This book studies the various representations of Asia in Bengali literary periodicals between the 1860s and 1940s. It looks at how these periodicals tried to analyse the political situation in Asia in the context of world politics and how Indian nationalistic ideas and associations impacted their vision.

The volume highlights the influences of cosmopolitanism, universalism and nationalism which contributed towards a common vision of a united and powerful Asia and how these ideas were put into practice. It analyses travel accounts by men and women and examines how women became the focus of the didactic efforts of all writers for a horizontal dissemination of Asian consciousness. The author also provides a discussion on Asian art and culture, past and present connections between Asian countries and the resurgence of 19th-century Buddhism in the consciousness of the Bengalis.

Rich in archival material, Knowing Asia, Being Asian will be useful for scholars and researchers of history, Asian studies, modern India, cultural studies, media studies, journalism, publishing, post-colonial studies, travel writings, women and gender studies, political studies and social anthropology.

This book studies the various representations of Asia in Bengali literary periodicals between the 1860s and 1940s. It looks at how these periodicals tried to analyse the political situation in Asia in the context of world politics and how Indian nationalistic ideas and associations impacted their vision.

The volume highlights the influences of cosmopolitanism, universalism and nationalism which contributed towards a common vision of a united and powerful Asia and how these ideas were put into practice. It analyses travel accounts by men and women and examines how women became the focus of the didactic efforts of all writers for a horizontal dissemination of Asian consciousness. The author also provides a discussion on Asian art and culture, past and present connections between Asian countries and the resurgence of 19th-century Buddhism in the consciousness of the Bengalis.

Rich in archival material, Knowing Asia, Being Asian will be useful for scholars and researchers of history, Asian studies, modern India, cultural studies, media studies, journalism, publishing, post-colonial studies, travel writings, women and gender studies, political studies and social anthropology.

This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India.

A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.

This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India.

A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.

This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations.

Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media.

The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.

This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations.

Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media.

The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.

This book studies the various representations of Asia in Bengali literary periodicals between the 1860s and 1940s. It looks at how these periodicals tried to analyse the political situation in Asia in the context of world politics and how Indian nationalistic ideas and associations impacted their vision.

The volume highlights the influences of cosmopolitanism, universalism and nationalism which contributed towards a common vision of a united and powerful Asia and how these ideas were put into practice. It analyses travel accounts by men and women and examines how women became the focus of the didactic efforts of all writers for a horizontal dissemination of Asian consciousness. The author also provides a discussion on Asian art and culture, past and present connections between Asian countries and the resurgence of 19th-century Buddhism in the consciousness of the Bengalis.

Rich in archival material, Knowing Asia, Being Asian will be useful for scholars and researchers of history, Asian studies, modern India, cultural studies, media studies, journalism, publishing, post-colonial studies, travel writings, women and gender studies, political studies and social anthropology.

This book studies the various representations of Asia in Bengali literary periodicals between the 1860s and 1940s. It looks at how these periodicals tried to analyse the political situation in Asia in the context of world politics and how Indian nationalistic ideas and associations impacted their vision.

The volume highlights the influences of cosmopolitanism, universalism and nationalism which contributed towards a common vision of a united and powerful Asia and how these ideas were put into practice. It analyses travel accounts by men and women and examines how women became the focus of the didactic efforts of all writers for a horizontal dissemination of Asian consciousness. The author also provides a discussion on Asian art and culture, past and present connections between Asian countries and the resurgence of 19th-century Buddhism in the consciousness of the Bengalis.

Rich in archival material, Knowing Asia, Being Asian will be useful for scholars and researchers of history, Asian studies, modern India, cultural studies, media studies, journalism, publishing, post-colonial studies, travel writings, women and gender studies, political studies and social anthropology.

This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India.

A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.

This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India.

A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.

This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations.

Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media.

The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.

This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations.

Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media.

The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.