Sarah J. Jackson – författare

Since the nation’s founding, Black Americans have had a unique perspective on the U.S. experience—a “second sight”—that reveals the truth about the nation to itself. As renowned media scholar Sarah J. Jackson charts in this bold and daring masterwork, at the center of this effort has been an extraordinary cast of Black journalists, photographers, filmmakers, radio hosts, podcasters and other mediamakers who have drawn on the visionary tradition of second sight to advance democracy and broaden our most fundamental American values.When Black mediamakers raise their voices and speak uncomfortable truths about America, they shape memories of the nation and push us toward a future more closely aligned with our espoused values. For two centuries, this “second sight” has been an overlooked engine of American democracy.Drawing from W.E.B. Du Bois’s philosophical work, deep historical analysis, and dozens of interviews with today’s most active Black mediamakers, A Second Sight shows them positioned at the margins of their industries and navigating fraught relationships to power. They’ve warned of the greatest dangers to democracy—from slavery to Nazism, and mass incarceration to misinformation. Their work is central to our culture and politics. Yet it is devalued, met with violent censure, or achieved only via ingenious workarounds to deliberate obstructions. This tension has sharpened their commitments to truth. Now, in A Second Sight, one of our nation’s foremost scholars of American media, Sarah J. Jackson, presents an appraisal that situates Black mediamakers at the vanguard of telling the American story. Brilliant, urgent and illuminating, A Second Sight is an authentic and candid grappling with a discordant thread in the American fabric and, in the telling, presents a way forward.

Shifting understandings and ongoing conversations about race, celebrity, and protest in the twenty-first century call for a closer examination of the evolution of dissent by black celebrities and their reception in the public sphere. This book focuses on the way the mainstream and black press have covered cases of controversial political dissent by African American celebrities from Paul Robeson to Kanye West. Jackson considers the following questions: 1) What unique agency is available to celebrities with racialized identities to present critiques of American culture? 2) How have journalists in both the mainstream and black press limited or facilitated this agency through framing? What does this say about the varying role of journalism in American racial politics? 3) How have framing trends regarding these figures shifted from the mid-twentieth century to the twenty-first century? Through a series of case studies that also includes Eartha Kitt, Sister Souljah, and Mahmoud Abdul-Rauf, Jackson illustrates the shifting public narratives and historical moments that both limit and enable African American celebrities in the wake of making public politicized statements that critique the accepted racial, economic, and military systems in the United States.