San Duanmu – författare

Chinese phonology has been studied for over 1700 years. Before the twentieth century the focus of such scholarship was on the rhyming categories of syllables for the purposes of composing proper literary works and of preserving what was felt to be proper Chinese. During the first half of this century phonological research was directed towards the production of a simplified, national, 'standard' Chinese sound system. The academic study of Chinese linguistics, including phonology, dates from the 1960s. This has produced substantial literature, mainly in Chinese. This is a comprehensive study of Chinese phonology. It covers several areas that are either not dealt with in previous books or only superficially touched upon, such as the large amount of missing syllable patterns (Chapter 3), stress (Chapter 6), the word length problem ( Chapter 7), and the word order problem (Chapter 8). It also offers new analyses of several traditional topics, such as the phonemic inventory (Chapter 2), allophonic variation (Chapter 3), syllable structure (Chapter 4), the [r] suffix (Chapter 9), tone (Chapter 10), and Tone 3 Sandhi (Chapter 11).The book pays attention to both factual description and theoretical analyses. In addition, efforts have been made to avoid unnecessary jargon and to introduce relevant theories in a non-technical way, so that the contents are accessible to a broader audience.

This is a new and revised edition of the title first published by OUP in 2000. From the reviews of the first edition:'This book is a comprehensive study of the phonology of Standard Chinese. Not only is it rich in detailed and amazingly accurate factual description, it also proposes elegant theoretical solutions to many long-standing problems in Chinese phonology, such as word length variation, word order, and the application of the third tone sandhi. Another great strength of the book is that in every chapter, the generative literature on related issues is carefully reviewed. Therefore it can also serve as a great reference book for the past advances in Chinese generative phonology. Moreover, the book is written in a down-to-earth fashion and is very approachable by anyone with the slightest interest in Chinese languages or phonology but relatively little training in either area.' Jie Zhang, Linguist'Because of its accessibility, this book can be used as an introductory textbook for Chinese phonology or Chinese linguistics.... Every phonologist and student of Chinese linguistics will find something valuable from the book because of its wealth of data and insightful analyses.' Yen-Hwei Lin, Phonology'Explanations are based on a variety of perspectives, from traditional views of the phoneme to feature geometry and Optimality Theory, each concisely introduced so that the discussion easy to follow even for the novice. The result is a flowing, integrated approach that addresses - and solves - some of the thorniest perennial problems in Chinese phonology.... Because this user-friendly introduction offers innovative new solutions to old problems, it enjoys the rare distinction of succeeding both as an essential textbook of Standard Chinese phonology and as an important new theoretical advance in phonological analysis.' Edward J. Vajda, Language

This is a new and revised edition of the title first published by OUP in 2000. From the reviews of the first edition:'This book is a comprehensive study of the phonology of Standard Chinese. Not only is it rich in detailed and amazingly accurate factual description, it also proposes elegant theoretical solutions to many long-standing problems in Chinese phonology, such as word length variation, word order, and the application of the third tone sandhi. Another great strength of the book is that in every chapter, the generative literature on related issues is carefully reviewed. Therefore it can also serve as a great reference book for the past advances in Chinese generative phonology. Moreover, the book is written in a down-to-earth fashion and is very approachable by anyone with the slightest interest in Chinese languages or phonology but relatively little training in either area.' Jie Zhang, Linguist'Because of its accessibility, this book can be used as an introductory textbook for Chinese phonology or Chinese linguistics.... Every phonologist and student of Chinese linguistics will find something valuable from the book because of its wealth of data and insightful analyses.' Yen-Hwei Lin, Phonology'Explanations are based on a variety of perspectives, from traditional views of the phoneme to feature geometry and Optimality Theory, each concisely introduced so that the discussion easy to follow even for the novice. The result is a flowing, integrated approach that addresses - and solves - some of the thorniest perennial problems in Chinese phonology.... Because this user-friendly introduction offers innovative new solutions to old problems, it enjoys the rare distinction of succeeding both as an essential textbook of Standard Chinese phonology and as an important new theoretical advance in phonological analysis.' Edward J. Vajda, Language

