Sean McEvoy - Böcker

William Shakespeare's Hamlet (c.1600-1601) has achieved iconic status as one of the most exciting and enigmatic of plays. It has been in almost constant production in Britain and throughout the world since it was first performed, fascinating generations of audiences and critics alike.Taking the form of a sourcebook, this guide to Shakespeare's remarkable play offers:extensive introductory comment on the contexts, critical history and performance of the text, from publication to the presentannotated extracts from key contextual documents, reviews, critical works and the text itselfcross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticismsuggestions for further reading.

William Shakespeare's Hamlet (c.1600-1601) has achieved iconic status as one of the most exciting and enigmatic of plays. It has been in almost constant production in Britain and throughout the world since it was first performed, fascinating generations of audiences and critics alike.Taking the form of a sourcebook, this guide to Shakespeare's remarkable play offers:extensive introductory comment on the contexts, critical history and performance of the text, from publication to the presentannotated extracts from key contextual documents, reviews, critical works and the text itselfcross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticismsuggestions for further reading.

This new guide to the English renaissance’s most erudite and yet most street-wise dramatist strongly asserts the theatrical brilliance of his greatest plays in performance, then and now. It traces the sources of that phenomenon to Jonson’s vision of himself as a poet in the Roman tradition, and to his commitment to the sane and progressive ideals of humanism in a city where a rampant free-market and political authoritarianism made life conflicted, dangerous, and yet darkly, hilariously absurd. In his best plays, all of these forces are crafted into formal structures glittering with wit and provocation.Ben Jonson, Renaissance Dramatist integrates all of Jonson’s major plays into the milieu of the turbulent years which produced them, and analyses the way each work examines the issues and challenges of those years: money, power, sex, crime, identity, gender, the theatre itself. It offers a lucid guide to the competing critical views of a playwright who is far more than the obverse of his friend and rival William Shakespeare, and it explains in detail how the undoubted power and energy of these plays in modern performance should be the touchstone of their quality to both critic and reader.The plays discussed include the early Comedies, the Roman Tragedies (Sejanus and Catiline), Volpone, Epicoene, The Alchemist, Bartholomew Fair and The Devil is an Ass.Key Features*The book is an up-to-date introduction to all the major plays, covering the major criticism from a variety of critical perspectives*Ben Jonson’s skill as a writer of brilliantly theatrical drama is emphasised throughout*Each play is securely and informatively placed in its literary and historical context*There is a lively account of how the plays have worked on stage in recent productions

Shakespeare: The Basics is a lively and accessible introduction to reading and studying Shakespeare. Exploring all aspects of Shakespeare’s plays, Sean McEvoy considers the language, cultural contexts and modern interpretations.This essential guide to a range of contemporary Shakespearean criticism explores and unpacks the different dramatic genres in which he wrote – comedy, history, tragedy and romance. It also provides a wealth of relevant and concise information on the historical, social and political contexts in which the plays were produced and have been understood. Extensively updated throughout, the fourth edition provides:A comprehensive account of Shakespearean tragedy for studentsAn introduction to ecocritical, ethical and queer readings of the playsAnalysis of notable recent Shakespeare films and productionsEnhanced contextual material on race and empire, gender roles and the theatre in politicsWith fully updated further reading throughout and a wide range of case studies and examples, Shakespeare: The Basics is an indispensable introduction for college and university students of literature and theatre, but also for anyone with an interest in the world’s most influential dramatist.

Shakespeare: The Basics is a lively and accessible introduction to reading and studying Shakespeare. Exploring all aspects of Shakespeare’s plays, Sean McEvoy considers the language, cultural contexts and modern interpretations.This essential guide to a range of contemporary Shakespearean criticism explores and unpacks the different dramatic genres in which he wrote – comedy, history, tragedy and romance. It also provides a wealth of relevant and concise information on the historical, social and political contexts in which the plays were produced and have been understood. Extensively updated throughout, the fourth edition provides:A comprehensive account of Shakespearean tragedy for studentsAn introduction to ecocritical, ethical and queer readings of the playsAnalysis of notable recent Shakespeare films and productionsEnhanced contextual material on race and empire, gender roles and the theatre in politicsWith fully updated further reading throughout and a wide range of case studies and examples, Shakespeare: The Basics is an indispensable introduction for college and university students of literature and theatre, but also for anyone with an interest in the world’s most influential dramatist.

Tragedy: The Basics is an accessible and up-to-date introduction to dramatic tragedy. A comprehensive guide for anyone undertaking a study of the genre, it provides a chronological overview and history of tragic theory. Covering tragedy from the classics to the present day, it explains the contextual and theoretical issues which affect the interpretation of tragedy, examining popularly studied key plays in order to show historical change. Including a glossary of key terms and suggestions for further reading, Tragedy: The Basics is an ideal starting point for anyone studying tragedy in literature or theatre studies.

Tragedy: The Basics is an accessible and up-to-date introduction to dramatic tragedy. A comprehensive guide for anyone undertaking a study of the genre, it provides a chronological overview and history of tragic theory. Covering tragedy from the classics to the present day, it explains the contextual and theoretical issues which affect the interpretation of tragedy, examining popularly studied key plays in order to show historical change. Including a glossary of key terms and suggestions for further reading, Tragedy: The Basics is an ideal starting point for anyone studying tragedy in literature or theatre studies.

Shortlisted for the 2017 Theatre Book PrizeWhat is it about theatre, compared to other kinds of cultural representation, which provokes such a powerful reaction? Theatrical Unrest tells the compelling tales of ten riots whose cause lies on stage. It looks at the intensity and evanescence of the live event and asks whether theatre shares its unrepeatable quality with history.Tracing episodes of unrest in theatrical history from an Elizabethan uprising over Shakespeare's Richard II to Sikhs in revolt at Gurpreet Kaur Bhatti's Behzti, Sean McEvoy chronicles a selection of extreme public responses to this inflammatory art form. Each chapter provides a useful overview of the structure and documentation of one particular event, juxtaposing eyewitness accounts with newspaper reports and other contemporary narratives.Theatrical Unrest is an absorbing account of the explosive impact of performance, and an essential read for anyone interested in theatre’s often violent history.

Shortlisted for the 2017 Theatre Book PrizeWhat is it about theatre, compared to other kinds of cultural representation, which provokes such a powerful reaction? Theatrical Unrest tells the compelling tales of ten riots whose cause lies on stage. It looks at the intensity and evanescence of the live event and asks whether theatre shares its unrepeatable quality with history.Tracing episodes of unrest in theatrical history from an Elizabethan uprising over Shakespeare's Richard II to Sikhs in revolt at Gurpreet Kaur Bhatti's Behzti, Sean McEvoy chronicles a selection of extreme public responses to this inflammatory art form. Each chapter provides a useful overview of the structure and documentation of one particular event, juxtaposing eyewitness accounts with newspaper reports and other contemporary narratives.Theatrical Unrest is an absorbing account of the explosive impact of performance, and an essential read for anyone interested in theatre’s often violent history.

Tracing the development of Butterworth’s work chronologically from Mojo (1995) to The Ferryman (2017), each chapter offers detailed critical readings of a single play, exploring how myth and legend become significantin a variety of ways to Butterworth’s presentation of cultural and personal crisis.