Sarah Polley – författare

Thirteen original chapters on movie magazines analysing their visual aspectsContents include sections on individual issues, regular features, and adjunct publicationsAs well as visuals, topics covered include stardom, gender, censorship, nationality, performance, languageIncludes detailed studies of magazines from the US, UK, France, Chile, and PolandStars, Fan Magazines and Audiences focuses on movie magazines, publications first produced in 1911 for movie fans in the United States, but soon reaching movie fans on a global scale. Bringing together scholars from different disciplinary and international contexts, this collection considers fan magazines as objects of material and visual history.The designer's toolkit aided movie magazines in seducing their readers, with visual elements, such as fonts, photographs, and illustrations, plied across both editorial content and advertisements. In this way, each issue was subtly designed to stir desire in readers and moviegoers alike. By focusing on the visual aspects of fan magazines, a key pleasure for readers, this collection provides detailed examples of how visual elements engendered aspiration and longing, thus putting the visual contents of the fan magazines at the heart of every chapter.

Stars, Fan Magazines and Audiences focuses on movie magazines, publications first produced in 1911 for movie fans in the United States, but soon reaching movie fans on a global scale. Bringing together scholars from different disciplinary and international contexts, this collection considers fan magazines as objects of material and visual history. The designer's toolkit aided movie magazines in seducing their readers, with visual elements, such as fonts, photographs, and illustrations, plied across both editorial content and advertisements. In this way, each issue was subtly designed to stir desire in readers and moviegoers alike. By focusing on the visual aspects of fan magazines, a key pleasure for readers, this collection provides detailed examples of how visual elements engendered aspiration and longing, thus putting the visual contents of the fan magazines at the heart of every chapter.

FROM OSCAR-WINNING DIRECTOR AND SCREENWRITER OF WOMEN TALKING'Fascinating, harrowing, courageous, and deeply felt... speaks to all who have encountered dark waters and have had to navigate them' MARGARET ATWOODSarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling skills, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory and the embodied reactions of children and women adapting and surviving. The guiding light is the possibility of experiencing the past anew, as the person she is now but was not then.In this extraordinary book, Polley explores what it is to live in one's body, in a constant state of becoming, learning and changing. As she was advised after a catastrophic head injury - if we relinquish our protective crouch and run towards the danger, then life can be reset, reshaped and lived afresh.