Scott Williams – författare

After Meisner proposes concrete and sensible answers for the questions modern actors ask. In weaving together some simple, direct, practicable exercises with years of direct teaching experience, the received wisdom of master teachers, and common-sense approaches to the problems actors face, Scott Williams constructs a complete Meisner-based approach to the actor's craft, from early days to opening nights. Most acting texts tend to fall into one category or another. They are either highly discursive, theory-laden tomes on the ideas behind acting techniques, or they feature workbook-like approaches. By employing a sidebar or dual-column approach, After Meisner places its exercises in the context of the ideas it is there to develop. Using a free-wheeling, opinionated and personal style, After Meisner empowers actors by speaking their language, and by providing them with real tools to use in their careers.

The Fang takes the most notorious villains of all timesvampiresand brings an all-new twist. Vampires have become organized in groups to defeat their common enemy, Rebecca. To do this, they have come up with a plan to destroy her employer, the Vatican. Now, Rebecca must find the one man who is best equipped to stop them and convince him to come back to the Vatican before the vampires plan is enacted.

A man stood on the ledge overlooking a large valley. His black hooded cape flapped in the wind of the cold Russian night winter air. If it were any other man, the wind would have frozen him to the bone, but while in his fighting outfit, Gabriel felt as if he was standing in the sun on a spring day. He looked down the valley before him, carefully observing the battle below him. The sounds, the smells, and the sight of battle has all but become a standard in his life. Some might say that the whole experience has numbed Gabriels senses. Standing there with his arms crossed and eyes piercing with little to no expression on his face, Gabriel watched as one werewolf after another attacked the castle, leaping as they reach the wall and then, with their sharp claws imbedded in the stone, beginning to climb its high walls. Others attacked the main gate as their entire freedom depended on everyone performing at their highest. The vampires occupying the castle tried with every bit of their strength to fend off the attacking werewolves. Some in the bat form swooped across the wall, trying to knock the werewolves off. Others used crossbows, firing silver-tipped bolts. Across the field in front of the castle, many werewolves fell, yet for every werewolf that fell, two or three would take its place. Soon all the vampires efforts would be in vain. It wasnt going to be very long. The sun was going to pike over the horizon, forcing the vampires to flee out of the light of the day. Behind Gabriel a man paced back and forth. He was dressed in sixteenth century captains uniform. He held his iron helmet at his side, pressed against the black and gold garment of the uniform of Gabriels men. Centuries before, Gabe had rejected the idea of having an army at his side to fight evil, but Pope Sylvester insisted that he have an army for just the cases such as the one he was facing on this day. The orders from the pope and czar of Russia, remove the werewolf and vampire problem in this land. Upon arriving though, it became clear that half of the work was going to be done for them.

Lightbulb Moments in Human History tracks humanity's big ideas and the eccentricities of those who conceived them. Along the way you'll find answers to questions such as: Why did the Sumerians have temple prostitutes? Just how psychotic was the God of the Old Testament? Why did parents in ancient Greece encourage their young sons to take older male lovers? And what on earth inspired the Mayans to have tobacco enemas? Funny. Irreverent. Never boring. This is not the history you were taught in school. Scott Edwin Williams' Lightbulb Moments in Human History engages, entertains, and provides hope that while times are tough, we're not all going to hell in a handbasket.