Scott F. Stoddart - Böcker

The eighties are seen by many as a time of excess and extremes. From Boy George to Madonna, metal heads to valley girls, and workout clothes to shoulder pads, many pushed the boundaries of what was was conventional. After a decade of war, disillusionment of the government, advances in civil rights, and disco, Americans became status seekers and shopaholics and the Me generation was born. Twelve narrative chapters describe the decade of decedence and its impact on popular culture including: the AIDS epidemic, preppies, Miami Vice, the Rubik's Cube, E.T., hair bands, the advent of the personal computer, malls, Ronald Reagan, Pac-Man, Cheers, Stephen King, Michael Jackson, the shuttle Challenger explosion, Bonfire of the Vanities, music videos, Roseanne, the power suit, Less Than Zero, rap music, and The Cosby Show, among many others.Chapters on Everyday America and the World of Youth describe the important changes in American society, from Ronald Reagan's War on Drugs, to latch-key kids, to Black Monday. The following ten chapters explore the many aspects of popular culture-everything from advertising to fashion, literature to music, travel to the visual arts-that influenced Americans in the eighties. Supplemental resources include a timeline of important events, an extensive bibliography for further reading and a subject index.

AMC's episodic drama Mad Men has become a cultural phenomenon, detailing America's preoccupation with commercialism and image in the Camelot of 1960s Kennedy-era America, while self-consciously exploring current preoccupations. The 12 critical essays in this collection offer a broad, interdisciplinary approach to this highly relevant television show, examining Mad Men as a cultural barometer for contemporary concerns with consumerism, capitalism and sexism. Topics include New Historicist parallels between the 1960s and the present day, psychoanalytical approaches to the show, the self as commodity, and the "Age of Camelot" as an "Age of Anxiety," among others. A detailed cast list and episode guide are included.Instructors considering this book for use in a course may request an examination copy here.

The BBC television series Downton Abbey (2010-2016), highly rated in the UK, achieved cult status among American viewers, harking back to the days when serial dramas ruled the airwaves. The show's finale was one of the most watched in all of television history.This collection of new essays by British and American contributors explores how a series about life in an early 20th century English manor home resonated with American audiences. Topics include the role of the house in literature and film, the changing roles of women and the servant class, the influence of jazz and fashion, and attitudes regarding education and the class system.

American moviegoers have long turned to the Hollywood Western for reassurance in times of crisis. During the genre's heyday, the films of John Ford, Howard Hawks and Henry Hathaway reflected a grand patriotism that resonated with audiences at the end of World War II. The tried-and-true Western was questioned by Ford and George Stevens during the Cold War, and in the 1960s directors like Sam Peckinpah and George Roy Hill retooled the genre as a commentary on American ethics during the Vietnam War.Between the mid-1970s and early 1990s, the Western faded from view--until the Gulf War, when Kevin Costner's Dances with Wolves (1990) and Clint Eastwood's Unforgiven (1992) brought it back, with moral complexities. Since 9/11, the Western has seen a resurgence, blending its patriotic narrative with criticism of America's place in the global community. Exploring such films as True Grit (2010) and Brokeback Mountain (2005), along with television series like Deadwood and Firefly, this collection of new essays explores how the Western today captures the dichotomy of our times and remains important to the American psyche.