Sarah Raine – författare

Europe has suffered a decade of crises, with sovereign-debt troubles leading to austerity policies that exacerbated divisions inside member states and between them. Thereafter the Union was confronted with the challenges posed by a revanchist Russia in Ukraine and by a surge in migration from the Middle East and other conflict zones. The June 2016 UK vote to leave the Union threatened further damage to an institution that acknowledges it has failed to punch its weight in the spheres of foreign, defence and security policy. While that is a chronic shortcoming, its impact is becoming more acute as economic power moves East and Europe can no longer count on the steadfast support and leadership of the United States. The costs of Europe’s failure to achieve strategic coherence and effect are steadily rising. This Adelphi book addresses the consequences of Europe’s multiple crises for its standing as a strategic actor, acknowledging its unique character and capabilities. It argues that strategic thought and action is belatedly being informed by the deteriorating security environment, and that nascent initiatives have the potential to effect a step-change. There are grounds for cautious optimism, visible in the success of stabilisation and counter-piracy operations as well as coordinated diplomatic activity. Also, the continent’s leading powers are becoming more pragmatic about how cooperation is organised within and beyond the Union. These developments offer the possibility that Europe might meet its aspirations to be a strategic actor of consequence, despite a long-track record of disappointment and the still-considerable obstacles that lie in its path.

China’s relations with African nations have changed dramatically over the past decade. African oil now accounts for more than 30% of China’s oil imports, and China is Africa’s second-largest single-country trading partner, as well as a leading lender and infrastructure investor on the continent. Yet these developments are bringing challenges, not only for Africa and the West, but for China as well. This book examines these challenges, considering Africa as a testing ground, both for Chinese companies ‘going global’ and for a Chinese government that is increasingly having to deal with issues beyond its shores and immediate control. What does China need to do to protect and develop its African engagements, against a backdrop of mounting African expectations, concerns from Western actors in Africa, and the rival presence of other emerging actors? How sustainable is the momentum that China has established in its African ventures? China’s adaptations to the challenges it is facing in Africa are examined and assessed, as are the implications of these changes for China, Africa and the West. China’s African engagements are certainly changing Africa, but could they also be changing China?

China‘s rise casts a vast and uncertain shadow over the regional balance of power in the Asia Pacific, and nowhere is this clearer than in the South China Sea. The significance of the fraught territorial disputes in this potentially resource-rich sea extends far beyond the small groupings of islands that are at their heart, and into the world of great-power politics. As the struggle for hegemony between the US and China intersects with the overlapping aspirations of emerging, smaller nations, the risk of escalation to regional conflict is real. Christian Le Mi and Sarah Raine cut through the complexities of these disputes with a clear-sighted, and much-needed, analysis of the assorted strategies deployed in support of the multiple and competing claims in the SCS. They make a compelling case that the course of these disputes will determine whether the regional order in Southeast Asia is one of cooperation, or one of competition and even conflict.

China‘s relations with African nations have changed dramatically over the past decade. African oil now accounts for more than 30% of China‘s oil imports, and China is Africa‘s second-largest single-country trading partner, as well as a leading lender and infrastructure investor on the continent. Yet these developments are bringing challenges, not only for Africa and the West, but for China as well. This book examines these challenges, considering Africa as a testing ground, both for Chinese companiesgoing global and for a Chinese government that is increasingly having to deal with issues beyond its shores and immediate control. What does China need to do to protect and develop its African engagements, against a backdrop of mounting African expectations, concerns from Western actors in Africa, and the rival presence of other emerging actors? How sustainable is the momentum that China has established in its African ventures? China‘s adaptations to the challenges it is facing in Africa are examined and assessed, as are the implications of these changes for China, Africa and the West. China‘s African engagements are certainly changing Africa, but could they also be changing China?

China‘s rise casts a vast and uncertain shadow over the regional balance of power in the Asia Pacific, and nowhere is this clearer than in the South China Sea. The significance of the fraught territorial disputes in this potentially resource-rich sea extends far beyond the small groupings of islands that are at their heart, and into the world of great-power politics. As the struggle for hegemony between the US and China intersects with the overlapping aspirations of emerging, smaller nations, the risk of escalation to regional conflict is real. Christian Le Mi and Sarah Raine cut through the complexities of these disputes with a clear-sighted, and much-needed, analysis of the assorted strategies deployed in support of the multiple and competing claims in the SCS. They make a compelling case that the course of these disputes will determine whether the regional order in Southeast Asia is one of cooperation, or one of competition and even conflict.

