Sarah Barber – författare

Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches.In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book.Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.

Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches.In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book.Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.

In Approaching Historical Sources in Their Contexts, 12 academics examine how space, time and performance interact to co-create context for source analysis.The chapters cover 2000 years and stretch across the Americas and Europe. They are grouped into three themes, with the first four exploring aspects of movement within and around an environment: buildings, the tension between habitat and tourist landscape, cemeteries and war memorials. Three chapters look at different aspects of performance: masque and opera in which performance is (re)constructed from several media, radio and television. The final group of chapters consider objects and material culture in which both spatial placement and performance influence how they might be read as historical sources: archaeological finds and their digital management, the display of objects in heritage locations, clothing, photograph albums and scrapbooks. Supported by a range of case studies, the contributors embed lessons and methodological approaches within their chapters that can be adapted and adopted by those working with similar sources, offering students both a theoretical and practical demonstration of how to analyse sources within their contexts.Drawing out common threads to help those wishing to illuminate their own historical investigation, this book encourages a broad and inclusive approach to the physical and social contexts of historical evidence for those undertaking source analysis.

In Approaching Historical Sources in Their Contexts, 12 academics examine how space, time and performance interact to co-create context for source analysis.The chapters cover 2000 years and stretch across the Americas and Europe. They are grouped into three themes, with the first four exploring aspects of movement within and around an environment: buildings, the tension between habitat and tourist landscape, cemeteries and war memorials. Three chapters look at different aspects of performance: masque and opera in which performance is (re)constructed from several media, radio and television. The final group of chapters consider objects and material culture in which both spatial placement and performance influence how they might be read as historical sources: archaeological finds and their digital management, the display of objects in heritage locations, clothing, photograph albums and scrapbooks. Supported by a range of case studies, the contributors embed lessons and methodological approaches within their chapters that can be adapted and adopted by those working with similar sources, offering students both a theoretical and practical demonstration of how to analyse sources within their contexts.Drawing out common threads to help those wishing to illuminate their own historical investigation, this book encourages a broad and inclusive approach to the physical and social contexts of historical evidence for those undertaking source analysis.

The British Isles is a multi-national arena, but its history has traditionally been studied from a distinctively English -- often, indeed, London -- perspective. Now, however, the interweaving of the distinct but mutually-dependent histories of the four nations is at the heart of some of the liveliest historical research today. In this major contribution to that research, eleven leading scholars consider key aspects of the internal relations of England, Scotland, Ireland and Wales in the early modern period, and the problems of accommodating different -- and resistant -- cultures to a single centralizing polity.The contributors are: Sarah Barber; Toby Barnard; Ciaran Brady; Keith M. Brown; Jane Dawson; Steven G. Ellis; David Hayton; Philip Jenkins; Alan Macinnes; Michael Mac Craith; and John Morrill.

This exciting collection explores the interplay of religion and politics in the precolumbian Americas. Each thought-provoking contribution positions religion as a primary factor influencing political innovations in this period, reinterpreting major changes through an examination of how religion both facilitated and constrained transformations in political organization and status relations. Offering unparalleled geographic and temporal coverage of this subject, Religion and Politics in the Ancient Americas spans the entire precolumbian period, from Preceramic Peru to the Contact period in eastern North America, with case studies from North, Middle, and South America. Religion and Politics in the Ancient Americas considers the ways in which religion itself generated political innovation and thus enabled political centralization to occur. It moves beyond a "Great Tradition" focus on elite religion to understand how local political authority was negotiated, contested, bolstered, and undermined within diverse constituencies, demonstrating how religion has transformed non-Western societies. As well as offering readers fresh perspectives on specific archaeological cases, this book breaks new ground in the archaeological examination of religion and society.

This exciting collection explores the interplay of religion and politics in the precolumbian Americas. Each thought-provoking contribution positions religion as a primary factor influencing political innovations in this period, reinterpreting major changes through an examination of how religion both facilitated and constrained transformations in political organization and status relations. Offering unparalleled geographic and temporal coverage of this subject, Religion and Politics in the Ancient Americas spans the entire precolumbian period, from Preceramic Peru to the Contact period in eastern North America, with case studies from North, Middle, and South America. Religion and Politics in the Ancient Americas considers the ways in which religion itself generated political innovation and thus enabled political centralization to occur. It moves beyond a "Great Tradition" focus on elite religion to understand how local political authority was negotiated, contested, bolstered, and undermined within diverse constituencies, demonstrating how religion has transformed non-Western societies. As well as offering readers fresh perspectives on specific archaeological cases, this book breaks new ground in the archaeological examination of religion and society.

During the long seventeenth century, colonial adventurers carved out a frontier in the tropics of the American Atlantic. The British Caribbean collects, presents and analyses the hand-written, unfiltered record of English-speaking colonial actors and empire-builders, exposed in letters, accounts, journals and logs. The manuscripts provide a one-sided account: exclusively white; overwhelmingly male. However, manuscripts survive in greater volume than print, provide us with a broader regional picture and greater insight into ruthless individual licence on the part of the colonisers and of the interest of the state in turning their enterprises to Britain’s imperial advantage. Printed material was often published retrospectively, for a domestic British audience and often romanticised or instrumental, whereas manuscripts present difficult material which must be faced: their candour best exposes dislocation, enslavement and the denial of humanity; seizure, constraint and exploitation. To navigate this one-sided but fragmentary and dispersed record, an extended commentary on each chapter introduces the historical frameworks which underpin the texts. This collection extends from Bermuda to Panama, the equator to Carolina, to reveal colonial practice and the birth of the British Empire in the Americas.