Seamus Murphy – författare

This book is a study of the British casino industry and how it has been shaped by criminality, prohibition, regulation and liberalization since the beginning of the First World War.The reader will gain a detailed knowledge of the history, culture, identity and participants within the British casino industry, which has, to date, escaped the attention of a dedicated historical and criminological investigation. This monograph fills this gap in inquiry while drawing on primary source material that has not been used previously, including, but not confined to, records in the National Archives relating to the Gaming Board of Great Britain and the Metropolitan Police. In addition to archive material, oral histories, newspapers, published journals and books have been utilised and referenced where appropriate.Envisaged to close a gap in historical research, this book will be of interest to historians, criminologists, regulators, students and individuals interested in gambling, society and cultural history.

This book is a study of the British casino industry and how it has been shaped by criminality, prohibition, regulation and liberalization since the beginning of the First World War.The reader will gain a detailed knowledge of the history, culture, identity and participants within the British casino industry, which has, to date, escaped the attention of a dedicated historical and criminological investigation. This monograph fills this gap in inquiry while drawing on primary source material that has not been used previously, including, but not confined to, records in the National Archives relating to the Gaming Board of Great Britain and the Metropolitan Police. In addition to archive material, oral histories, newspapers, published journals and books have been utilised and referenced where appropriate.Envisaged to close a gap in historical research, this book will be of interest to historians, criminologists, regulators, students and individuals interested in gambling, society and cultural history.

FINALIST IN THE PHOTO BOOK CATEGORY OF THE PICTURES OF THE YEAR AWARDBetween 2011 and 2014 PJ Harvey and Seamus Murphy set out on a series of journeys together to Kosovo, Afghanistan, and Washington DC. Harvey collected words, Murphy collected pictures, and together they have created an extraordinary chronicle of our life and times. The Hollow of the Hand marks the first publication of Harvey’s powerful poetry, in conversation with Murphy’s indelible images. It is a landmark project and will be published internationally in October 2015.As PJ Harvey says: ‘Gathering information from secondary sources felt too far removed for what I was trying to write about. I wanted to smell the air, feel the soil and meet the people of the countries I was fascinated with. Following our work on Let England Shake, my friend Seamus Murphy and I agreed to grow a project together lead by our instincts on where we should go.’Seamus Murphy adds: ‘Polly is a writer who loves images and I am a photographer who loves words. Our relationship began a few years ago when she asked me if I would like to take some photographs and make some films for her last album Let England Shake. I was intrigued and the adventure began, now finding another form in this book. It is our look at home and the world.’The Hollow of the Hand will be available in a hardback edition with highest quality photographic reproductions, as well as a reader’s paperback version.

50th Anniversary Edition. Paperback.'In the sharply formal conversations of the stonemen, the bittersweet flavour of provincial Ireland is presented with neither sentiment nor adornment.' —William Trevor, The Guardian'The men who have gone before us have left us a heritage to be proud of; and we feel our own contribution has been for the good.' —Seamus Murphy, from the preface to Stone Mad.In 'Stone Mad' Seamus Murphy tells the story of his seven years spent as an apprentice to the stone carving trade, the growing knowledge of the challenges and joys of stone – and of the men who worked it. His artistic feeling for the quality responded to his workmates' reverence for ‘the well made thing’. The result is a book of surpassing beauty, full of warmth, humour and profound perception.

The 1998 Belfast (Good Friday) Agreement established power-sharing arrangements between the two divided communities in Northern Ireland. The Agreement is not set in stone but is rather a hopeful yet uncertain project. Making it put down deep cultural roots requires some confrontation with and transformation of the history, and the socially constructed memories, of Ireland’s decisive decade 1912–1923, which was violent and divisive.