Sara Brandellero – författare

On a Knife-Edge represents the first book-length study in English solely devoted to the work of João Cabral de Melo Neto (1920-1999), one of Brazil's foremost poets of the twentieth century and a unique voice within Brazilian Modernism. It concentrates on the poet's later works, from A escola das facas (1980) to Andando Sevilha (1990), providing a comprehensive overview of a body of work which has so far attracted limited critical attention. Sara Brandellero reviews traditional readings of Cabral as a poet of clarity and precision, and demonstrates how ambiguity in language, imagery, and even structure was an integral part of his writing and contributed to the political impact of his work. The blurring of the opposition between life and death through the image of the knife-edge, central to the first of the works examined, provides a productive starting point for the analysis of the role of the in-between space, (or 'entre-lugar', as defined by Silviano Santiago) in Cabral's writing. The knife-edge reflects the poet's obsession with the transience of existence and conveys the violence and deprivation of his native Brazil, where life is in a constant state of flux. On a meta-textual level, it encapsulates Cabral's vision of his writing as a continual negotiation of the boundaries between poetry and prose, and evokes his sense of the elusiveness of language and of the endless possibilities that the act of writing implies. Thus, the in-between space gave Cabral new scope, as a postcolonial writer, to enter in dialogue with poetic tradition at home and abroad. Through his resistance to rigid categorizations, such as in representations of gender, and thematic exploration of grey areas such as haunting, insoluble crimes, or even the labyrinthine geography of Seville, he sought to unmask the inequities of Brazil's past and the challenges of its present.

Reflecting on some of Brazil’s foremost challenges, this book considers the porous relationship between legality and illegality in a country that presages political and societal changes in hitherto unprecedented dimensions.It brings together work by established scholars from Brazil, Europe and the United States to think through how (il)legalities are produced and represented at the level of institutions, (daily) practice and culture. Througha transdisciplinary approach, the chapters cover issues including informal work practices (e.g. street vendors), urban squatter movements and migration. Alongside social practices, the volume features close analyses of cultural practices and cultural production, including migrant literature, punk music and indigenous art.The question of (il)legalities resonates beyond Brazil’s borders, as concepts such as "lawfare" have crept into vocabularies, and countries the world over grapple with issues like state interference, fake news and the definition of "illegal" migration. This is valuable reading for scholars in Brazilian and Latin American Studies, as well as those working in literary and cultural studies, anthropology, sociology, geography and political science.

The Brazilian Road Movie: Journeys of (Self)Discovery explores some of the key trends and films in the development of the road movie in Brazil. Through a collection of essays by distinguished scholars, and covering a broad range of case studies, this text spans Brazilian film production from the silent era to the present day. This text examines issues such as the reworking of the genre in a Brazilian context, the relationship between documentary and fiction, between history, politics and cinema, gender and race, the wilderness and the urban space, the national and the transnational. The essays consider among other things how the experience of the journey helped develop and was instrumental in defining identities on screen. Adopting a variety of approaches, the volume considers the significance of the iconography of the road, the experience of movement and of life on the move for the representation of Brazil on screen.

Reflecting on some of Brazil’s foremost challenges, this book considers the porous relationship between legality and illegality in a country that presages political and societal changes in hitherto unprecedented dimensions.It brings together work by established scholars from Brazil, Europe and the United States to think through how (il)legalities are produced and represented at the level of institutions, (daily) practice and culture. Througha transdisciplinary approach, the chapters cover issues including informal work practices (e.g. street vendors), urban squatter movements and migration. Alongside social practices, the volume features close analyses of cultural practices and cultural production, including migrant literature, punk music and indigenous art.The question of (il)legalities resonates beyond Brazil’s borders, as concepts such as "lawfare" have crept into vocabularies, and countries the world over grapple with issues like state interference, fake news and the definition of "illegal" migration. This is valuable reading for scholars in Brazilian and Latin American Studies, as well as those working in literary and cultural studies, anthropology, sociology, geography and political science.

Urban Nightlife and Contested Spaces: Cultural Encounters after Dusk captures the multifarious nature of the urban night and how it is lived, structured, and reflected upon in diverse cultural and artistic expressions. The volume acknowledges the urban night as an often-overlooked key dimension necessary to understand the complexities of today's urban spaces, including the often-polarizing question of migration. After dusk, urban social challenges are often magnified, as questions of who can be where and when, along ethnic, racial or gender lines, for example, gain an additional dimension. The volume underscores, indeed, the multi-dimensionality of night spaces, where bottom-up, grassroot initiatives provide opportunities for self-expression by traditionally marginalized and silenced groups. Chapters span disciplines of urbanism and urban history, literary, film and cultural studies, music, sociology of labour, anthropology of migration, alongside autoethnographic contributions and practice-based photo essays by artists for whom the night is their habitual setting and canvas.

Graciliano Ramos and the Making of Modern Brazil brings updated criticism in English on the work of the prominent Brazilian writer Graciliano Ramos (1892–1953), a key figure in understanding the making of modern Brazil. Building on existing literature, this book innovates through chapters that consider issues such as Ramos’s dialogue with literary tradition, his cultural legacy for contemporary writers, and his treatment of racial discrimination and gender inequality through the multifarious, provocative and enduringly fascinating characters he created. The volume also addresses the question of Ramos’s political involvement during the years of the Getulio Vargas government (1930–45), to revisit established readings of the author’s politics. Through close reading of individual works as well as comparative analyses, this volume takes readers into the complexities of modernisation in Brazil, and highlights the writer’s significance for our understanding of Brazil today.