Sandra Shapshay – författare

At the apex of his influence, from about 1860 up to the start of World War I, Schopenhauer was known first and foremost as a philosopher of pessimism. Still today, his main reputation is as one of the few philosophers to have argued that it would have been better never to have been. Sandra Shapshay aims to complicate and challenge this predominant picture of Schopenhauer's ethical thought, arguing that while the pessimistic, resigned Schopenhauer represents one side of the thinker, there is another, more hopeful side that is equally important to his legacy and essential to fully understanding his philosophy. Schopenhauer's ethical thought contains a hopeful, progressive strand, and the main task of this book is to reconstruct it. The resulting position, which Shapshay terms "compassionate moral realism," offers a hybrid Kantian moral realist/sentimentalist theory and a Schopenhauerian value ontology of degrees of inherent value.The reconstruction is novel in three main ways. First, it views Schopenhauer as a more faithful Kantian than most commentators have been apt to recognize. Second, it sees Schopenhauer's philosophy as an evolving rather than static body of thought, especially with respect to the place of the Platonic Ideas in his system; Schopenhauer's views in the philosophy of nature changed as he encountered proto-Darwinian thought, and this change weakens Schopenhauer's own grounds for pessimism. A third novelty is the claim, concerning his ethical thought, that there are really two Schopenhauers rather than one: the "Knight of Despair" and the "Knight of Hope" distinction introduced in this book helps to capture the incompatibility between the resignationist and the compassionate moral realist sides of Schopenhauer's ethical thought.

At the apex of his influence, from about 1860 up to the start of World War I, Schopenhauer was known first and foremost as a philosopher of pessimism. Still today, his main reputation is as one of the few philosophers to have argued that it would have been better never to have been.Sandra Shapshay aims to complicate and challenge this predominant picture of Schopenhauer''s ethical thought, arguing that while the pessimistic, resigned Schopenhauer represents one side of the thinker, there is another, more hopeful side that is equally important to his legacy and essential to fully understanding his philosophy. Schopenhauer''s ethical thought contains a hopeful, progressive strand, and the main task of this book is to reconstruct it. The resulting position, which Shapshay terms "compassionate moral realism," offers a hybrid Kantian moral realist/sentimentalist theory and a Schopenhauerian value ontology of degrees of inherent value.The reconstruction is novel in three main ways. First, it views Schopenhauer as a more faithful Kantian than most commentators have been apt to recognize. Second, it sees Schopenhauer''s philosophy as an evolving rather than static body of thought, especially with respect to the place of the Platonic Ideas in his system; Schopenhauer''s views in the philosophy of nature changed as he encountered proto-Darwinian thought, and this change weakens Schopenhauer''s own grounds for pessimism. A third novelty is the claim, concerning his ethical thought, that there are really two Schopenhauers rather than one: the "Knight of Despair" and the "Knight of Hope" distinction introduced in this book helps to capture the incompatibility between the resignationist and the compassionate moral realist sides of Schopenhauer''s ethical thought.

At the apex of his influence, from about 1860 up to the start of World War I, Schopenhauer was known first and foremost as a philosopher of pessimism. Still today, his main reputation is as one of the few philosophers to have argued that it would have been better never to have been.Sandra Shapshay aims to complicate and challenge this predominant picture of Schopenhauer''s ethical thought, arguing that while the pessimistic, resigned Schopenhauer represents one side of the thinker, there is another, more hopeful side that is equally important to his legacy and essential to fully understanding his philosophy. Schopenhauer''s ethical thought contains a hopeful, progressive strand, and the main task of this book is to reconstruct it. The resulting position, which Shapshay terms "compassionate moral realism," offers a hybrid Kantian moral realist/sentimentalist theory and a Schopenhauerian value ontology of degrees of inherent value.The reconstruction is novel in three main ways. First, it views Schopenhauer as a more faithful Kantian than most commentators have been apt to recognize. Second, it sees Schopenhauer''s philosophy as an evolving rather than static body of thought, especially with respect to the place of the Platonic Ideas in his system; Schopenhauer''s views in the philosophy of nature changed as he encountered proto-Darwinian thought, and this change weakens Schopenhauer''s own grounds for pessimism. A third novelty is the claim, concerning his ethical thought, that there are really two Schopenhauers rather than one: the "Knight of Despair" and the "Knight of Hope" distinction introduced in this book helps to capture the incompatibility between the resignationist and the compassionate moral realist sides of Schopenhauer''s ethical thought.

