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3 produkter
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"Alice Neel. I Am the Century accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel’s artistic and personal life, expanding on the exhibition through a rich selection of essays and visual material. It brings together sixty works reproduced in dialogue with archival documents, highlighting Neel’s role as a pioneer and one of the most important painters of the twentieth century. Contributions by curators, scholars, and artists—including Kelly Richman-Abdou, Jennifer Higgie, Mira Schor, and Annie Sprinkle—provide multiple perspectives on Neel’s practice, situating her radical approach to portraiture within broader artistic, social, and political contexts.Merging realism with surrealism and empathy with unflinching clarity, Neel captured the psychological and emotional depth of her sitters. The publication emphasizes her capacity to chronicle life’s stages and relationships—childhood and adulthood, sexuality and intimacy, community and political consciousness—through works that continue to resonate with contemporary audiences. Positioning Neel as both artist and witness, I Am the Century underscores her enduring humanism and her singular vision of the “human comedy,” offering readers a comprehensive entry point into a body of work that is still influencing new generations of artists."
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The radical painter-conceptualist reviewed, from strike pieces to tool paintingsThis volume brings together a broad selection of the work of artist Lee Lozano (1930–99), representing the whole of her brief but prolific career. Trained as a painter, Lozano made a name for herself in the New York art world of the 1960s with a versatile output comprising painting on the one hand and conceptual practice on the other.While working in the social and artistic context of the time, Lozano maintained a position radically opposed to any form of categorization. Strike surveys the different periods of her work, from figurative drawings and paintings in an Expressionist style to the large oils on canvas titled Tool Paintings, and following their formal evolution toward minimalist abstraction. The project also includes a selection of her Language Pieces, works that mark the artist’s shift to an exclusively conceptual phase that reached its conclusion in 1972 with Dropout Piece.