Sandra Hindman – författare

This book presents the exceptional group of illuminations in the Robert Lehman Collection at The Metropolitan Museum of Art. The miniatures and cuttings from medieval and Renaissance manuscripts in this collection represent the major schools of illumination that flourished in Europe from the fourteenth to the sixteenth century. Robert Lehman (1892-1969), one of the great private art collectors of the twentieth century, collected these illuminations as an extension of his remarkable collection of early European paintings and drawings. Among the works catalogued here are a miniature by Simon Marmion--the "prince d'enluminure"--painted for a Breviary for Charles the Bold and Margaret of York, and, among the Italian illuminations, a Last Judgment in an Initial C by the great Florentine painter Lorenzo Monaco and an Adoration of the Magi by Francesco Marmitta. A Self-Portrait by Simon Bening and a Virgin and Child by Francesco Morone are early examples of small paintings on parchment conceived as independent works of art rather than as illustrations for manuscripts.Also here are a leaf painted for the Hours of ftienne Chevalier by Jean Fouquet, the most celebrated French painter of the fifteenth century, and a miniature Holy Face by Gerard David that was possibly created as an independent devotional image. All the illuminations in the Robert Lehman Collection are reproduced in color, and copious comparative illustrations supplement the extensive catalogue entries. This is the seventh in a projected series of sixteen volumes that will catalogue the entire Robert Lehman Collection.

Coinciding with Diana Scarisbrick's ninety-fourth birthday, this work honors her extraordinary career as the "world's leading jewelry historian." Through twenty contributions by noted scholars, Liber Amicorum explores the pioneering research accomplished by jewelry historian Diana Scarisbrick. These collected pieces celebrate both the length of Scarisbrick's career and its wide-ranging nature, touching upon her work with everything from gems, rings, chalices, bindings, and crown jewels to contemporary jewelry production, jewel theft, and individual collections. Throughout the book, the insightful historical research of the contributors is beautifully supported by high-quality illustrations. These bring their essays to life, highlighting the splendor and fragility of some of the objects that are discussed as each delves into the work of this eminent scholar.