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In industrial societies imagining the future is a serious business; our assumptions about the future govern the present management of domestic, national and global resources, and are projected, some would say inflicted, on societies whose visions are different. Contemporary Futures focuses not so much on whether the future can be known, but on interpreting the way we and others picture it. The contributors, all social anthropologists, explore the effects that this picture has on the present, on group identity and belief in the self and its survival, on our relationships with other cultures, and on the future itself. They provide a cross-cultural perspective on a range of futures visualised at this time and discusses the implications of
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In industrial societies imagining the future is a serious business; our assumptions about the future govern the present management of domestic, national and global resources, and are projected, some would say inflicted, on societies whose visions are different. Contemporary Futures focuses not so much on whether the future can be known, but on interpreting the way we and others picture it. The contributors, all social anthropologists, explore the effects that this picture has on the present, on group identity and belief in the self and its survival, on our relationships with other cultures, and on the future itself. They provide a cross-cultural perspective on a range of futures visualised at this time and discusses the implications of
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In Sometime Kin, Sandra Wallman paints the portrait of an Alpine settlement – its history, economy and culture, and its unusual resistance to outsiders and modernization. Against this, her journal shows the villagers embracing her four small children and acting as participant observers in the two-way process of research. This project happened more than forty years ago and involved a uniquely large fieldwork family, but its insights have wider significance. The book argues that the intrusion of observation inevitably distorts the ordinary life observed, that the challenges of multi-vocality and “truth” are always with us, and that memory is the bedrock of every ethnographic enterprise.
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