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Nominerad till prestigefyllda priserna Ondaatje Prize, Polari Prize och 2019 års Women's Prize for Fiction!
Under en varm sommarvecka i norra England samlas en grupp akademiker för att rollspela järnåldern. Det är egentligen på låtsas, med särkar, jaktfällor och bärplockning.
Tonårsdottern Sylvie och hennes kuvade mor tvingas medverka i rollspelet av den chauvinistiska pappan. Även om han egentligen arbetar som busschaufför kallar han sig historiker om än amatörhistoriker. Pappan går allt längre för att återskapa forntidens regler och hierarkier; för Sylvie och hennes mamma blir leken snabbt allvar. I kontrast till de unga studenterna, framförallt den frigjorda Molly, blir missförhållandena i Sylvies familj alltmer uppenbara.
I lägret växer spänningen i takt med pappans missnöje och Sylvie vet att det är hon och mamman som kommer få betala priset. Samtidigt dras männen i lägret allt djupare ner i stämningen kring träskmarkerna, där man under järnåldern torterade och offrade unga kvinnor i sadistiska ritualer.
Sarah Moss är en stigande stjärna på den brittiska författarhimlen. Med Offermur skärskådar hon patriarkalt hedersvåld och myter om identitet och tillhörighet, fast förankrad i en brittisk samtid.
"Med kuslig precision skildrar den här täta romanen, känsligt översatt av Rose-Marie Nielsen, hur snabbt polityren kan falla av och blotta rovdjuret inom oss." Yukiko Duke, Vi Läser
"Liknar ingenting jag tidigare läst" The Times
"Offermur är en polerad pärla till bok, kärnfull och briljant, och med den klättrar Moss stjärna på författarhimlen" The Guardian
"En av våra absolut bästa samtida författare" The Independent
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A Best Book of the Year: Literary Hub, Prospect Magazine (UK)"The contemporary writer I recommend the most . . . It's difficult to pinpoint her genius, but . . . I'm talking about the distant echoes of regret that wake us in the night whispering that eternal question: Is that all there is? And what makes Moss so brilliant is that though her answer to that is an emphatic YES, she nonetheless writes us worlds so radiant that it doesn't even matter. " -Jonny Diamond, Literary HubA story of sisterhood, forbidden desire, lost connection, and what it means to find a home among strangers.Edith, just out of school, has been sent from her quiet English life to rural Italy. It is the 1960s, and her mother has issued strict instructions: tend to her ballerina sister, Lydia, in the final weeks of her scandalous pregnancy; help at the birth; make a phone call that will summon the nuns who will spirit the child away to a new home. Decades later, happily divorced, recently moved, and full of new energy, Edith has fashioned a life of contentment and comfort in Ireland. Then her best friend, Meabh, receives a shocking phone call from an American man. He claims to be a brother she never knew existed: a child her mother gave up and never spoke of again. As Edith helps her friend reckon with this new idea of connection and how it might change her life, her thoughts turn back to Lydia and the fractured history of her own family. What did they give up when they sent the baby away? What kind of family has he been given? What kind of life? And how was hers changed by his arrival and departure?In Ripeness, Sarah Moss has again tapped into the questions that haunt us individually and as communities. This extraordinary novel explores familial love and the bonds we forge across time, migration and new beginnings, and what it means to find somewhere to belong.
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A Best Book of 2024: Kirkus, The Independent, and the New York Public LibraryA New York Magazine Most-Anticipated Book of the FallA Library Journal Top Title of the SeasonFrom the acclaimed author of Ghost Wall, Summerwater, and The Fell, Sarah Mosss My Good Bright Wolf is an unflinching memoir about childhood, food, books, and our ability to see, become, and protect ourselves.A girl must watch her figure but never be vain. She must be intelligent but never a know-it-all. She must be ambitious, if she is clever, but not in a way that shows. She must cook and sew and make do and mend. She must know (but never say) that these skills are, in some fundamental way, flawed and frivolousfeminine. Girls must stay small, even as they grow. Women must show restraint. And yet. In books, in the landscape of imagination, a girl can run free.Here, with My Good Bright Wolf, Sarah Moss takes on these rules, these lessons from the fables of girlhood, and uses them to fearlessly investigate the nature of memory, the lure of self-control, the impact of privilege, scarcity, parents, love. Through narratives of women and food, second-wave feminism and postwar puritanism, and her own challenges with a health care system that discounts the experiences of those it ought to serve, Moss seeks truth in the stories we tell ourselves and others. Harm can become power. Attention can become care. A body and a mind, though working hard together, can be at odds.And yet. In books, in the landscape of imagination, a girl can run free. Beautiful and sharp, moving and unapologetic, erudite and very funny, My Good Bright Wolf is a memoir that breaks the rules.
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A Best Book of the Year: Literary Hub, Prospect Magazine (UK)"The contemporary writer I recommend the most . . . It's difficult to pinpoint her genius, but . . . I'm talking about the distant echoes of regret that wake us in the night whispering that eternal question: Is that all there is? And what makes Moss so brilliant is that though her answer to that is an emphatic YES, she nonetheless writes us worlds so radiant that it doesn't even matter. " -Jonny Diamond, Literary HubA story of sisterhood, forbidden desire, lost connection, and what it means to find a home among strangers.Edith, just out of school, has been sent from her quiet English life to rural Italy. It is the 1960s, and her mother has issued strict instructions: tend to her ballerina sister, Lydia, in the final weeks of her scandalous pregnancy; help at the birth; make a phone call that will summon the nuns who will spirit the child away to a new home. Decades later, happily divorced, recently moved, and full of new energy, Edith has fashioned a life of contentment and comfort in Ireland. Then her best friend, Meabh, receives a shocking phone call from an American man. He claims to be a brother she never knew existed: a child her mother gave up and never spoke of again. As Edith helps her friend reckon with this new idea of connection and how it might change her life, her thoughts turn back to Lydia and the fractured history of her own family. What did they give up when they sent the baby away? What kind of family has he been given? What kind of life? And how was hers changed by his arrival and departure?In Ripeness, Sarah Moss has again tapped into the questions that haunt us individually and as communities. This extraordinary novel explores familial love and the bonds we forge across time, migration and new beginnings, and what it means to find somewhere to belong.
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A slim, tense page-turner . . . I gulped The Fell down in one sitting. Emma Donoghue, author of The Pull of the StarsFrom the award-winning author of Ghost Wall and Summerwater, Sarah Mosss The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster.At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she cant take it anymorethe closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know shes stepped out. Kate planned only a quick walka stretch of the legs, a breath of fresh airon paths she knows too well. But somehow she falls. Injured, unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even a missing person case. Sarah Mosss The Fell is a story of mutual responsibility, personal freedom, and compassion. Suspenseful, witty, and wise, it asks probing questions about how close so many live to the edge and about who we are in the world, who we are to our neighbors, and who we become when the world demands we shut ourselves away.
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