Sam Mills - Böcker

A NEW STATESMAN BOOK OF THE YEAR In the vein of the Costa-winning Dadland, with the biographical elements of H is for Hawk, The Fragments of my Father is a powerful and poignant memoir about parents and children, freedom and responsibility, madness and creativity and what it means to be a carer. SHORTLISTED FOR THE BARBELLION PRIZE My life had been suspended, as though I had inhaled and was still waiting to let out that gasp of breath. I set aside my dreams for a future time when life might be normal again. But that night, on my mother’s birthday, as I sat and watched the sky turn from blue to black, I wondered for the first time if it ever would … There were holes in Sam Mills’s life when she was growing up – times when her dad was just absent, for reasons she didn’t understand. As she grew older, she began to make up stories about the periods when he wasn’t around: that he’d been abducted, spirited away and held captive by a mysterious tribe who lived at the bottom of the garden. The truth – that he suffers from a rare form of paranoid schizophrenia, and was hospitalised intermittently – slowly came into focus, and that focus became pin-sharp in 2012, when Sam’s mother died and Sam was left as his primary carer.In this powerful, poignant memoir Sam triangulates her own experience with the stories of two other carers, one she admires and one, on some days, she fears she might become: Leonard Woolf, husband to Virginia and F Scott Fitzgerald, husband to Zelda, and a man whose personality made him ill-equipped – in a great many ways – to be a carer for his troubled wife.A mesmerising blend of literary biography and memoir The Fragments of My Father is a compelling and moving account of what it means to be a carer.

The ghost of a beautiful young woman, Sylvie, hovers outside the window of Will Self's study. She is seeking to influence his latest novel, before she can rest in peace.Sylvie was a member of the WSC - a mysterious cult of charismatic writers who appear to worship Will Self. When Richard, a twenty-something idler and literary wannabe, discovers Sylvie's dead body he gets sucked into their dark world of absinthe, cloaks and bizarre initiation rites, slowly losing his sense of perspective on the strange events that encircle him. What is the true nature of the WSC? What did they do to Sylvie? And does Richard now face a similar fate?

Rachel and Jaime: their story isn't simple. It might not even be their story.Augustus Fate, a once-lauded novelist and now renowned recluse, is struggling with his latest creation. But when Jaime and Rachel stumble into his remote cottage, he spies opportunity, imprisoning them inside his novel-in-progress. Now, the fledgling couple must try to find their way back home through a labyrinthine network of novels. 'And as they move from Victorian Oxford to a utopian Manchester, a harsh Russian winter to an AI-dominated near-future, so too does the narrative of their relationship change time and again. Together, they must figure out if this relationship of so many presents can have any future at all.The Watermark is a heart-stopping exploration of the narratives we cling to in the course of a life, and the tendency of the world to unravel them. Kaleidoscopic and wildly imaginative, it asks: how can we truly be ourselves, when Fate is pulling the strings?

Rachel and Jaime: their story isn't simple. It might not even be their story.Augustus Fate, a once-lauded novelist and now renowned recluse, is struggling with his latest creation. But when Jaime and Rachel stumble into his remote cottage, he spies opportunity, imprisoning them inside his novel-in-progress. Now, the fledgling couple must try to find their way back home through a labyrinthine network of novels. 'And as they move from Victorian Oxford to a utopian Manchester, a harsh Russian winter to an AI-dominated near-future, so too does the narrative of their relationship change time and again. Together, they must figure out if this relationship of so many presents can have any future at all.The Watermark is a heart-stopping exploration of the narratives we cling to in the course of a life, and the tendency of the world to unravel them. Kaleidoscopic and wildly imaginative, it asks: how can we truly be ourselves, when Fate is pulling the strings?

'Given bisexuality's all too frequent erasure, there is a need to represent [these] specific histories' Times Literary SupplementUneven tells the stories of nine pioneering bisexual artists, writers and musicians that will change our understanding of the world's largest sexual minority.Bisexuality is often seen as something temporary, in spite of increasing openness around it: a sign of immaturity or a waystation on the road to a different sexuality altogether, rather than its own distinct entity.In this beautifully written cultural history, Sam Mills reclaims bisexuality as its own identity, interweaving her experience of being bisexual with illuminating portraits of a clutch of artists, writers and musicians, including Colette, Bessie Smith, Marlene Dietrich, Anaïs Nin, Jean-Michel Basquiat and Madonna.Celebrating the resilience, diversity and spirit of the bisexual community through the ages, Uneven explores how each of these trailblazing figures have been misunderstood; how social attitudes affected their sexuality, their relationships and their work; how LGBTQ+ identities have been portrayed from the Victorian era to the present day; and how attitudes have progressed.Illuminating, personal and entertaining, Uneven paints a nuanced portrait of a sidelined community.

'Given bisexuality's all too frequent erasure, there is a need to represent [these] specific histories' Times Literary SupplementUneven tells the stories of nine pioneering bisexual artists, writers and musicians that will change our understanding of the world's largest sexual minority.Bisexuality is often seen as something temporary, in spite of increasing openness around it: a sign of immaturity or a waystation on the road to a different sexuality altogether, rather than its own distinct entity.In this beautifully written cultural history, Sam Mills reclaims bisexuality as its own identity, interweaving her experience of being bisexual with illuminating portraits of a clutch of artists, writers and musicians, including Colette, Bessie Smith, Marlene Dietrich, Anaïs Nin, Jean-Michel Basquiat and Madonna.Celebrating the resilience, diversity and spirit of the bisexual community through the ages, Uneven explores how each of these trailblazing figures have been misunderstood; how social attitudes affected their sexuality, their relationships and their work; how LGBTQ+ identities have been portrayed from the Victorian era to the present day; and how attitudes have progressed.Illuminating, personal and entertaining, Uneven paints a nuanced portrait of a sidelined community.

Everybody knows a Chauvo-Feminist…The 2017 #MeToo movement was a flagship moment, a time which empowered women to share their stories of sexual harassment and abuse in a spirit of solidarity and in demand of change. But have some men simply changed tactics?Acclaimed author Sam Mills investigates the phenomenon of the chauvo-feminist, the man whose public feminism works to advance his career, whilst his private self exhibits age-old chauvinistic tactics. Through testimonies and her own experience, Mills examines the psychological underpinnings of the chauvo-feminist, exploring questions of modern relationships, consent, and emotional abuse and asks how we might move beyond ‘trial by Twitter’ to encourage an honest and productive dialogue between men and women.Sam Mills is the author of numerous books, including The Quiddity of Will Self (Corsair, 2013), and recent memoir of love, madness and caring The Fragments of My Father (Fourth Estate, 2020).