Scott Nadelson – författare

WINNER OF THE H.L. DAVIS AWARD FOR SHORT FICTION at the 2004 Oregon Book Awards and GLCA''s 2005 New Writers Award, Scott Nadelson’s interrelated short stories are graceful, vivid narratives that bring into sudden focus the spirit and the stubborn resilience of the Brickmans, a Jewish family of four living in suburban New Jersey. The central character, Daniel Brickman, forges obstinately through his own plots and desires as he struggles to balance his sense of identity with his longing to gain acceptance from his family and peers. In Kosher, Daniel’s disdain for his parents’ values and lifestyle, for their materialism and need for security, leads him to take a job as a telemarketer for the Robowski Fund for the Disabled, a charity benefiting two people only: Daniel and Helen Robowski. And in Young Radicals, Daniel gathers research for a thesis on early Soviet history by interviewing his grandfather, now a retiree in Florida, who painted factories and sang Communist work songs in 1920s Leningrad before immigrating to America. This fierce collection provides an unblinking examination of family life and the human instinct for attachment.

The Cantor''s Daughter is the compelling new collection from Oregon Book Award Winner and recipient of the GLCA''s New Writers Award for 2005, Scott Nadelson. In his follow-up to Saving Stanley, these stories capture Jewish New Jersey suburbanites in moments of crucial transition, when they have the opportunity to connect with those closest to them or forever miss their chance for true intimacy. In "The Headhunter," two men develop an unlikely friendship at work, but after twenty years of mutually supporting each other’s families and careers their friendship comes to an abrupt and surprising end. In the title story, Noa Nechemia and her father have immigrated from Israel following a tragic car accident her mother did not survive. In one stunning moment of insight following a disastrous prom night, Noa discovers her ability to transcend grief and determine the direction of her own life. And in “Half a Day in Halifax” Beth and Roger meet on a cruise ship where their shared lack of enthusiasm for their trip sparks the possibility of romance. Nadelson''s stories are sympathetic, heartbreaking, and funny as they investigate the characters'' fragile emotional bonds and the fears that often cause those bonds to falter or fail.

THE CHARACTERS IN SCOTT NADELSON’S third collection are living in the wake of momentous events-- the rupture of relationships, the loss of loved ones, the dissolution of dreams, and yet they find new ways of forging on with their lives, making accommodations that are sometimes delusional, sometimes destructive, sometimes even healthy. In “Oslo,” a thirteen-year-old boy on a trip to Israel with his grandparents grapples with his father’s abandonment and his own rocky coming-of-age. In “The Old Uniform,” a young man left by his fiancée revisits the haunts of his single days, and on a drunken march through nighttime Brooklyn, begins to shed the false selves that have kept him from fully living. And in the title story, a couple testing out the waters of trial separation quickly discover how deeply the fault lines of their marriage run and how desperately they want to hang onto what remains. Mining Nadelson’s familiar territory of Jewish suburban New Jersey, these fearless, funny, and quietly moving stories explore the treacherous crossroads where disappointments meet unfulfilled desire.

Beginning in the summer of 2004, Scott Nadelson’s life fell apart. His fiancée left him a month before their planned wedding for another woman who made her living performing as a drag king. He moved into a drafty attic. His car’s brakes went out. He learned that his cat was dying. Over the next two years, he’d struggle, with equivocal and sometimes humiliating results, to get back on his feet, in the process re-examining his past to understand his present circumstances.The Next Scott Nadelson: A Life in Progress is a literary self-portrait that revolves around the dissolution of a relationship but encompasses the long process of a young man’s halting self-discovery. Exploring episodes from the life of its author/narrator marked by failure, suffering, and hope, as well as literary and cultural influence, the book weighs the things that make us want to give up against the things that keep us going. Though many of the pieces are comic and self-deprecating—some self-lacerating—they are above all meditations on the nature of the self and the way it can be constructed through memory, desire, and the imagination. Together they form a larger narrative, a search for fulfillment and identity in a life often governed by fear.With humor and unflinching honesty, Scott Nadelson scrutinizes his life to discover who he is and finds just how elusive such a discovery can be. To read the resulting book is to join him on a personal journey that is thoughtful, surprising, occasionally hilarious, and unapologetically human.

Trust Me tells the story of a turbulent year in the life of Lewis Nelson and his daughter Skye, who spend their time together at the edge of a fragile wilderness in Western Oregon. As a last-ditch effort to save his marriage, Lewis—an East Coast suburban Jew who has run from his roots—buys a cabin on a wild and scenic river in the Cascade foothills; after the marriage falls apart, he moves to the woods and makes the long commute every morning to Salem, the state capital, where he works a tedious government job. Skye stays with him on weekends, leaving behind her middle-school friends, her cellular service, her cat, and her mom in exchange for ancient trees and clear water and moss-covered rocks. In fifty-two vignettes—one for each week of the year—that alternate between Lewis’s perspective and Skye’s, the novel traces their days foraging for mushrooms and searching for newts, arguing over jigsaw puzzles and confronting menacing neighbors, hosting skeptical visitors and taking city jaunts, finding pleasure in small moments of wonder and coping with devastating loss. By turns comic and heartbreaking, Trust Me is a study of the uneasy bond between a hapless father and his precocious daughter, of their love for a complex and changing landscape, of the necessity and precariousness of the relationships and places we cherish most.