Across one day in London, twelve elderly men and women sit in flats, walk, or wait, and speak about their histories, their hopes, their loves, their disappointments and griefs -and above all seek to express who they are and what their life has been. Most are immigrants -Irish, West Indian, Polish, Italian, and German, struggling with a feeling of rootlessness. Drawn from Sally Read''s experiences as a community psychiatric nurse in central London, these twelve monologues are the voices of schizophrenia, dementia, depression, and anxiety. Authentic and moving, they form a vivid portrait of the capital -its richness and its sadnesses, its waves of immigration, and its living witness to the devastating effects of World War II. Four of the voices are Jewish refugees who arrived in London as children, leaving parents to die in Nazi-occupied Europe. Candid and vivid, these monologues make us privvy to entire lives through a poetic voice that is at once brutally realistic, and beautifully realised. Above all, these poems give marvellous expression to people whose speech, memory, and coherence is often marred by illness. The result is a stunning insight into other people''s stories, and how we may come to measure our own.

From London's hospital wards to rural Italy and the Great Plains, Sally Read's first collection eulogises the emotional and physical borders we cross, whether in sexual surrender, the squeezing of a trigger, or the point at which skin is pierced by a needle. What results appeals to the thresholds at which we succumb to desire, love, or grief. Yet, ultimately, there is tenderness and acceptance as she considers what breaks us, and what binds.

Intimate and truthful, the poems in Sally Read's second collection move from the very earliest and most delicate stages of life, to the many adjustments of adulthood. Always startlingly honest, the pains of closeness and separation, love and mortality are dealt with in unflinching and transforming ways. "Broken Sleep" is a cycle of poems from a mother to her baby, moving from the uncertainty and awe at the discovery of a pregnancy, through the ecstasy of early motherhood. It charts, with tenderness, the child's development from fetus in the dark, to walking, talking toddler in a bewildering and exciting world. The poems comprise a hymn and an elegy to the experience of pregnancy and early motherhood. The second part of the book, "The Glass Eye", moves swiftly into a world where loss, whether of a loved one, a breast, or simply innocence, is countered by extraordinary kinds of redemption. Whether conjuring angels, music, or lies these pieces offer a sometimes disturbing but always marvellous alternative to the unavoidable blackness behind the glass eye.

Across one day in London, twelve elderly men and women sit in flats, walk, or wait, and speak about their histories, their hopes, their loves, their disappointments and griefs - and above all seek to express who they are and what their life has been. Most are immigrants - Irish, West Indian, Polish, Italian, and German, struggling with a feeling of rootlessness. Drawn from Sally Read's experiences as a community psychiatric nurse in central London, these twelve monologues are the voices of schizophrenia, dementia, depression, and anxiety. Authentic and moving, they form a vivid portrait of the capital - its richness and its sadnesses, its waves of immigration, and its living witness to the devastating effects of World War II. Four of the voices are Jewish refugees who arrived in London as children, leaving parents to die in Nazi-occupied Europe. Candid and vivid, these monologues make us privy to entire lives through a poetic voice that is at once brutally realistic, and beautifully realised. Above all, these poems give marvellous expression to people whose speech, memory, and coherence is often marred by illness. The result is a stunning insight into other people's stories, and how we may come to measure our own.

Off the Beaten Track presents new work by twelve writers taking part in a unique collaborative project: each of them was invited to compose one haiku per day for a month, thus contributing towards the total of 365 haiku for a full calendar year. Half of the authors are widely published writers of haiku, while the other half are almost (or entirely) new to the form. This situates the collection within the tradition of English-language haiku, while also seeking to extend its boundaries through the inclusion of ‘outsiders’ with respect to that tradition. Complementing the haiku are original illustrations by twelve artists, making the volume as visually striking as it is thought-provoking and diverse.

Across one day in London, twelve elderly men and women sit in flats, walk, or wait, and speak about their histories, their hopes, their loves, their disappointments and griefs -and above all seek to express who they are and what their life has been. Most are immigrants -Irish, West Indian, Polish, Italian, and German, struggling with a feeling of rootlessness. Drawn from Sally Read''s experiences as a community psychiatric nurse in central London, these twelve monologues are the voices of schizophrenia, dementia, depression, and anxiety. Authentic and moving, they form a vivid portrait of the capital -its richness and its sadnesses, its waves of immigration, and its living witness to the devastating effects of World War II. Four of the voices are Jewish refugees who arrived in London as children, leaving parents to die in Nazi-occupied Europe. Candid and vivid, these monologues make us privvy to entire lives through a poetic voice that is at once brutally realistic, and beautifully realised. Above all, these poems give marvellous expression to people whose speech, memory, and coherence is often marred by illness. The result is a stunning insight into other people''s stories, and how we may come to measure our own.

From London's hospital wards to rural Italy and the Great Plains, Sally Read's first collection eulogises the emotional and physical borders we cross, whether in sexual surrender, the squeezing of a trigger, or the point at which skin is pierced by a needle. What results appeals to the thresholds at which we succumb to desire, love, or grief. Yet, ultimately, there is tenderness and acceptance as she considers what breaks us, and what binds.

Intimate and truthful, the poems in Sally Read's second collection move from the very earliest and most delicate stages of life, to the many adjustments of adulthood. Always startlingly honest, the pains of closeness and separation, love and mortality are dealt with in unflinching and transforming ways. "Broken Sleep" is a cycle of poems from a mother to her baby, moving from the uncertainty and awe at the discovery of a pregnancy, through the ecstasy of early motherhood. It charts, with tenderness, the child's development from fetus in the dark, to walking, talking toddler in a bewildering and exciting world. The poems comprise a hymn and an elegy to the experience of pregnancy and early motherhood. The second part of the book, "The Glass Eye", moves swiftly into a world where loss, whether of a loved one, a breast, or simply innocence, is countered by extraordinary kinds of redemption. Whether conjuring angels, music, or lies these pieces offer a sometimes disturbing but always marvellous alternative to the unavoidable blackness behind the glass eye.

Across one day in London, twelve elderly men and women sit in flats, walk, or wait, and speak about their histories, their hopes, their loves, their disappointments and griefs - and above all seek to express who they are and what their life has been. Most are immigrants - Irish, West Indian, Polish, Italian, and German, struggling with a feeling of rootlessness. Drawn from Sally Read's experiences as a community psychiatric nurse in central London, these twelve monologues are the voices of schizophrenia, dementia, depression, and anxiety. Authentic and moving, they form a vivid portrait of the capital - its richness and its sadnesses, its waves of immigration, and its living witness to the devastating effects of World War II. Four of the voices are Jewish refugees who arrived in London as children, leaving parents to die in Nazi-occupied Europe. Candid and vivid, these monologues make us privy to entire lives through a poetic voice that is at once brutally realistic, and beautifully realised. Above all, these poems give marvellous expression to people whose speech, memory, and coherence is often marred by illness. The result is a stunning insight into other people's stories, and how we may come to measure our own.

Off the Beaten Track presents new work by twelve writers taking part in a unique collaborative project: each of them was invited to compose one haiku per day for a month, thus contributing towards the total of 365 haiku for a full calendar year. Half of the authors are widely published writers of haiku, while the other half are almost (or entirely) new to the form. This situates the collection within the tradition of English-language haiku, while also seeking to extend its boundaries through the inclusion of ‘outsiders’ with respect to that tradition. Complementing the haiku are original illustrations by twelve artists, making the volume as visually striking as it is thought-provoking and diverse.