of colonialism, displacement and division, and a fight for land and sovereignty. Both countries have embarked on a process of healing and reconciliation, yet there is an ongoing struggle for reparation and/or reversal of previous injustices.

Recognising that museums of the 21st century have the potential to contribute to catharsis and mutual understanding, this book reflects on selected museums in South Africa and Ireland that commemorate the pain of the past and the hope for the future. The primary focus of the book is the way in which museum guides, curators and managers share their stories and the stories of their ancestors, and the stories of other people’s ancestors who were caught up in the conflict while interweaving the stories of the authors as well.

Print edition not for sale in Sub Saharan Africa.

The histories of South Africa and Ireland have been tumultuous and traumatic. Both countries have experienced political repression, sectarian violence and oppression that still impact the spiritual well-being of people today. Their parallel histories are of colonialism, displacement and division, and a fight for land and sovereignty. Both countries have embarked on a process of healing and reconciliation, yet there is an ongoing struggle for reparation and/or reversal of previous injustices.

Recognising that museums of the 21st century have the potential to contribute to catharsis and mutual understanding, this book reflects on selected museums in South Africa and Ireland that commemorate the pain of the past and the hope for the future. The primary focus of the book is the way in which museum guides, curators and managers share their stories and the stories of their ancestors, and the stories of other people’s ancestors who were caught up in the conflict while interweaving the stories of the authors as well.

Print edition not for sale in Sub Saharan Africa.

This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways.

From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public’s perception of empire.

By covering diverse topics from Anthony Lejeune’s radio talk-show ‘London Letters’ – which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence – as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote ‘colonization in reverse’, the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.

This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways.

From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public’s perception of empire.

By covering diverse topics from Anthony Lejeune’s radio talk-show ‘London Letters’ – which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence – as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote ‘colonization in reverse’, the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.