Gender inequality is universally understood to be a continued problem in the music industry. This open access book presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women and gender diverse people establishing ongoing careers in music. The book focuses on three key areas: music education; case studies that explore practices in the music industry; and activist spaces. Sitting at the intersection between musical production, the creative industries and gender politics, this volume brings together research that considers the gender politics of the music industry itself. It takes a global approach to these issues, and incorporates a range of genres and theoretical approaches. At a time when more attention than ever is being paid to gender and music, this volume presents cutting edge research that contributes to current debates and offers insights into possible solutions for the future.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

Gender inequality is universally understood to be a continued problem in the music industry. This open access book presents research that uses an industry-based approach to examine why this gender imbalance has proven so hard to shift, and explores strategies that are being adopted to try and bring about meaningful change in terms of women and gender diverse people establishing ongoing careers in music. The book focuses on three key areas: music education; case studies that explore practices in the music industry; and activist spaces. Sitting at the intersection between musical production, the creative industries and gender politics, this volume brings together research that considers the gender politics of the music industry itself. It takes a global approach to these issues, and incorporates a range of genres and theoretical approaches. At a time when more attention than ever is being paid to gender and music, this volume presents cutting edge research that contributes to current debates and offers insights into possible solutions for the future.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

The Northern Soul scene is a dance-based music culture that originated in the English North and Midlands in the early 1970s, it still thrives today with a mix of fifty-year olds and new converts, and its celebration of 1960s Soul has an international following. This innovative and distinctive book brings together original commissioned essays and pivotal scholarly articles that have defined the field so far, interspersed with dossiers of published journalistic articles and photographs, and interviews with, for instance, producers and directors of Northern Soul-themed films. This publication represents a subject-defining book on the history and contemporary nature of the scene, and the first anthology of work in the field, which will provide a forum for vibrant dialogue and debate for a readership of lecturers and researchers, students and general readers interested in creative analyses and interpretations of the scene, past and present. The book links academic research, photography, film production and journalism in the documentation and analysis of historic and current music scenes. Representations of the scene from different media and different historical locations are juxtaposed to construct a rich and diverse statement about the music, people, places and practices that constitute the Northern Soul scene in the UK.

The Northern Soul scene is a dance-based music culture that originated in the English North and Midlands in the early 1970s, it still thrives today with a mix of fifty-year olds and new converts, and its celebration of 1960s Soul has an international following. This innovative and distinctive book brings together original commissioned essays and pivotal scholarly articles that have defined the field so far, interspersed with dossiers of published journalistic articles and photographs, and interviews with, for instance, producers and directors of Northern Soul-themed films. This publication represents a subject-defining book on the history and contemporary nature of the scene, and the first anthology of work in the field, which will provide a forum for vibrant dialogue and debate for a readership of lecturers and researchers, students and general readers interested in creative analyses and interpretations of the scene, past and present. The book links academic research, photography, film production and journalism in the documentation and analysis of historic and current music scenes. Representations of the scene from different media and different historical locations are juxtaposed to construct a rich and diverse statement about the music, people, places and practices that constitute the Northern Soul scene in the UK.

This edited collection offers evocative ways into a range of fascinating worlds of popular music, from the Ecuadorian indie scene to Chinese rock. In exploring the experiences of musicians, fans, industry professionals and academics, the rich complexity of popular music is brought to life through ethnography as an immersive approach to undertaking and communicating research.Experimenting with ethnography through the joys and tribulations of musical production, fandom and scholarship, these collated studies critically consider what it means to be a popular music ethnographer and to take an ethnographic approach to studying popular music. Alongside these chapters, musicians, venue owners, music writers, live music photographers, and fans add their voices and experience in the form of shorter vignettes, ordering the content into three overlapping themes: practices; places; and identities.

This edited collection offers evocative ways into a range of fascinating worlds of popular music, from the Ecuadorian indie scene to Chinese rock. In exploring the experiences of musicians, fans, industry professionals and academics, the rich complexity of popular music is brought to life through ethnography as an immersive approach to undertaking and communicating research.Experimenting with ethnography through the joys and tribulations of musical production, fandom and scholarship, these collated studies critically consider what it means to be a popular music ethnographer and to take an ethnographic approach to studying popular music. Alongside these chapters, musicians, venue owners, music writers, live music photographers, and fans add their voices and experience in the form of shorter vignettes, ordering the content into three overlapping themes: practices; places; and identities.

This book, which builds on a three-year immersive ethnographic study, argues that what scene participants do and say within the northern soul scene constitutes a claim to belong.

This book, which builds on a three-year immersive ethnographic study, argues that what scene participants do and say within the northern soul scene constitutes a claim to belong.