Sabby Sagall – författare

What causes genocide? Through an examination of four modern genocides - the Native Americans, the Armenians, the Jews and the Rwandan Tutsis - Sabby Sagal formulates a theoretical framework for understanding some of the darkest hours of humanity. Drawing on the scholarship of a range of Marxist psychoanalysts, from the Frankfurt School to Wilhelm Reich, shows how genocides are enacted by social classes or communities that have experienced isolation and denial of human needs, prostration and humiliation at the hands of major historical defeats, or powerlessness. These denials or degradations produce severe reactions: hatred, destructiveness and an impotent rage, which is often projected onto a perceived 'other'. Through close analysis and theorising of the commonalities and differences between recent genocides, Sagal hopes to produce greater understanding of the socio-psychological rationale behind atrocities, in order to prevent recurrences.

What causes genocide? Through an examination of four modern genocides - the Native Americans, the Armenians, the Jews and the Rwandan Tutsis - Sabby Sagal formulates a theoretical framework for understanding some of the darkest hours of humanity. Drawing on the scholarship of a range of Marxist psychoanalysts, from the Frankfurt School to Wilhelm Reich, shows how genocides are enacted by social classes or communities that have experienced isolation and denial of human needs, prostration and humiliation at the hands of major historical defeats, or powerlessness. These denials or degradations produce severe reactions: hatred, destructiveness and an impotent rage, which is often projected onto a perceived 'other'. Through close analysis and theorising of the commonalities and differences between recent genocides, Sagal hopes to produce greater understanding of the socio-psychological rationale behind atrocities, in order to prevent recurrences.

The Jewish Question Revisited: Trade, Class and Identity reinterprets the historical trajectory of Jewish identity through the lens of economic function, class dynamics, and the rise of Zionism - offering a provocative reassessment of one of history’s most enduring social questions.Engaging with the foundational Marxist analysis of Abram Leon, this book traces the evolution of the Jews not merely as a religious or ethnic group, but as a “people-class” defined by commercial roles and socio-economic positioning across centuries. From the trade corridors of ancient Palestine to the rise of Court Jews in early modern Europe, from the upheavals of emancipation and antisemitism to the ideological battles surrounding Zionism and settler colonialism, the chapters explore how class, trade, and survival strategies shaped Jewish continuity and transformation. The book draws on Marxist theory, psychoanalytic insights, and historical critique to challenge both nationalist myths and mainstream narratives of Jewish identity, culminating in a powerful critique of Zionism’s departure from Jewish internationalist traditions.This book will appeal to students and scholars of Jewish history, Middle East politics, Marxist theory, and postcolonial studies, as well as to readers interested in the intersections of identity, class, and nationalism. It offers a timely contribution to ongoing debates around antisemitism, the legacy of European colonialism, and the political consequences of historical memory.

This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.

This book argues that the need for music, and the ability to produce and enjoy it, is an essential element in human nature. Every society in history has produced some characteristic style of music. Music, like the other arts, tells us truths about the world through its impact on our emotional life. There is a structural correspondence between society and music. The emergence of 'modern art music' and its stylistic changes since the rise of capitalist social relations reflect the development of capitalist society since the decline of European feudalism. The leading composers of the different eras expressed in music the aspirations of the dominant or aspiring social classes. Changes in musical style not only reflect but in turn help to shape changes in society. This book analyses the stylistic changes in music from the emergence of ‘tonality’ in the late seventeenth century until the Second World War.