Chinese phonology has been studied for over 1700 years. Before the twentieth century the focus of such scholarship was on the rhyming categories of syllables for the purposes of composing proper literary works and of preserving what was felt to be proper Chinese. During the first half of this century phonological research was directed towards the production of a simplified, national, 'standard' Chinese sound system. The academic study of Chinese linguistics, including phonology, dates from the 1960s. This has produced substantial literature, mainly in Chinese. This is a comprehensive account of and introduction to Chinese phonology. It covers several areas that are either not dealt with in previous books or only superficially touched upon, such as the large amount of missing syllable patterns (Chapter 3), stress (Chapter 6), the word length problem ( Chapter 7), and the word order problem (Chapter 8). It also offers new analyses of several traditional topics, such as the phonemic inventory (Chapter 2), allophonic variation (Chapter 3), syllable structure (Chapter 4), the [r] suffix (Chapter 9), tone (Chapter 10), and Tone 3 Sandhi (Chapter 11).The book pays attention to both factual description and theoretical analyses, and works well as a textbook for students. Efforts have been made to avoid unnecessary jargon and to introduce relevant theories in a non-technical way, so that the contents are accessible to a broader audience.

This book looks at the range of possible syllables in human languages. The syllable is a central notion in phonology but basic questions about it remain poorly understood and phonologists are divided on even the most elementary issues. For example, the word city has been syllabified as ci-ty (the 'maximal onset' analysis), cit-y (the 'no-open-lax-V' analysis), and cit-ty (the 'geminate C' analysis).San Duanmu explores and clarifies these and many other related issues through an in-depth analysis of entire lexicons of several languages. Some languages, such as Standard and Shanghai Chinese, have fairly simple syllables, yet a minimal difference in syllable structure has lead to a dramatic difference in tonal behavior. Other languages, such as English, German, and Jiarong, have long consonant clusters and have been thought to require very large syllables: San Duanmu shows that the actual syllable structure in these languages is much simpler. He bases his analyses on quantitative data, paying equal attention to generalizations that are likely to be universal. He shows that a successful analysis of the syllable must take into account several theories, including feature theory, the Weight-Stress Principle, the size of morpheme inventory, and the metrical representation of the syllable. San Duanmu's clear exposition will appeal to phonologists and advanced students and will provide a new benchmark in syllabic and prosodic analysis. He also offers an answer to the intriguing question: how different can human languages be?

This book looks at the range of possible syllables in human languages. The syllable is a central notion in phonology, yet basic questions about it remain poorly understood and phonologists are divided on even the most elementary issues. For example, the word city has been syllabified as ci-ty (the 'maximal onset' analysis), cit-y (the 'no-open-lax-V' analysis), and cit-ty (the 'geminate C' analysis).San Duanmu explores and clarifies these and many other related issues through an in-depth analysis of the entire lexicons of several languages. Some languages, such as Standard and Shanghai Chinese, have fairly simple syllables, yet a minimal difference in syllable structure has led to a dramatic difference in tonal behavior. Other languages, such as English, German, and Jiarong, have long consonant clusters and have been thought to require very large syllables: San Duanmu shows that the actual syllable structure in these languages is much simpler. He bases his analyses on quantitative data, paying equal attention to generalizations that are likely to be universal. He shows that a successful analysis of the syllable must take into account several theories, including feature theory, the Weight-Stress Principle, the size of morpheme inventory, and the metrical representation of the syllable. San Duanmu's clear exposition will appeal to phonologists and advanced students and will provide a new benchmark in syllabic and prosodic analysis. He also offers an answer to the intriguing question: how different can human languages be?

This book outlines a system of phonological features that is minimally sufficient to distinguish all consonants and vowels in the languages of the world. The extensive evidence is drawn from datasets with a combined total of about 1000 sound inventories.The interpretation of phonetic transcriptions from different languages is a long-standing problem. In this book, San Duanmu proposes a solution that relies on the notion of contrast: X and Y are different sounds if and only if they contrast in some language. He focuses on a simple procedure to interpret empirical data: for each phonetic dimension, all inventories are searched in order to determine the maximal number of contrasts required. In addition, every unusual feature or extra degree of contrast is re-examined to confirm its validity. The resulting feature system is surprisingly simple: fewer features are needed than previously proposed, and for each feature, a two-way contrast is sufficient. Nevertheless, the proposal is reliable in that the notion of contrast is uncontroversial, the procedure is explicit, and the result is repeatable. The book also offers discussion of non-contrastive differences between languages, sound classes, and complex sounds such as affricates, consonant-glide units, consonant-liquid units, contour tones, pre-nasalized stops, clicks, ejectives, and implosives.