Bioethics at the Movies explores the ways in which popular films engage basic bioethical concepts and concerns. Twenty-one philosophically grounded essays use cinematic tools such as character and plot development, scene setting, and narrative framing to demonstrate a range of principles and topics in contemporary medical ethics. The first two sections plumb popular and bioethical thought on birth, abortion, genetic selection, and personhood through several films, including The Cider House Rules, Citizen Ruth, Gattaca, and I, Robot. In the third section, the contributors examine medical practice and troubling questions about the quality and commodification of life by way of Dirty Pretty Things, Eternal Sunshine of the Spotless Mind, and other movies. The fourth section's essays use Million Dollar Baby, Critical Care, Big Fish, and Soylent Green to show how the medical profession and society at large view issues related to aging, dying, and death.A final section makes use of Extreme Measures and select films from Spain and Japan to discuss two foundational matters in bioethics: the role of theories and principles in medicine and the importance of cultural context in devising care. Structured to mirror bioethics and cinema classes, this innovative work includes end-of-chapter questions for further consideration and contributions from scholars from the United States, Canada, the United Kingdom, Israel, Spain, and Australia. Contributors: Robert Arp, Ph.D., Michael C. Brannigan, Ph.D., Matthew Burstein, Ph.D., Antonio Casado da Rocha, Ph.D., Stephen Coleman, Ph.D., Jason T. Eberl, Ph.D., Bradley J. Fisher, Ph.D., Paul J. Ford, Ph.D., Helen Frowe, Ph.D., Colin Gavaghan, Ph.D., Richard Hanley, Ph.D., Nancy Hansen, Ph.D., Al-Yasha Ilhaam, Ph.D., Troy Jollimore, Ph.D., Amy Kind, Ph.D., Zana Marie Lutfiyya, Ph.D., Terrance McConnell, Ph.D., Andy Miah, Ph.D., Nathan Norbis, Ph.D., Kenneth Richman, Ph.D., Karen D. Schwartz, LL.B., M.A., Sandra Shapshay, Ph.D., Daniel Sperling, LL.M., S.J.D., Becky Cox White, R.N., Ph.D., Clark Wolf, Ph.D.

Bioethics at the Movies explores the ways in which popular films engage basic bioethical concepts and concerns. Twenty-one philosophically grounded essays use cinematic tools such as character and plot development, scene setting, and narrative framing to demonstrate a range of principles and topics in contemporary medical ethics. The first two sections plumb popular and bioethical thought on birth, abortion, genetic selection, and personhood through several films, including The Cider House Rules, Citizen Ruth, Gattaca, and I, Robot. In the third section, the contributors examine medical practice and troubling questions about the quality and commodification of life by way of Dirty Pretty Things, Eternal Sunshine of the Spotless Mind, and other movies. The fourth section's essays use Million Dollar Baby, Critical Care, Big Fish, and Soylent Green to show how the medical profession and society at large view issues related to aging, dying, and death.A final section makes use of Extreme Measures and select films from Spain and Japan to discuss two foundational matters in bioethics: the role of theories and principles in medicine and the importance of cultural context in devising care. Structured to mirror bioethics and cinema classes, this innovative work includes end-of-chapter questions for further consideration and contributions from scholars from the United States, Canada, the United Kingdom, Israel, Spain, and Australia. Contributors: Robert Arp, Ph.D., Michael C. Brannigan, Ph.D., Matthew Burstein, Ph.D., Antonio Casado da Rocha, Ph.D., Stephen Coleman, Ph.D., Jason T. Eberl, Ph.D., Bradley J. Fisher, Ph.D., Paul J. Ford, Ph.D., Helen Frowe, Ph.D., Colin Gavaghan, Ph.D., Richard Hanley, Ph.D., Nancy Hansen, Ph.D., Al-Yasha Ilhaam, Ph.D., Troy Jollimore, Ph.D., Amy Kind, Ph.D., Zana Marie Lutfiyya, Ph.D., Terrance McConnell, Ph.D., Andy Miah, Ph.D., Nathan Norbis, Ph.D., Kenneth Richman, Ph.D., Karen D. Schwartz, LL.B., M.A., Sandra Shapshay, Ph.D., Daniel Sperling, LL.M., S.J.D., Becky Cox White, R.N., Ph.D., Clark Wolf, Ph.D.

This handbook provides the first comprehensive overview of philosophical thinking about the aesthetics of the natural and human-made environments, exploring the topic's foundations, key ideas, and current debates.Throughout history and across cultures, people's perceptions of beauty and ugliness in their surroundings have been an important part of the human experience. This volume contains more than 30 contributions from leading scholars examining environmental appreciation from a variety of perspectives. Chapters cover a wide range of environments and issues, including the aesthetics of animals, natural sounds, gardens, the urban environment, and the relation between aesthetics and environmentalism. It also explores new topics such as the appreciation of nature in ancient thought, love of place, the traditional nature aesthetics of China and Japan, and the aesthetics of climate change.The Routledge Handbook of Nature and Environmental Aesthetics will be essential reading for students and scholars working on the aesthetics of environment, as well as anyone who wants to think deeply about environmental beauty. Scholars working in related fields outside academic philosophy, such as geography, landscape studies, environmental psychology, and environmental studies will also find it an invaluable guide to contemporary debates.

