Scott von Doviak – författare

Over the past four decades, the Stephen King movie has become a genre unto itself. The prolific writer's works have spawned well over 100 adaptations for both the big and small screen, ranging from modern classics of horror (Carrie, The Shining) to Oscar-nominated fare (The Shawshank Redemption, The Green Mile) to unapologetic, B-movie schlock (the King-directed Maximum Overdrive). The filmmakers to put their stamp on King's material include acclaimed auteurs Stanley Kubrick, David Cronenberg, and Brian De Palma; masters of horror Tobe Hooper, John Carpenter, and George Romero; and popular mainstream directors Rob Reiner, Frank Darabont, and Lawrence Kasdan.Stephen King Films FAQ is the most comprehensive overview of this body of work to date, encompassing well-known hits as well as forgotten obscurities, critical darlings and reviled flops, films that influenced King as well as those that have followed in his footsteps, upcoming and unmade projects, and selected works in other media (including comic books, radio dramas, and the infamous Carrie musical).Author Scott Von Doviak provides background information, analysis, and trivia regarding the various films and television productions, including “Bloodlines” sections on related works and “Deep Cuts” sections collecting additional odd facts and ephemera. All you ever wanted to know about the king of horror onscreen can be found here.

A group of criminals in 1946 pull off the heist of the century, stealing a dozen priceless works of art from a Boston museum. But while the thieves get caught, the art is never found. Forty years later, the last surviving thief gets out of jail and goes hunting for the loot, involving some innocent college students in his dangerous plan – and thirty years after that, in the present day, the former college kids, now all grown up, are drawn back into danger as the still-missing art tempts a deadly new generation of treasure hunters. A breathtakingly clever, twist-filled narrative that moves from 1946 to 1988 to 2014 and back again, CHARLESGATE CONFIDENTIAL establishes Scott Von Doviak as a storyteller of the first order, and will leave you guessing until the very last page.

Join a heart-racing road trip across 1970s America as two cousins make the heist of their lives and must avoid the cops and criminals hot on their tails.It's the summer of '74...Richard Nixon has resigned from office, CB radios are the hot new thing, and in the great state of Texas two cousins hatch a plan to drive $1 million worth of stolen weed to Idaho, where some lunatic is gearing up to jump Snake River Canyon on a rocket-powered motorcycle. But with a vengeful sheriff on their tail and the revered and feared marijuana kingpin of Central Texas out to get his stash back, Chuck and Dean are in for the ride of their lives - if they can make it out alive...Scott Von Doviak, longtime pop-culture journalist for The A.V. Club, Film Threat, The Hollywood Reporter, and the Fort Worth Star-Telegram, made a splash with his debut novel, CHARLESGATE CONFIDENTIAL, which Stephen King called "terrific" and "a fun machine...the white-knuckle kind." With LOWDOWN ROAD, he cements his reputation for pedal-to-the-metal storytelling that also makes you think about just who we are and where our darker roads might lead us.

While the pimps and players of blaxploitation movies dominated inner-city theaters, good old boys with muscle under their hoods and moonshine in their trunks roared onto drive-in screens throughout rural America. The popularity of these "hick flicks" grew throughout the '70s, and they attained mass acceptance with the 1977 release of Smokey and the Bandit. It marked the heyday of these regional favorites, but within a few short years, changing economic realities within the movie business and the collapse of the drive-in market would effectively spell the end of the so-called hixploitation genre.This comprehensive study of the hixploitation genre is the first of its kind. Chapters are divided into three major topics. Part One deals with "good ol' boys," from redneck sheriffs, to moonshiners, to honky-tonk heroes and beyond. Part Two explores road movies, featuring back-road racers, truckers and everything in between. Part Three, "In the Woods," covers movies about all manner of beasts--some of them human--populating the swamps and woodlands of rural America. Film stills are included, and an afterword examines both the decline and metamorphosis of the genre. A filmography, bibliography and index accompany the text.