Sarah England – författare

An examination of daily life and transnational migration in the Garifuna communities of Honduras and New YorkDescended from African maroons and the Island Carib on colonial St. Vincent, and later exiled to Honduras, the Garifuna way of life combines elements of African, Island Carib, and colonial European culture. Beginning in the 1940s, this cultural matrix became even more complex as Garifuna began migrating to the United States, forming communities in the cities of New York, New Orleans, and Los Angeles. Moving between a village on the Caribbean coast of Honduras and the New York City neighborhoods of the South Bronx and Harlem, England traces the daily lives, experiences, and grassroots organizing of the Garifuna.Concentrating on how family life, community life, and grassroots activism are carried out in two countries simultaneously as Garifuna move back and forth, England also examines the relationship between the Garifuna and Honduran national society and discusses much of the recent social activism organized to protect Garifuna coastal villages from being expropriated by the tourism and agro-export industries.Based on two years of fieldwork in Honduras and New York, her study examines not only how this transnational system works but also the impact that the complex racial and ethnic identity of the Garifuna have on the surrounding societies. As a people who can claim to be Black, Indigenous, and Latino, the Garifuna have a complex relationship not only with U.S. and Honduran societies but also with the international community of nongovernmental organizations that advocate for the rights of Indigenous peoples and Blacks.Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Descended from African maroons and the Island Carib on colonial St. Vincent, and later exiled to Honduras, the Garifuna way of life combines elements of African, Island Carib, and colonial European culture. Beginning in the 1940s, this cultural matrix became even more complex as Garifuna began migrating to the United States, forming communities in the cities of New York, New Orleans, and Los Angeles. Moving between a village on the Caribbean coast of Honduras and the New York City neighborhoods of the South Bronx and Harlem, England traces the daily lives, experiences, and grassroots organizing of the Garifuna.Concentrating on how family life, community life, and grassroots activism are carried out in two countries simultaneously as Garifuna move back and forth, England also examines the relationship between the Garifuna and Honduran national society and discusses much of the recent social activism organized to protect Garifuna coastal villages from being expropriated by the tourism and agro-export industries.Based on two years of fieldwork in Honduras and New York, her study examines not only how this transnational system works but also the impact that the complex racial and ethnic identity of the Garifuna have on the surrounding societies. As a people who can claim to be Black, Indigenous, and Latino, the Garifuna have a complex relationship not only with U.S. and Honduran societies but also with the international community of nongovernmental organizations that advocate for the rights of Indigenous peoples and blacks.



Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Descended from African maroons and the Island Carib on colonial St. Vincent, and later exiled to Honduras, the Garifuna way of life combines elements of African, Island Carib, and colonial European culture. Beginning in the 1940s, this cultural matrix became even more complex as Garifuna began migrating to the United States, forming communities in the cities of New York, New Orleans, and Los Angeles. Moving between a village on the Caribbean coast of Honduras and the New York City neighborhoods of the South Bronx and Harlem, England traces the daily lives, experiences, and grassroots organizing of the Garifuna.Concentrating on how family life, community life, and grassroots activism are carried out in two countries simultaneously as Garifuna move back and forth, England also examines the relationship between the Garifuna and Honduran national society and discusses much of the recent social activism organized to protect Garifuna coastal villages from being expropriated by the tourism and agro-export industries.Based on two years of fieldwork in Honduras and New York, her study examines not only how this transnational system works but also the impact that the complex racial and ethnic identity of the Garifuna have on the surrounding societies. As a people who can claim to be Black, Indigenous, and Latino, the Garifuna have a complex relationship not only with U.S. and Honduran societies but also with the international community of nongovernmental organizations that advocate for the rights of Indigenous peoples and blacks.Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Writing Terror on the Bodies of Women: Media Coverage of Violence against Women in Guatemala analyzes the scope and dynamics of violence against women in Guatemala and how it is represented in the print media. Using nearly two thousand Guatemalan newspaper reports covering murders and assaults on women, this book contextualizes violence against women within the history of violence in Guatemala; gender ideologies and patriarchal social structures; and the contemporary demands of the women’s movement for social and legislative change. It shows that while some newspapers cover violence against women with investigative reports and editorials that use feminist analysis and language, these are overshadowed by the large number of individual reports that reproduce narratives of terror and conceal the gendered nature of violence against women by suggesting that “delinquents,” “gangs,” “unknown men,” and inexplicably violent husbands are the main culprits, while simultaneously upholding dichotomous gendered narratives of “good” and “bad” wives and daughters.

With no known identity or family, Ruby is the most violently disturbed patient ever admitted to Drummersgate Asylum, high on the bleak moors of northern England. After two years with no improvement, Dr Jack McGowan eventually decides to hypnotise her. With terrifying consequences. A horrific dark force is now unleashed on the entire medical team, as each in turn attempts to unlock Ruby's shocking and sinister past. Who is this girl? And how did she manage to survive such unimaginable evil? Set in a desolate mining village, where secrets are tightly kept and intruders hounded out, their questions soon lead to a haunted mill, the heart of darkness...and the Father of Lies. Sleep tight.

'Powerful and Disturbing' Occult Horror: Book 2 in the Father of Lies Trilogy. "Following the hypnosis of violently disturbed psychiatric patient, Ruby Dean, an unholy dark force was unleashed on the medical staff who tried to help her. Now only one of the original team remains - Ward Sister, Becky.Despite her fiance, D.I. Ross, being unconscious and many of her colleagues either dead or critically ill, Becky is determined to rescue Ruby's twelve year old daughter from a similar fate to her mother. But no one asking questions in the desolate mining village Ruby descends from ever comes to a good end. And as the diabolical history of the area is gradually revealed, it seems the evil invoked is now both real and contagious.'

The dark and twisted community of Woodsend harbours a terrible secret - one tracing back to the age of the Elizabethan witch hunts, when many innocent women were persecuted and hanged. But there is a far deeper vein of horror running through this village; an evil that once invoked has no intention of relinquishing its grip on the modern world. Rather it watches and waits with a focused intelligence, leaving Ward Sister, Becky, and Police Officer, Toby, constantly checking over their shoulders and jumping at shadows. Just who invited in this malevolent presence? And is the demonic woman who possessed Magda back in the sixteenth century, the same one now gazing at Becky whenever she looks in the mirror? You may need to sleep with the lights on after reading this...Are you ready to meet Magda in this final instalment of the trilogy? Are you sure?