Sam Taylor – författare

A towering figure in music and film, Michel Legrand created some of the most creative and innovative film scores of the second half of the 20th century. The music of his most most successful collaborations -- masterpieces for films such as The Umbrellas of Cherbourg, The Thomas Crown Affair, Summer of '42, and Yentl -- is particularly memorable. As these scores and the stories behind their creation are, they represent one part of Legrand's genius. Over a career that spanned seven decades, Legrand composed the scores for 160 films, winning Oscars and Grammys along the way. Many of his songs have become standards covered by artists as diverse as Tony Bennett, Sarah Vaughan, Rufus Wainwright, and Sting. A prolific and highly versatile composer, Legrand worked with virtually every legendary figure in popular music and film from Maurice Chevalier to Barbra Streisand and from Orson Welles to Jean-Luc Godard. Still active in his late 80s, Legrand composed the score for Orson Welles's posthumously released movie, The Other Side of the Wind (2018). Just prior to his death at the age of 87, Legrand sat down with his longtime collaborator StA(c)phane Lerouge to recount, all the while intermingling present and past, many of the significant and memorable episodes from his life. He speaks of his triumphs but doesn't shy away from revealing rejections, fiascos, missed opportunities, creative insecurities and a nervous breakdown he experienced in Los Angeles at the height of his success. Throughout, he pays homage to the roles played by numerous artists he encountered on both sides of the Atlantic--jazz musicians, singers and lyricists, film directors and music composers, many of whom became his lifelong friends. Translated by Sam Taylor, this book shares Legrand's stories as told to Lerouge to English readers for the first time.

A towering figure in music and film, Michel Legrand created some of the most creative and innovative film scores of the second half of the 20th century. The music of his most most successful collaborations -- masterpieces for films such as The Umbrellas of Cherbourg, The Thomas Crown Affair, Summer of '42, and Yentl -- is particularly memorable. As these scores and the stories behind their creation are, they represent one part of Legrand's genius. Over a career that spanned seven decades, Legrand composed the scores for 160 films, winning Oscars and Grammys along the way. Many of his songs have become standards covered by artists as diverse as Tony Bennett, Sarah Vaughan, Rufus Wainwright, and Sting. A prolific and highly versatile composer, Legrand worked with virtually every legendary figure in popular music and film from Maurice Chevalier to Barbra Streisand and from Orson Welles to Jean-Luc Godard. Still active in his late 80s, Legrand composed the score for Orson Welles's posthumously released movie, The Other Side of the Wind (2018). Just prior to his death at the age of 87, Legrand sat down with his longtime collaborator StA(c)phane Lerouge to recount, all the while intermingling present and past, many of the significant and memorable episodes from his life. He speaks of his triumphs but doesn't shy away from revealing rejections, fiascos, missed opportunities, creative insecurities and a nervous breakdown he experienced in Los Angeles at the height of his success. Throughout, he pays homage to the roles played by numerous artists he encountered on both sides of the Atlantic--jazz musicians, singers and lyricists, film directors and music composers, many of whom became his lifelong friends. Translated by Sam Taylor, this book shares Legrand's stories as told to Lerouge to English readers for the first time.

One of the most vivid, gripping and chilling first novels of recent years, The Republic of Trees tells the story of Michael, Louis, Alex and Isobel, four children on the edge of adolescence, who run away to the forest to establish their own utopian community. All seems well in the Republic of Trees - until the sudden arrival of Joy. Under her influence, their relationships grow more erotic and obsessive, and the shadows of a nightmarish dystopia start to encroach on reality . . .

Through the eyes of eight-year-old Finn we find ourselves on a small island, surrounded by nothing but sea. Finn lives here with his Pa, his elder sister Alice and his younger sister Daisy, and has no memory of any world but this one. All he knows of the past comes from the songs and stories of his father, which tell of the great flood that drowned all the other inhabitants of the earth, a deluge their family survived thanks to the ark in which they now live.Alice, however, has entered adolescence, and treasures vague memories of her dead mother and of life before the flood. As her relationship with her father changes, she begins to see holes in his account of the past, and desperately seeks contact with the outside world. And when a boy, a stranger, is washed up on the shore, apparently in answer to the message she sent in a bottle, it appears they may not be alone after all.Set in the near future, told from three different viewpoints and written in extraordinary prose, The Island at the End of the World is an original, moving exploration of family love, truth and lies, and how strange and frightening it can feel for a child to discover the adult world.

