Sarah Bouttier – författare

Focusing on a category of poems from the Modernist and contemporary periods which give agency to nonhuman beings and texts themselves, Sarah Bouttier puts form, often neglected within ecocriticism, at the center of the definition of ecopoetics.Grounding ecopoetics in posthumanist ontologies (new materialism, flat ontology and Latour’s work on agency), Bouttier explores how the poems collapse the human/nonhuman divide and re-instil wonder at the nonhuman world.By juxtaposing readings of Modernist poets such as D. H. Lawrence, Wallace Stevens and Marianne Moore with contemporary poets such as Les Murray, Pattiann Rogers, Alice Oswald and Kathleen Jamie, the book provides fresh insight into well-known works and offers a new perspective on contemporary ecopoetry.

Focusing on a category of poems from the Modernist and contemporary periods which give agency to nonhuman beings and texts themselves, Sarah Bouttier puts form, often neglected within ecocriticism, at the center of the definition of ecopoetics. Grounding ecopoetics in posthumanist ontologies (new materialism, flat ontology and Latour's work on agency), Bouttier explores how the poems collapse the human/nonhuman divide and re-instil wonder at the nonhuman world. By juxtaposing readings of Modernist poets such as D. H. Lawrence, Wallace Stevens and Marianne Moore with contemporary poets such as Les Murray, Pattiann Rogers, Alice Oswald and Kathleen Jamie, the book provides fresh insight into well-known works and offers a new perspective on contemporary ecopoetry.

Focusing on a category of poems from the Modernist and contemporary periods which give agency to nonhuman beings and texts themselves, Sarah Bouttier puts form, often neglected within ecocriticism, at the center of the definition of ecopoetics. Grounding ecopoetics in posthumanist ontologies (new materialism, flat ontology and Latour's work on agency), Bouttier explores how the poems collapse the human/nonhuman divide and re-instil wonder at the nonhuman world. By juxtaposing readings of Modernist poets such as D. H. Lawrence, Wallace Stevens and Marianne Moore with contemporary poets such as Les Murray, Pattiann Rogers, Alice Oswald and Kathleen Jamie, the book provides fresh insight into well-known works and offers a new perspective on contemporary ecopoetry.

The Legacies of Ursula K. Le Guin explores how Le Guin’s fiction and essays have built a speculative ethical practice engaging indigenous knowledge and feminism, while crafting utopias in which human and other-than-human life forms enter into new relations. Her work also delineates new ways of making sense of the “science” of science fiction. The authors of this collection provide up-to-date discussions of well-known works as well as more experimental writings. Written in an accessible style, Legacies will appeal to any readers interested in literature, science fiction and fantasy, as well as specialists of science and technology studies, philosophy of science, ethics, gender studies, indigenous studies and posthumanism.