Sabrina Mittermeier - Böcker

The Routledge Handbook of Star Trek offers a synoptic overview of Star Trek, its history, its influence, and the scholarly response to the franchise, as well as possibilities for further study. This volume aims to bridge the fields of science fiction and (trans)media studies, bringing together the many ways in which Star Trek franchising, fandom, storytelling, politics, history, and society have been represented. Seeking to propel further scholarly engagement, this Handbook offers new critical insights into the vast range of Star Trek texts, narrative strategies, audience responses, and theoretical themes and issues. This compilation includes both established and emerging scholars to foster a spirit of communal, trans-generational growth in the field and to present diversity to a traditional realm of science fiction studies.

The Routledge Handbook of Star Trek offers a synoptic overview of Star Trek, its history, its influence, and the scholarly response to the franchise, as well as possibilities for further study. This volume aims to bridge the fields of science fiction and (trans)media studies, bringing together the many ways in which Star Trek franchising, fandom, storytelling, politics, history, and society have been represented. Seeking to propel further scholarly engagement, this Handbook offers new critical insights into the vast range of Star Trek texts, narrative strategies, audience responses, and theoretical themes and issues. This compilation includes both established and emerging scholars to foster a spirit of communal, trans-generational growth in the field and to present diversity to a traditional realm of science fiction studies.

When the first Disneyland opened its doors in 1955, it reinvented the American amusement park and transformed the travel, tourism and entertainment industries forever. Now a global vacation empire, the original park in Anaheim, California, has been joined by massive complexes in Florida, Tokyo, Paris, Hong Kong and Shanghai.Spanning six decades, three continents and five distinct cultures, Sabrina Mittermeier presents an interdisciplinary examination of the parks, situating them in their proper historical context and exploring the distinct cultural, social and economic landscapes that defined each one at the time of its construction. She then spotlights the central role of class in the subsequent success or failure of each venture.The first comparative study of the Disney theme parks, this book closes a significant gap in existing research and is an important new contribution to the field, providing the first discussion of the Disney parks and what they reveal about the cultures they are set in.  There has been a lack of focus on cross- and trans-cultural analyses of theme parks generally and Disney theme parks specifically, until now. It is also particularly interesting – and will be welcomed for it – for the non-United States context of the study. This is a thorough examination of all of the existing Disney Parks and how they function within their respective cultures. While Disney themes and characters attempt to be universal, the author does a good job of arguing for where this is not possible and how glocalization is crucial to the parks’ successes. The writing is academic, but it is not inaccessible. It will have wide disciplinary appeal within academia, as tourism studies cross into a variety of fields including history, American studies, fandom studies, performance studies and cultural studies.It will be invaluable to those working in the field of theme park scholarship and the study of Disney theme parks, theme parks in general and related areas like world’s expositions and spaces of the consumer and lifestyle worlds.It will also be of interest to Disney fans, those who have visited any of the parks or are interested to know more about the parks and their cultural situation and context. Dr. Sabrina Mittermeier and Dr. Tracey Mollett discuss the cultural histories of Disney's theme parks and fairy tales:

When the first Disneyland opened its doors in 1955, it reinvented the American amusement park and transformed the travel, tourism and entertainment industries forever. Now a global vacation empire, the original park in Anaheim, California, has been joined by massive complexes in Florida, Tokyo, Paris, Hong Kong and Shanghai.Spanning six decades, three continents and five distinct cultures, Sabrina Mittermeier presents an interdisciplinary examination of the parks, situating them in their proper historical context and exploring the distinct cultural, social and economic landscapes that defined each one at the time of its construction. She then spotlights the central role of class in the subsequent success or failure of each venture.The first comparative study of the Disney theme parks, this book closes a significant gap in existing research and is an important new contribution to the field, providing the first discussion of the Disney parks and what they reveal about the cultures they are set in.  There has been a lack of focus on cross- and trans-cultural analyses of theme parks generally and Disney theme parks specifically, until now. It is also particularly interesting – and will be welcomed for it – for the non-United States context of the study. This is a thorough examination of all of the existing Disney Parks and how they function within their respective cultures. While Disney themes and characters attempt to be universal, the author does a good job of arguing for where this is not possible and how glocalization is crucial to the parks’ successes. The writing is academic, but it is not inaccessible. It will have wide disciplinary appeal within academia, as tourism studies cross into a variety of fields including history, American studies, fandom studies, performance studies and cultural studies.It will be invaluable to those working in the field of theme park scholarship and the study of Disney theme parks, theme parks in general and related areas like world’s expositions and spaces of the consumer and lifestyle worlds.It will also be of interest to Disney fans, those who have visited any of the parks or are interested to know more about the parks and their cultural situation and context. Dr. Sabrina Mittermeier and Dr. Tracey Mollett discuss the cultural histories of Disney's theme parks and fairy tales:

Fan Phenomena: Disney collects essays on Disney fans, spanning a variety of media (such as film, television, novels, stage productions and theme parks) and different fannish approaches (cosplay, fan art), as well as the company's reactions to them.It is a timely intervention that deals with crucial issues such as race and racism within the Disney fandom and in Disney texts, the role of queerness, the impact of the Covid-19 pandemic and the advent of the streaming service Disney+.The authors come from variety of disciplines, such as cultural and media studies, marketing and communications, cultural history or theatre and performance studies, and include both leading experts in fan and Disney studies, as well as emerging voices in these fields, plus interviews with fan practitioners.It will be popular with scholars of cultural studies, cultural history, media studies, fan studies; Disney fans, and students at any level

The depiction of New York City in song across a variety of different genres, focusing on jazz genres, as well as the work of both New York born artists like Billy Joel or Lin-Manuel Miranda and artists living most of their life in New York City like Shinehead or Debbie Harry, that are intimately connected with the city. The book analyzes songs written about New York City, and engage with the depiction of the city within them, but mainly use it as a way to deal with several musical genres that the city has been home to, and instrumental in developing. These include the musical theatre scene on Broadway and beyond, but also early 20th century sheet music, hip hop, disco, punk, dancehall, jazz, swing, rock or pop music. The collection includes essays from authors with a cultural studies, media studies, cultural history or musicology background, making possible a far-ranging treatment of the interconnection of the city space and its musical history.

The first two seasons of Star Trek: Discovery, the newest instalment in the long-running andinfluential Star Trek franchise, receivedmedia and academic attention from the moment they arrived on screen. Discoverymakes several key changes to Star Trek’s well-known narrative formulae, particularlythe use of more serialized storytelling, appealing to audiences’ changedviewing habits in the streaming age – and yet the storylines, in their topicalnature and the broad range of socio-political issues they engage with, continuein the political vein of the series’ megatext. This volume brings together eighteen essays andone interview about the series, with contributions from a variety ofdisciplines including cultural studies, literary studies, media studies, fandomstudies, history and political science. They explore representations of gender,sexuality and race, as well as topics such as shifts in storytelling anddepictions of diplomacy. Examining Discovery alongside older entriesinto the Star Trek canon and tracingemerging continuities and changes, this volume will be an invaluable resource forall those interested in Star Trek andscience fiction in the franchise era.List of contributors: Sherryl Vint, Andrea Whiteacre, Torsten Kathke, John Andreas Fuchs, Ina Batzke, Sarah Böhlau, Will Tattersdill, Kerstin-Anja Münderlein, Diana Mafe, Whit Frazier Peterson, Henrik Schillinger, Arne Sönnichsen, Judith Rauscher, Amy C. Chambers, Mareike Spychala, Sabrina Mittermeier, Jennifer Volkmer, Si Sophie Pages Whybrew and Lisa Meinecke.