Sarah Pinder - Böcker

This dictionary is a key resource for students of Physical Education, School Sport and Sports Science at undergraduate level, facing new concepts and terminology. Over 100 entries cover all the key topics in this diverse subject area. The A-Z format makes it accessible and essential reading for anyone planning a career in teaching PE. Each entry is 300-500 words and includes practical teaching ideas and tips and further reading suggestions. All the theoretical concepts of social, political, economic and cultural influences are covered and the dictionary includes updates on recent key issues in Physical Education, including material on gifted and talented teaching, and junior athletic education.

Cutting Room both describes and pushes against the anxious hum of the technologically saturated present. Sarah Pinder's poems navigate domestic and "natural" spaces as landscapes charged with possible violence and desire while they scan scenes as an outsider or camera eye to unsettle and fray familiar settings. Using hyper-focus and the long gaze, they draw the eye to the corners and seams of these spaces, slowing us down, shifting our focus to worn detail, asking us to seek pattern and possibility in a hyper-paced present tense. These are little ominous films, documenting the minutiae around us that can be our undoing. Let their ribs stretch out -- there is no figure which is not also a ground in its arctic plane. Cutting rooms as luck would have it have academic sincerity. Sarah Pinder was born in Sault Ste. Marie, Ontario, and lives in Toronto, Ontario. This is her first collection.

Common Place explores the stories of shifting, resilient bodies and landscapes bound by systems of capital and power. From thin threads of text messages across borders to encounters with strangers in the crush of rush-hour transit, Sarah Pinder names our most private and public moments of seeing and being seen. With considered, quiet urgency, this poem witnesses our ambiguous, aching present and looks towards what comes next.‘Watch for the places where Pinder goes for the imperative: like the book as a whole, these commands are generous, beautiful, and difficult lifelines thrown from a fellow survivor of the present.’– Jennifer Nelson, author of Aim at the Centaur Stealing Your Wife‘Common Place feels like the logbook of a survivor, one that shows how the intimate and the idiosyncratic persist within the post-capitalist technosphere. A tattered record keeping, Common Place is friend of the abject landscape, “home of the lesser, lowercase subject.” Grasp its compassionate disposition, and this fragmentary poem reveals the affective centre of its ingeniously dissociative fabric.’– Sue Sinclair, author of Heaven’s ThievesSarah Pinder is the author of the poetry collection Cutting Room. Her writing has been included in magazines including Geist, Arc, and Poetry is Dead. She lives in Toronto, Canada.

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