'Lyrical and profound, delving into the depths of human connection. You will cry.'GLAMOUR'Impressive . . . it gripped my heart and imagination.'JO BROWNING WROE'Intriguing . . . there is also significant charm and energy.'GUARDIAN'Compulsive, electrifying.'SPECTATOROne man, one choice, two lifetimes.A house fire, Vienna, 1933: thirteen-year-old Max is orphaned, disfigured and adopted by an Aryan family who change his identity - and his prospects.A house fire, Vienna, 1933: thirteen-year-old Max saves his parents and escapes unharmed, to face life as a Jew in 1930s Austria.In one unforgettable night, Max Spiegelman's life splits in two. As war looms and Nazism continues to rise, Max is forced into choices that place him and his alter ego on opposing sides of a divided world. Tethered by their dreams, the boys watch helplessly, haunted by visions of what could have been. But in each parallel universe, they share a magnetic bond with an enchanting, grey-eyed girl.The Two Loves of Sophie Strom is a profound story about how tragedy, choice and life-altering love shape our future.READERS ADORE THE TWO LOVES OF SOPHIE STROM:'More than once moved me to tears.''One of my top reads of the year.''Incredible! Thought-provoking, compelling and deeply moving.''Absolutely blew me away . . . I cannot recommend this book enough.''Eye-opening and thoroughly enjoyable.''I found myself wishing that the story would not end.'

'Lyrical and profound, delving into the depths of human connection. You will cry.'GLAMOUR'Impressive . . . it gripped my heart and imagination.'JO BROWNING WROE'Intriguing . . . there is also significant charm and energy.'GUARDIAN'Compulsive, electrifying.'SPECTATOROne man, one choice, two lifetimes.In one unforgettable night, thirteen-year-old Max Spiegelman's life splits in two. As Max sleeps, a house fire creeps through his parents' shop. Woken by smoke, Max manages to escape - orphaned, disfigured and adopted by an Aryan family who change his identity and his prospects.But when he awakes a second time to smoke, he finds he has the chance to save his parents and escape unharmed, facing life as a Jew in 1930s Austria.In each parallel universe, he is haunted by visions of what could have been. But in both worlds, he and his alter ego share a love with an enchanting, grey-eyed girl. . . READERS ADORE THE TWO LOVES OF SOPHIE STROM:'More than once moved me to tears.' ⭐⭐⭐⭐⭐'One of my top reads of the year.' ⭐⭐⭐⭐⭐'Incredible! Thought-provoking, compelling and deeply moving.' ⭐⭐⭐⭐⭐'Absolutely blew me away . . . I cannot recommend this book enough.' ⭐⭐⭐⭐⭐'Eye-opening and thoroughly enjoyable.' ⭐⭐⭐⭐⭐'I found myself wishing that the story would not end.' ⭐⭐⭐⭐⭐

As a collection of politically engaged poetry for the 21st century, Nude Descending and Empire develops the lyrical voice of a citizen-poet speaking to the urgency of our contemporary moment, especially its ecological crisis. This is a book that brings all the supposed sensitivity of poetry into contact with the world we actually live in—with all its crises, madness, and modernity—and insists that we feel it all. A reader will recognize many of the urgent political issues of our time, yet will find them re-inhabited and transformed here by the imaginative power of poetry. Our great ecological crisis is cast as the fulfillment of a long history of violence, domination, lies, and alienation—in one word, empire—and the book suggests that a livable future requires that we wholly inhabit our body-heart-mind and discover a new paradigm.

Implementing the concept of global social responsibility in Cameroon and in the USA to improve health, education, living condition, clean water, the economy and reduce poverty in the families, villages, communities, regions and the nation of Cameroon.

A paper-based beginner-friendly workbook for students that teaches how to build a website - without the use of a computer. This is the perfect book for any beginner who finds it easier to engage with paper than with code on a computer screen. Also perfect for classrooms in socioeconomically disadvantaged areas that lack multiple computers or even reasonable Internet access. Numerous students can work simultaneously from this workbook then try their code on a shared computer either in the classroom or at home.

Part of the PCCS Books `Our Encounters With...' Series, this is a powerful testimony of the destructive, sometimes fatal, effects of stalking on its victims. With an introduction by the author Peter James, himself a victim of stalking, the book foregrounds the experiences of those who have been (and are still being) stalked. It offers a unique insight into the commonalities of experience and a platform where people who have, in many cases, been driven into silence and anonymity are able to write openly and angrily about their battles to stay sane and re-establish a life free from their persecutor. The book is in three main sections: Professional and third sector; the police and the courts; first-person accounts of the experience of being stalked, its impact on the victims and those around them. The book concludes with a summary of the main themes and conclusions, a reflection on some of the editorial conversations between the editors of the book, and a list of helpful resources and information.