Samuel Perry – författare

Recasting Red Culture turns a critical eye on the influential proletarian cultural movement that flourished in 1920s and 1930s Japan. This was a diverse, cosmopolitan, and highly contested moment in Japanese history when notions of political egalitarianism were being translated into cultural practices specific to the Japanese experience. Both a political and historiographical intervention, the book offers a fascinating account of the passions —and antinomies— that animated one of the most admirable intellectual and cultural movements of Japan’s twentieth century, and argues that proletarian literature, cultural workers, and institutions fundamentally enrich our understanding of Japanese culture.What sustained the proletarian movement’s faith in the idea that art and literature were indispensable to the task of revolution? How did the movement manage to enlist artists, teachers, and scientist into its ranks, and what sorts of contradictions arose in the merging of working-class and bourgeois cultures? Recasting Red Culture asks these and other questions as it historicizes proletarian Japan at the intersection of bourgeois aesthetics, radical politics, and a flourishing modern print culture. Drawing parallels with the experiences of European revolutionaries, the book vividly details how cultural activists “recast” forms of modern culture into practices commensurate with the goals of revolution. Weaving over a dozen translated fairytales, poems, and short stories into his narrative, Samuel Perry offers a fundamentally new approach to studying revolutionary culture. By examining the margins of the proletarian cultural movement, Perry effectively redefines its center as he closely reads and historicizes proletarian children’s culture, avant-garde “wall fiction,” and a literature that bears witness to Japan’s fraught relationship with its Korean colony. Along the way, he shows how proletarian culture opened up new critical spaces in the intersections of class, popular culture, childhood, gender, and ethnicity.

Selections from the past hundred years of queer Korean literature.Following decades of activism for LGBTQ+ rights, South Korea has seen a flowering of queer literature, film, and Internet culture. Openly queer or transgender writers such as Kim Bi, Sang Young Park, and Yi Seoyoung are now receiving national and international attention. But the rich variety of queer Korean writing also extends into the past, as the nine stories in this volume show.Beginning with contemporary works of fiction by Kim, Park, and Yi and reaching back through the last century, this collection places expressions of queerness in historical and cultural context. It explores the sometimes problematic norms found in the stories and also considers the potential these texts hold for destabilizing binaries of sex and gender. Featuring works by the canonical authors Yi Kwangsu, Yi Kiyŏng, Ch'oe Chŏnghŭi, and O Chŏnghŭi and works by Yu Sŭngjin and Kim Sunyŏng that have been recovered from archives, this collection reflects the diversity of modern Korean literature.This volume contains the following works: "Yundo ga torawatta" (2017), "Sam-hangnyŏn i-ban" (2016), "Haesut'ang" (2006), "Sanjo" (1970), "I chŏlmang sok e purimch'igo" (1965), "Pom" (1950), selections from the novel Pom (1940), "Ŏnni, chŏn tallara ro" (1933), and "Yun Kwangho" (1918).