Sarah Gorham - Böcker
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Study in Perfect is an exploration of perfection. In “Moving Horizontal” a Victorian house loses its charm over time, especially when compared to a modernist contemporary filled with light. Family life is dense with pleasure, as in the perfect vacation described in “Marking Time in Door County,” and in “Neriage, or What Is the Secret of a Long Marriage,” where an ancient Japanese ceramic technique has much in common with shaping a close relationship. There is such a thing as a perfect cup of tea, depending on who is preparing and drinking it (“Perfect Tea”). And schmaltzy show tunes flowing from a black-lacquered piano in a Chinese restaurant can be genuinely moving (“Sentimental à la Carte”).Naturally, Gorham must embrace imperfection. The poisonous mushrooms in “Darling Amanita” lead to a consideration of our darker impulses, like obsessive love, even murder. And there is pain: “The Shape of Fear” relates the story of a child stricken with a deadly staph infection, as it considers the function and form of fear. And alcoholism, the family disease no one wants to talk about, is poised against The Cat in the Hat, a story everyone has read and enjoyed.Study in Perfect winds its way around and through the many permutations of this most hermetic and exalted concept and proceeds with the full consciousness that perfection’s exact definition is subjective, reliant on who is speaking, and easily unmoored by time, geography, and the vagaries of taste.
Last Call: Poems on Alcoholism, Addiction, & Deliv
Poems on Alcoholism, Addiction, & Deliv
Häftad, Engelska, 1997
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Sarah Gorham is the author of two collections of poetry, Don't Go Back to Sleep (Galileo Press, 1989) and The Tension Zone (FourWay Books, 1996). Her work has appeared widely in such places as The Nation, Antaeus, Poetry, The Kenyon Review, Grand Street, The Missouri Review, The Georgia Review, The Southern Review, and Poetry Northwest, where in 1990 she won the Carolyn Kizer Award. She has received grants from the Kentucky State Arts Council, the Kentucky Foundation for Women, the Delaware State Arts Council, and the Connecticut Commission on the Arts, She is Editor-in-Chief and President of Sarabande Books, Inc.Jeffrey Skinner has published three collections of poetry, Late Stars (Weslyan University Press, 1985), A Guide to Forgetting (Graywolf Press, 1988) and The Company of Heaven (University of Pittsburgh Press, 1992). His work has appeared in numerous literary magazines including The Atlantic, The New Yorker, The Nation, The Georgia Review, and Poetry. He has been awarded grants from the National Endowment for the Arts, the Ingram Merrill Foundation, the Howard Foundation, and several state arts councils. He is also a playwright, and two of his plays were finalists in the Eugene O'Neil Theater Conference competition. He is currently Director of Creative Writing and Professor of English at the University of Louisville.
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In her unique collection, Funeral Playlist, Sarah Gorham explores twelve musical works that might be featured at a funeral in the future. The essays engage the songs in writing, using the Playlist to examine the interplay between music, prose, and mortality. A series of memoir-like interstices reveal what art and artmaking can do to connect these subjects. The musical selections range widely—from Mozart’s “Benedictus” (The Requiem) to Nina Simone’s rendition of Black is the Color of my True Love’s Hair. Caccini’s 17th century madrigal Amarilli, mia bella, as performed by Cecilia Bartoli. Matthew Houck’s (aka Phosphorescent) brings us something from the South in Be Dark Night, and the Wailin’ Jennys add their simple, gorgeous version of The Parting Song. But there’s also the song of a mourning dove, and the nonchalance of a human hum. All may become a medium of transcendence for the living (and, possibly, the departed).