Published to coincide with a traveling exhibition that explores June Leaf s (1929 2024) uncategorizable and endlessly experimental oeuvre, this volume features new scholarship alongside reflections by the artist s peers, Joan Jonas and Kara Walker. Drawing from numerous museum and private collections as well as Leaf s vast personal archive, it is the most exhaustive survey of her career to date. Leaf s enchanting and provocative kinetic sculptures, assemblages, paintings, and drawings are intermingled and juxtaposed, revealing the artist s sustained engagement with such motifs and themes as theater and performance, dance, gender, motion, urban life, mythology, and interpersonal relationships. She skillfully blends mediums and materials in unconventional and intuitive ways, resulting in compositions where playful and combative figures and contraptions emerge from inventive combinations of brass, copper, tin, found metal rods and blades, wood, and paint.

A novel set in a mining valley in south Wales during World War II. First friendships among a group of boys are seen from the perspective of the youngest, Jac. Describing their escapades and the coaldust-filled places they explore, it paints a picture of growing up during this fraught period.

The Perseids brought it all out of the past, with a force like a blowthat leaves you winded. The night lurched and seemed to swoopsuddenly down. The boy still lay on his back, but when I sat up,gasping, I glimpsed the pale disc of his face as he turned to see whathad startled me.'It's all right,' I said, though it wasn't.It is the summer of 1954. Four young men, on a summer vacation buyan old car from a farmer and drive it from the hills of Wales all theway to the mountains of Spain. It is only a few years since the war,Europe is still in ruins. They are innocent and war-scarred, dreamersand realists, men but not much more than boys. They have their wholelives ahead of them. This will be their summer to remember.A beautiful, elegiac rumination on youth, friendship and the dreamsthat we hold."A haunting meditation on memory and loss that takes the readeron a summer road trip to a vanished Spain. In this well-crafted,wistful novella, Sam Adams weaves his tapestry from fragments ofa remembered friendship in a coming of age tale written with sixtyyears' bitter hindsight." - Richard GwynSam Adams has created a rare novel in The Road to Zarauz, bothtimeless and very much of a time and a place, a past of hope andexpectation erased in a moment, and what remains when hope is gone.

Since 1996, Sam Adams’s ‘Letter from Wales’ column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, independent and passionate critical voices on the writing and cultural output of Wales during this period. Here you will find erudite appreciations of the work of a wide range of recent and contemporary Welsh writers from Gillian Clarke to Roland Mathias, RS Thomas to Rhian Edwards. Alongside this, Adams offers us lyric essays to Welsh history, and clear-eyed examinations of the institutions of Welsh culture. Collected for the first time in this volume, the ‘letters’ are among the most significant and sustained attempts during this period to present Welsh writing to an audience throughout the UK and beyond.

A founder of "Dock Leaves" (renamed "The Anglo-Welsh Review"), Mathias combined his career as an editor with work as an educationalist, poet and critic. This book examines his life and writing career, exploring the origins and depth of his commitment to a Welsh literature in the English language.

This volume offers a kaleidoscopic view of the Welsh literary scene in the 20th century. The eight essays discuss various aspects of the literature of Wales in both Welsh and English.

Published to coincide with a traveling exhibition that explores June Leaf s (1929 2024) uncategorizable and endlessly experimental oeuvre, this volume features new scholarship alongside reflections by the artist s peers, Joan Jonas and Kara Walker. Drawing from numerous museum and private collections as well as Leaf s vast personal archive, it is the most exhaustive survey of her career to date. Leaf s enchanting and provocative kinetic sculptures, assemblages, paintings, and drawings are intermingled and juxtaposed, revealing the artist s sustained engagement with such motifs and themes as theater and performance, dance, gender, motion, urban life, mythology, and interpersonal relationships. She skillfully blends mediums and materials in unconventional and intuitive ways, resulting in compositions where playful and combative figures and contraptions emerge from inventive combinations of brass, copper, tin, found metal rods and blades, wood, and paint.

A novel set in a mining valley in south Wales during World War II. First friendships among a group of boys are seen from the perspective of the youngest, Jac. Describing their escapades and the coaldust-filled places they explore, it paints a picture of growing up during this fraught period.

The Perseids brought it all out of the past, with a force like a blowthat leaves you winded. The night lurched and seemed to swoopsuddenly down. The boy still lay on his back, but when I sat up,gasping, I glimpsed the pale disc of his face as he turned to see whathad startled me.'It's all right,' I said, though it wasn't.It is the summer of 1954. Four young men, on a summer vacation buyan old car from a farmer and drive it from the hills of Wales all theway to the mountains of Spain. It is only a few years since the war,Europe is still in ruins. They are innocent and war-scarred, dreamersand realists, men but not much more than boys. They have their wholelives ahead of them. This will be their summer to remember.A beautiful, elegiac rumination on youth, friendship and the dreamsthat we hold."A haunting meditation on memory and loss that takes the readeron a summer road trip to a vanished Spain. In this well-crafted,wistful novella, Sam Adams weaves his tapestry from fragments ofa remembered friendship in a coming of age tale written with sixtyyears' bitter hindsight." - Richard GwynSam Adams has created a rare novel in The Road to Zarauz, bothtimeless and very much of a time and a place, a past of hope andexpectation erased in a moment, and what remains when hope is gone.

Since 1996, Sam Adams’s ‘Letter from Wales’ column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, independent and passionate critical voices on the writing and cultural output of Wales during this period. Here you will find erudite appreciations of the work of a wide range of recent and contemporary Welsh writers from Gillian Clarke to Roland Mathias, RS Thomas to Rhian Edwards. Alongside this, Adams offers us lyric essays to Welsh history, and clear-eyed examinations of the institutions of Welsh culture. Collected for the first time in this volume, the ‘letters’ are among the most significant and sustained attempts during this period to present Welsh writing to an audience throughout the UK and beyond.

A founder of "Dock Leaves" (renamed "The Anglo-Welsh Review"), Mathias combined his career as an editor with work as an educationalist, poet and critic. This book examines his life and writing career, exploring the origins and depth of his commitment to a Welsh literature in the English language.

This volume offers a kaleidoscopic view of the Welsh literary scene in the 20th century. The eight essays discuss various aspects of the literature of Wales in both Welsh and English.