Sarah Lawrence – författare

When it comes to baptism there is a profound disconnect between what churches and clergy understand it to mean and the understanding of those non-churchgoing families seeking the rite for their children. Clergy and regular churchgoers feel that the church is being used and abused by families seeking a baptism, when they perceive them to be looking for ‘just an excuse for a party’. On the other hand, families seeking a christening in their local churches are baffled by the lack of enthusiasm and encouragement they find when they approach their local church. Using a new interdisciplinary approach to practical theology, A Rite on the Edge reflects theologically on the findings of research conducted by Sarah Lawrence into baptism in the Church of England and in English culture more widely, using insights and research methods from corpus linguistics. It offers a profound challenge for those struggling to comprehend how ‘outsiders’ understand baptism. More fundamentally, it asks how the Church of England can remain ‘present and available for all’ at a time of heightened tensions and confused expectations about who the church is ‘for’.

Using a new interdisciplinary approach to practical theology, A Rite on the Edge, reflects theologically on the findings of research conducted by Sarah Lawrence into baptism in the Church of England and in English culture more widely, using insights and research methods from corpus linguistics.

In poems by Sarah Lawrence, harold coutts and Arielle Walker, three fresh, vivid voices arrive.In ‘Clockwatching’, Sarah Lawrence hurtles us into a world full of friends and homes and things, and wonders what they all might leave behind: ‘If it’s toothache or budget / margarine or perhaps / another world altogether.’ harold coutts’ ‘longing’ reflects on gender (‘if gender is a taste i am cutting out my tongue’), bodies (‘pubelessness’) and the rest (‘there isn’t a manual on when you’re writing someone a love poem and they break up with you’). And in ‘river poems’ Arielle Walker steps right into the water – because ‘a poem is a fluid thing all wrapped up in fish skin’ – and finds stories of sealskins, harakeke and thistle, kānuka and mānuka, alder and elder.Brimming with vivid beauty, the contemporary and the inflections of memory, AUP New Poets 9 shows just what new writing can open up.