Sandra Newman – författare

There they sit, the great tomes of classical literature, taunting you with their length and difficulty, as you ask: which books are the most important and why - and what's actually any good? Why does most writing about the classics have words like 'seminal' or 'oeuvre' in it? What does postmodernism mean? Can I get away with just reading the introduction?Now you can enjoy the classics without fear. This survival kit will guide you painlessly through the Western literary canon, century by century: from Ancient Greek drama to the modern novel, via Beowulf, Chaucer, Shakespeare, Romantic poetry, Tolstoy and Proust. There are entertaining plot summaries, unpretentious definitions of literary movements and fresh insights into authors' lives. With each work assigned ratings from 1 to 10 on Importance, Accessibility and Fun, you'll discover what's really worth bothering with and what you can safely discard without guilt.This book will make the things you've read clearer, inspire you to tackle the ones you've always meant to and make you sound far cleverer than you really are.

There are many ways prospective authors routinely sabotage their own work. But why leave it to guesswork? Misstep by misstep, How Not to Write a Novel shows how you can ensure that your manuscript never rises above the level of unpublishable drivel; that your characters are unpleasant, dimensionless versions of yourself; that your plot is digressive, tedious and unconvincing; and that your style is reliant on mangled clichés and sesquipedalian malapropisms. Alternatively, you can use it to identify the most common mistakes, avoid them and actually write a book that works.Guardian Award shortlisted novelist Sandra Newman and veteran editor Howard Mittelmark have distilled 30 years of teaching, editing, writing and reviewing fiction into a hilarious and liberating guide that is the perfect read for anyone who's ever laughed at a badly written piece of prose and for anyone who's ever penned one - and doesn't want to do it again.

'What a wonderful, strange, terrifying, brilliant novel this is' Kamila ShamsieAS THE WORLD BURNS, ONLY A DREAMER CAN SAVE IT...New York, 2000. The United Nations has just planted its flag on Mars, and a Green Party senator is about to become the first female president of the United States. At a party in the almost-Utopian world, Kate and Ben fall in love. London, 1593. Kate wakes as Emilia, mistress to a nobleman and friend to a lowly court poet called Will. Afflicted by apocalyptic premonitions, she sets out to save the world. Each decision she makes as Emilia will change Kate's life with Ben forever. 'Bewitchingly complex... Astonishing' Sarah Perry, author of The Essex Serpent'An electrifying novel of love, creativity and madness... Playful, tender and heart breaking' Guardian 'Elegiac and genuinely, unbelievably moving... By the time I got to the end of it, I wanted to go back and read the beginning... You've got to read this book' Helen Lewis, BBC Radio 4 Saturday Review

*Selected for 2022 previews by the Observer, the Guardian, the Daily Mail, & the Irish Times*'Intriguingly strange' The Bookseller, Editor's ChoiceIn a single moment, in every part of the world, every person with an Y chromosome vanishes: lovers, children, parents - even foetuses from the womb.Jane Pearson wakes on a mountainside the next morning to find her husband and son missing from their tent. Frantic and grieving, she sets out to find the one person she thinks can help - Evangelyne Moreau, the brilliant, charismatic leader of the Commensalist Party of America, whose heart she broke many years before.While Jane searches for those she has lost, a radically different society emerges, one that seems - at first - to be suddenly, blissfully safer than what came before. And then The Men appears online: uncanny video footage that shows the missing being herded through bizarre, otherworldly landscapes. Is it a hoax, or could The Men hold the key to bringing back those who were lost? And if so, what might be the cost?From the author of The Heavens, The Men is a gripping, beautiful, and disquieting novel of impossible sacrifices that asks: what might we be prepared to give up to create a better world?

A SUNDAY TIMES BESTSELLER"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The GuardianLondon, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive.But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world.Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

"a fascinating reflection on totalitarianism as refracted through Orwell's times and our own" The GuardianLondon, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive.But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world.Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia. A diligent member of the Junior Anti-Sex League (though she is secretly promiscuous) she knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive.But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith - when she sees him locking eyes with a superior from the Inner Party at the Two Minutes Hate. And when one day, finding herself walking toward Winston, she impulsively hands him a note - a potentially suicidal gesture - she comes to realise that she's losing her grip and can no longer safely navigate her world.Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.