Sean Griffin – författare

Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts. Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss:Authorship - examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer CinemaForms - exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spacesCamp - looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular cultureReception - considering three specific historical case-studies of how queer fans have interacted with media texts from Judy Garland to Star Trek.The Reader concludes with an essay that queerly rethinks classical gaze theory and allows students and scholars of the subject to draw their own conclusions in their studies.

Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts. Clearly divided into an introductory overview and four topic areas, the Reader explores how recent critical thinking has approached queer sexualities in relation to the cinema. The four sections discuss:Authorship - examining the role of sexuality in the work of queer filmmakers such as George Cukor, Dorothy Arzner, Barbara Hammer, and the directors of New Queer CinemaForms - exploring how genres such as the horror film, the musical, film noir, and the animated film construct queer cinematic spacesCamp - looking at how this reception strategy and mode of textual production, initially practised by pre-Stonewall queers, retains its critical charge even in contemporary mainstream popular cultureReception - considering three specific historical case-studies of how queer fans have interacted with media texts from Judy Garland to Star Trek.The Reader concludes with an essay that queerly rethinks classical gaze theory and allows students and scholars of the subject to draw their own conclusions in their studies.

From Thomas Edison's first cinematic experiments to contemporary Hollywood blockbusters, Queer Images chronicles the representation of lesbian, gay, bisexual, and queer sexualities over one hundred years of American film. The most up-to-date and comprehensive book of its kind, it explores not only the ever-changing images of queer characters onscreen, but also the work of queer filmmakers and the cultural histories of queer audiences. Queer Images surveys a wide variety of films, individuals, and subcultures, including the work of discreetly homosexual filmmakers during Hollywood's Golden Age; classical Hollywood's (failed) attempt to purge 'sex perversion' from films; the development of gay male camp in Hollywood cinema; queer exploitation films and gay physique films; the queerness of 1960s Underground Film practice; independent lesbian documentaries and experimental films; cinematic responses to the AIDS crisis; the rise and impact of New Queer Cinema; the growth of LGBT film festivals; and how contemporary Hollywood deals with queer issues. This entertaining and insightful book reveals how the meaning of sexual identity—as reflected on the silver screen—has changed a great deal over the decades, and it celebrates both the pioneers and contemporary practitioners of queer film in America. Queer Images is an essential volume for film buffs and anyone interested in sexuality and culture.

Humphrey Bogart. Abbott and Costello. Judy Garland and Mickey Rooney. John Wayne. Rita Hayworth and Betty Grable. Images of these film icons conjure up a unique moment in cinema and history, one of optimism and concern, patriotism and cynicism. What Dreams Were Made Of examines the performers who helped define American cinema in the 1940s, a decade of rapid and repeated upheaval for Hollywood and the United States. Through insightful discussions of key films as well as studio publicity and fan magazines, the essays in this collection analyze how these actors and actresses helped lift spirits during World War II, whether in service comedies, combat films, or escapist musicals. The contributors, all major writers on the stars and movies of this period, also explore how cultural shifts after the war forced many stars to adjust to new outlooks and attitudes, particularly in film noir. Together, they represented the hopes and fears of a nation during turbulent times, enacting on the silver screen the dreams of millions of moviegoers.

Humphrey Bogart. Abbott and Costello. Judy Garland and Mickey Rooney. John Wayne. Rita Hayworth and Betty Grable. Images of these film icons conjure up a unique moment in cinema and history, one of optimism and concern, patriotism and cynicism. What Dreams Were Made Of examines the performers who helped define American cinema in the 1940s, a decade of rapid and repeated upheaval for Hollywood and the United States. Through insightful discussions of key films as well as studio publicity and fan magazines, the essays in this collection analyze how these actors and actresses helped lift spirits during World War II, whether in service comedies, combat films, or escapist musicals. The contributors, all major writers on the stars and movies of this period, also explore how cultural shifts after the war forced many stars to adjust to new outlooks and attitudes, particularly in film noir. Together, they represented the hopes and fears of a nation during turbulent times, enacting on the silver screen the dreams of millions of moviegoers.

The chroniclers of medieval Rus were monks, who celebrated the divine services of the Byzantine church throughout every day. This study is the first to analyze how these rituals shaped their writing of the Rus Primary Chronicle, the first written history of the East Slavs. During the eleventh century, chroniclers in Kiev learned about the conversion of the Roman Empire by celebrating a series of distinctively Byzantine liturgical feasts. When the services concluded, and the clerics sought to compose a native history for their own people, they instinctively drew on the sacred stories that they sang at church. The result was a myth of Christian origins for Rus - a myth promulgated even today by the Russian government - which reproduced the Christian origins myth of the Byzantine Empire. The book uncovers this ritual subtext and reconstructs the intricate web of liturgical narratives that underlie this foundational text of pre-modern Slavic civilization.

The chroniclers of medieval Rus were monks, who celebrated the divine services of the Byzantine church throughout every day. This study is the first to analyze how these rituals shaped their writing of the Rus Primary Chronicle, the first written history of the East Slavs. During the eleventh century, chroniclers in Kiev learned about the conversion of the Roman Empire by celebrating a series of distinctively Byzantine liturgical feasts. When the services concluded, and the clerics sought to compose a native history for their own people, they instinctively drew on the sacred stories that they sang at church. The result was a myth of Christian origins for Rus - a myth promulgated even today by the Russian government - which reproduced the Christian origins myth of the Byzantine Empire. The book uncovers this ritual subtext and reconstructs the intricate web of liturgical narratives that underlie this foundational text of pre-modern Slavic civilization.

A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuriesAmerica on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability.The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic.America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinemaAfrican Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issuesAsian, Latin/x, and Native Americans on filmClassical Hollywood cinema and class, with an in-depth examination of The Florida ProjectWomen in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven AllowsPerfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and researchSurveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming mediaExamines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decisionThe text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in researchDescribes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and researchSurveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming mediaExamines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decisionThe text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in researchDescribes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical

Uncovers the queer nature of heterosexuality on film.Just as feminist scholars have turned to considerations of masculinity and scholars of race have begun to consider whiteness as a category, this collection brings the insights of queer theory to bear on cinematic representations of straightness. Spanning decades and cultures, from silent Hollywood films to modern Mumbai cinema, the essays in Hetero uncover multiple forms of heterosexual desire and demonstrate that heterosexuality is in fact a heavily contested terrain. Movies often become a place where one specific "heteronormative" ideal is upheld as proper, while other types of heterosexuality are denied or pathologized. By investigating how heterosexuality functions as a social construct, these essays deconstruct normative heterosexuality's simultaneous omnipresence and invisibility, effectively breaking down the barriers of sexual identity. Hetero offers a collective call to expand the ways in which queer theory is applied and put into practical use, and exposes the queer nature of the love that does dare speak its name.

Uncovers the queer nature of heterosexuality on film.Just as feminist scholars have turned to considerations of masculinity and scholars of race have begun to consider whiteness as a category, this collection brings the insights of queer theory to bear on cinematic representations of straightness. Spanning decades and cultures, from silent Hollywood films to modern Mumbai cinema, the essays in Hetero uncover multiple forms of heterosexual desire and demonstrate that heterosexuality is in fact a heavily contested terrain. Movies often become a place where one specific "heteronormative" ideal is upheld as proper, while other types of heterosexuality are denied or pathologized. By investigating how heterosexuality functions as a social construct, these essays deconstruct normative heterosexuality's simultaneous omnipresence and invisibility, effectively breaking down the barriers of sexual identity. Hetero offers a collective call to expand the ways in which queer theory is applied and put into practical use, and exposes the queer nature of the love that does dare speak its name.