This handbook provides the first comprehensive overview of philosophical thinking about the aesthetics of the natural and human-made environments, exploring the topic's foundations, key ideas, and current debates.Throughout history and across cultures, people's perceptions of beauty and ugliness in their surroundings have been an important part of the human experience. This volume contains more than 30 contributions from leading scholars examining environmental appreciation from a variety of perspectives. Chapters cover a wide range of environments and issues, including the aesthetics of animals, natural sounds, gardens, the urban environment, and the relation between aesthetics and environmentalism. It also explores new topics such as the appreciation of nature in ancient thought, love of place, the traditional nature aesthetics of China and Japan, and the aesthetics of climate change.The Routledge Handbook of Nature and Environmental Aesthetics will be essential reading for students and scholars working on the aesthetics of environment, as well as anyone who wants to think deeply about environmental beauty. Scholars working in related fields outside academic philosophy, such as geography, landscape studies, environmental psychology, and environmental studies will also find it an invaluable guide to contemporary debates.

This handbook provides the first comprehensive overview of philosophical thinking about the aesthetics of the natural and human-made environments, exploring the topic's foundations, key ideas, and current debates.Throughout history and across cultures, people's perceptions of beauty and ugliness in their surroundings have been an important part of the human experience. This volume contains more than 30 contributions from leading scholars examining environmental appreciation from a variety of perspectives. Chapters cover a wide range of environments and issues, including the aesthetics of animals, natural sounds, gardens, the urban environment, and the relation between aesthetics and environmentalism. It also explores new topics such as the appreciation of nature in ancient thought, love of place, the traditional nature aesthetics of China and Japan, and the aesthetics of climate change.The Routledge Handbook of Nature and Environmental Aesthetics will be essential reading for students and scholars working on the aesthetics of environment, as well as anyone who wants to think deeply about environmental beauty. Scholars working in related fields outside academic philosophy, such as geography, landscape studies, environmental psychology, and environmental studies will also find it an invaluable guide to contemporary debates.

This comprehensive Handbook offers a leading-edge yet accessible guide to the most important facets of Arthur Schopenhauer’s philosophical system, the last true system of German philosophy.  Written by a diverse, international and interdisciplinary group of eminent and up-and-coming scholars, each of the 28 chapters in this Handbook includes an authoritative exposition of different viewpoints as well as arguing for a particular thesis.  Authors also put Schopenhauer’s ideas into historical context and connect them when possible to contemporary philosophy.Key features: Structured in six parts, addressing the development of Schopenhauer’s system, his epistemology and metaphysics, aesthetics and philosophy of art, ethical and political thought, philosophy of religion and legacy in Britain, France, and the US.Special coverage of Schopenhauer’s treatment of Judaism, Christianity, Vedic thought and BuddhismAttention to the relevance of Schopenhauer for contemporary metaphysics, metaethics and ethics in particular.The Palgrave Schopenhauer Handbook is an essential resource for scholars as well as advanced students of nineteenth-century philosophy. Researchers and graduate students in musicology, comparative literature, religious studies, English, French, history, and political science will find this guide to be a rigorous and refreshing Handbook to support their own explorations of Schopenhauer’s thought.

This comprehensive Handbook offers a leading-edge yet accessible guide to the most important facets of Arthur Schopenhauer’s philosophical system, the last true system of German philosophy.  Written by a diverse, international and interdisciplinary group of eminent and up-and-coming scholars, each of the 28 chapters in this Handbook includes an authoritative exposition of different viewpoints as well as arguing for a particular thesis.  Authors also put Schopenhauer’s ideas into historical context and connect them when possible to contemporary philosophy.

Key features:

Structured in six parts, addressing the development of Schopenhauer’s system, his epistemology and metaphysics, aesthetics and philosophy of art, ethical and political thought, philosophy of religion and legacy in Britain, France, and the US.Special coverage of Schopenhauer’s treatment of Judaism, Christianity, Vedic thought and BuddhismAttention to the relevance of Schopenhauer for contemporary metaphysics, metaethics and ethics in particular.

The Palgrave Schopenhauer Handbook is an essential resource for scholars as well as advanced students of nineteenth-century philosophy. Researchers and graduate students in musicology, comparative literature, religious studies, English, French, history, and political science will find this guide to be a rigorous and refreshing Handbook to support their own explorations of Schopenhauer’s thought.