Sara Munson Deats – författare

Viewing artistic works through the lens of both contemporary gerontological theory and postmodernist concepts, the contributing scholars examine literary treatments, cinematic depictions, and artistic portraits of aging from Shakespeare to Hemingway, from Horton Foote to Disney, from Rembrandt to Alice Neale, while also comparing the attitudes toward aging in Native American, African American, and Anglo American literature. The examples demonstrate that long before gerontologists endorsed a Janus-faced model of aging, artists were celebrating the diversity of the elderly, challenging the bio-medical equation of senescence with inevitable senility. Underlying all of this discussion is the firm conviction that cultural texts construct as well as encode the conventional perceptions of their society; that literature, the arts, and the media not only mirror society's mores but can also help to create and enforce them.

There has never been a retrospective on Christopher Marlowe as comprehensive, complete and up-to-date in appraising the Marlovian landscape. Each chapter has been written by an eminent, international Marlovian scholar to determine what has been covered, what has not, and what scholarship and criticism will or might focus on next. The volume considers all of Marlowe’s dramas and his poetry, including his translations, as well as the following special topics: Critical Approaches to Marlowe; Marlowe’s Works in Performance; Marlowe and Theatre History; Electronic Resources for Marlovian Research; and Marlowe’s Biography. Included in the discussions are the native, continental, and classical influences on Marlowe and the ways in which Marlowe has interacted with other contemporary writers, including his influence on those who came after him. The volume has appeal not only to students and scholars of Marlowe but to anyone interested in Renaissance drama and poetry. Moreover, the significance for readers lies in the contributors’ approaches as well as in their content. Interest in the biography of Christopher Marlowe and in his works has bourgeoned since the turn of the century. It therefore seems especially appropriate at this time to present a comprehensive assessment of past and present traditional and innovative lines of inquiry and to look forward to future developments.

War and Words is a sweeping study of the profound, painful, and most significantly, defining cultural moments. Working from Homer through to Hemingway and in all traditions, some of the nation's best scholars of literature illustrate how literature and language affect not only the present but also future generations by shaping history even as they represent it. This powerful collection affirms that the humanities remain a site of the most profound reflection on human experience and historical events that have, for better and worse, shaped world civilization. War and Words offers students of literature critical tools for reading literary explorations of ambivalence toward war and provides teachers of literature a suggested syllabus for a course that has become all too necessary in a time when all our lives are touched by war.

Focusing upon Marlowe the playwright as opposed to Marlowe the man, the essays in this collection position the dramatist's plays within the dramaturgical, ethical, and sociopolitical matrices of his own era. The volume also examines some of the most heated controversies of the early modern period, such as the anti-theatrical debate, the relations between parents and children, Machiavaelli¹s ideology, the legitimacy of sectarian violence, and the discourse of addiction. Some of the chapters also explore Marlowe's polysemous influence on the theater of his time and of later periods, but, most centrally, upon his more famous contemporary poet/playwright, William Shakespeare.

What do men and women desire? For what will they barter their immortal souls? These two questions have haunted Western society, and these persistent queries find their fullest embodiment in the Faust legend. This memorable story, told and retold in novels, prose fiction, and drama, has also profoundly influenced music, art, and cinema. Sara Munson Deats explores its impact, tracing the development of the Faust topos from the seminal works of Marlowe and Goethe to the large number of dramatic and cinematic adaptations which have fascinated audiences and readers throughout the centuries. Her study traces the durability of this legend and its pervasive influence on the literature of the Western world, in which it has adapted across time, languages, and nations to reflect the concerns of a given era or place. This is the first comparative analysis of the Faust legend in drama and film.

What do men and women desire? For what will they barter their immortal souls? These two questions have haunted Western society, and these persistent queries find their fullest embodiment in the Faust legend. This memorable story, told and retold in novels, prose fiction, and drama, has also profoundly influenced music, art, and cinema. Sara Munson Deats explores its impact, tracing the development of the Faust topos from the seminal works of Marlowe and Goethe to the large number of dramatic and cinematic adaptations which have fascinated audiences and readers throughout the centuries. Her study traces the durability of this legend and its pervasive influence on the literature of the Western world, in which it has adapted across time, languages, and nations to reflect the concerns of a given era or place. This is the first comparative analysis of the Faust legend in drama and film.

There has never been a retrospective on Christopher Marlowe as comprehensive, complete and up-to-date in appraising the Marlovian landscape. Each chapter has been written by an eminent, international Marlovian scholar to determine what has been covered, what has not, and what scholarship and criticism will or might focus on next. The volume considers all of Marlowe’s dramas and his poetry, including his translations, as well as the following special topics: Critical Approaches to Marlowe; Marlowe’s Works in Performance; Marlowe and Theatre History; Electronic Resources for Marlovian Research; and Marlowe’s Biography. Included in the discussions are the native, continental, and classical influences on Marlowe and the ways in which Marlowe has interacted with other contemporary writers, including his influence on those who came after him. The volume has appeal not only to students and scholars of Marlowe but to anyone interested in Renaissance drama and poetry. Moreover, the significance for readers lies in the contributors’ approaches as well as in their content. Interest in the biography of Christopher Marlowe and in his works has bourgeoned since the turn of the century. It therefore seems especially appropriate at this time to present a comprehensive assessment of past and present traditional and innovative lines of inquiry and to look forward to future developments.

Doctor Faustus, is Christopher Marlowe's most popular play andis often seen as one of the overwhelming triumphs of the English Renaissance. It has had a rich and varied critical history often arousing violent critical controversy