Sandra Cox - Böcker

Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic narratives.The essays examine use a range of interpretive lenses drawn from theoretical models used in contemporary aesthetics, media studies, and literary criticism to analyze mainstream figures like DC’s Catwoman and Marvel’s Miss America and Doctor Strange, to contextualize historical and speculative comics by Indigenous American illustrators, and to explicate autography by critically lauded Jewish, queer and female cartoonists. In the first half of the book, the chapters examine ways in which superhero comics and the cinematic and televisual adaptations thereof, reify, revise and reject gender parity, systemic misogyny and heteropatriarchy through visual and textual rhetorics of representation. In the second part of the volume, the chapters look at the ways that feminist interpretive practices illuminate the radical work undertaken by cartoonists from historically marginalized communities in the U.S. and Canada. Across both halves, readers will find applications of longstanding feminist critical traditions, like ecofeminism, as well as new intersectional extrapolations of narratology, autobiographical studies, and visual rhetoric, which have been applied to the selected comics in insightful and innovative ways. This is a lively and varied collection suitable for students and scholars in gender studies, cultural studies, media studies and literary studies.

Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic narratives.The essays examine use a range of interpretive lenses drawn from theoretical models used in contemporary aesthetics, media studies, and literary criticism to analyze mainstream figures like DC’s Catwoman and Marvel’s Miss America and Doctor Strange, to contextualize historical and speculative comics by Indigenous American illustrators, and to explicate autography by critically lauded Jewish, queer and female cartoonists. In the first half of the book, the chapters examine ways in which superhero comics and the cinematic and televisual adaptations thereof, reify, revise and reject gender parity, systemic misogyny and heteropatriarchy through visual and textual rhetorics of representation. In the second part of the volume, the chapters look at the ways that feminist interpretive practices illuminate the radical work undertaken by cartoonists from historically marginalized communities in the U.S. and Canada. Across both halves, readers will find applications of longstanding feminist critical traditions, like ecofeminism, as well as new intersectional extrapolations of narratology, autobiographical studies, and visual rhetoric, which have been applied to the selected comics in insightful and innovative ways. This is a lively and varied collection suitable for students and scholars in gender studies, cultural studies, media studies and literary studies.

Queer Narratives in Contemporary American Comics: Gutter Smut examines how comics reveal evolving perspectives on gender, sex and sexuality in the United States. Tracing moral panics from the mid-20th century to present-day radical cartoonists, this volume analyzes works from established creators like Alison Bechdel and Kelly Sue DeConnick alongside emerging cartoonists such as Laura Gao and Isabella Rotman. Through various feminist theoretical lenses, the book provides timely cultural criticism of both fiction and nonfiction comics, revealing how social mores related to gender have—and haven’t—shifted over time. Queer Narratives in Contemporary American Comics: Gutter Smut serves as an invaluable resource for students of gender studies, cultural studies, media studies and other many other disciplines.